Mark Lewis Paintings

Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

Charles Arnoldi, is an American painter, sculptor and printmaker. He was born April 10, 1946 in Dayton, Ohio. Charles Arnoldi has been described as an artist who “draws in space” to...

Maggie LaPorte Banks. A cuppa at the cape 2 [2022] Signed by the artist Acrylic on canvas , printmaking, mixed medium Image size: H:76 cm x W:76 cm x D: 2cm Please note that insitu i...

Acrylic on canvas, unframed on a deep edge canvas. by Harriet Chomley. A colourful abstract work . Artwork by expressionist artist Haz Chomley is avai...

Throwing Some Shapes I by Kerry Louise Bennett [2022] One of a small series of paintings exploring the dynamic and expressive shapes of pot plant...

Jessica Brown Up, Up and Away Original Acrylic Painting on canvas Size: 33cm x 33cm Sold in a white wooden frame. Colours: light blue, green, cream, white , dark blue, yellow. This...

This contemporary political painting, The State of America, is a social critique of America and racism. Los Angeles-based Milan Tiff addresses issues of sys...

Paul Brach (American, 1924-2007). Cluster #3 Acrylic on canvas with collage metal stars on it. Paul Henry Brach, (born March 13, 1924 in New York City - d.November 16, 2007 in Easthampton, New York) was an American abstract painter and a lecturer and educator. As an abstract painter Paul Brach exhibited his work in New York with the Leo Castelli Gallery, the Cordier & Eckstrom Gallery, and with the André Emmerich Gallery and then later with Flomenhaft Gallery. Paul Brach's estate is represented exclusively by Eric Firestone Gallery. Paul Brach was born in New York City and was raised in Brooklyn and the Bronx. He went to the University of Iowa where he studied painting with Grant Wood. He served in the US Army during World War II. After the war, he finished school in Iowa on the GI Bill. At the University of Iowa he met the artist Miriam Schapiro and in 1946 they married. By 1951 they moved back to New York City and befriended many of the artists in the downtown Abstract expressionist New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. He was associated with the New York print studio Atelier 17 (Stanley Hayter) During the early 1960s Brach had part-time teaching jobs at The New School, Cooper Union, The Parsons School of Design and Cornell University's New York City Program. In 1967 Brach and his wife Miriam Schapiro moved to Southern California. He became the Dean of the CalArts program in Los Angeles in 1969. As dean of the School of Art at the California Institute from 1969 to 1975, Mr. Brach hired John Baldessari, Allan Kaprow and the critic Max Kozloff, among others. He helped to create a freewheeling experimental atmosphere out of which emerged artists like David Salle, Eric Fischl, Barbara Bloom...

Illegibly signed, titled and dated verso. angular abstract geometric painting in a graffiti, street art stye.

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...

A painting by Patrick Wilson. “Meadowlark” is a geometric abstract painting, acrylic on canvas executed in a vibrant palette of yellows, whites, grays and blacks by contemporary Amer...

"Health Formula" Human health is its main well-being. But a person is not only a Body, it is, first of all, a Spirit and a Soul. Therefore, the healing process cannot be considered solely as a treatment of the Body. There is an expression: "Physics needs physics." This suggests that if you have health problems, then you should definitely go to the doctor and use it to eliminate these problems at the physical level. But, eliminating the consequence - the disease, doctors will not eliminate the causes of its occurrence, since they are at the level of the subtle plane and are caused by damage to the energy shell of the sick person, leakage of vital energy or its transformation into negative. A person with such energy will “catch” any negativity rushing around and more often suffer from relapses and chronic diseases, accidents, depressive states, etc. Our ancestors knew about this and, using the methods of body treatment available at that time, for example, herbs, they also used symbols and signs to heal and close energy wounds, and as amulets for protection and prevention. That is why all clothes, utensils, furniture, houses, armor, etc. of our ancestors are decorated with appropriate symbols. The memory of the ancestors still lives in us, their strength and influence growing every day. How it works, science explains: the higher the frequency of waves in the space around a person and in himself, the healthier he is both emotionally and physically (about the Schumann resonance, changes in the structure of water under the influence of sounds, frequencies of the tertiary structure of the DNA helix, frequencies of brain waves in different emotions and states, etc. you can read on your own). How can the Health Formula help? - In a positive effect on both the physical state and the mental, managing the flow and direction of thoughts and the general condition of a person, maintaining the fire of life in all life situations. It balances the forces responsible for the proportions of the five main elements in the body, and, as a result, the functioning of all human systems and organs is normalized. For example, an excess of the elements of ether and air can cause nervous irritation, high blood...