Mario Avati Animal Prints
Mario Avati along with fellow artist Marc Chagall attended the Ecole des Beaux-Arts in Paris. He began printmaking in the 1940s and later focused on mezzotint, a technique that would bring Avanti significant international recognition for his discipline. As a fellow at the Tamarind Lithography Workshop in the 1960s, he furthered his exploration of mezzotint, with the interplay of intense blackness with gradations of light that define the mezzotint process.
1960s Mario Avati Animal Prints
Mezzotint, Etching
1960s Modern Mario Avati Animal Prints
Mezzotint
Late 20th Century Contemporary Mario Avati Animal Prints
Mezzotint
1970s Modern Mario Avati Animal Prints
Etching
1960s Abstract Geometric Mario Avati Animal Prints
Mezzotint
1970s Modern Mario Avati Animal Prints
Etching
1970s Modern Mario Avati Animal Prints
Etching
1970s Modern Mario Avati Animal Prints
Etching
1970s Modern Mario Avati Animal Prints
Etching
1970s Modern Mario Avati Animal Prints
Etching
1970s Modern Mario Avati Animal Prints
Etching
1980s Modern Mario Avati Animal Prints
Mezzotint
2010s Contemporary Mario Avati Animal Prints
Paper, Drypoint, Etching
2010s American Modern Mario Avati Animal Prints
Mezzotint
1790s Old Masters Mario Avati Animal Prints
Engraving, Paper, Etching, Aquatint
1970s Surrealist Mario Avati Animal Prints
Drypoint, Etching, Lithograph
1830s Mario Avati Animal Prints
Mezzotint, Engraving
Francis Grant Her Majesty's Stag Hounds on Ascot, A Colored 19th Century British Hunting Scene, 1839
1970s Surrealist Mario Avati Animal Prints
Drypoint, Aquatint
1960s Abstract Geometric Mario Avati Animal Prints
Etching
Early 18th Century Naturalistic Mario Avati Animal Prints
Watercolor, Engraving
Early 18th Century Other Art Style Mario Avati Animal Prints
Engraving
20th Century Modern Mario Avati Animal Prints
Drypoint, Aquatint
1910s Modern Mario Avati Animal Prints
Drypoint, Etching