Max Ernst Art

This original etching and aquatint is hand signed in pencil by the artist "Max Ernst" at the lower right margin. It is hand numbered in pencil from the edition of 99, at the lower le...

Etching and aquatint in colours (colour variation) by Max Ernst. "Terre des nébuleuses", 1965 38 x 27,5 cm Copy essai 1/1

Hand signed and numbered. Edition of 100 prints. Slightly discolored with foxing on sheet. Catalogo: Brusberg N.158 .P Image Dimensions : 34 x 20 cm

This work is hand signed in pencil by the artist at the lower right margin "max ernst". This etching was printed for "Texte und Briefe" of Antonin Artaud. The work was printed in 196...

Pink Composition is an artwork realized by Max Ernst in 1974. Original colored lithograph. Good conditions. Printed by  Atelier Pierre Chave in Vence, France. This lithograph was ...

Max Ernst "Untitled" 1965 Etching and aquatint in colors, on Arches paper. 7.8 x 5.39 inches Publisher: Georges Visat, Paris. Total edition: 100 copies +EA. Publication: Spies - Lepp...

Affiche pour la Hune II Lithograph in colors, 1970 Signed in pencil lower right Numbered 13/99 lower left This impression from the edition before the addition of lettering and the pu...

Original Edition Photogram from a frottage in black in white on photosensitive paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. No...

Max Ernst (1891-1976) Surrealist landscape, 1973 Original lithograph in colors Signed in the plate On vellum size 27.5 x 35.5 cm Printed in Pierre Chave workshop Very good condition

Medium: original lithograph. Catalogue reference Spies/Leppien 202. Published in 1971 by XXe Siecle. Sheet size: 12 1/4 x 9 3/8 inches (310 x 238 mm). Not signed.

Medium: gelatin silver print (photogram). Printed in 1931 and published in Paris for the journal Arts et Metiers Graphiques. A photogram was an experimental technique conceived by Ma...

Medium: original lithograph. Catalogue reference Spies/Leppien 71. Printed in 1958 for XXe Siecle and published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/8 inches (315 x 232 mm). N...

Medium: original lithograph. Printed in 1962 for XXe Siecle (issue No. 20) published in Paris by San Lazzaro. Size: 12 1/8 x 9 1/4 inches (307 x 235 mm). Not signed.

Medium: original lithograph. This impression was printed in 1939 for the art revue XXe Siecle (issue number 5-6) and published by San Lazzaro. A later edition was also published by XXe Siecle in 1959, but this is the original, first edition Max Ernst lithograph...

Pink Composition is an original artwork realized by Max Ernst in 1974. Original colored lithograph. Very Good conditions. Printed by Atelier Pierre Chave in Vence, France. This li...

" Hölderlin: Poèmes " is a hand-signed etching realized by Max Ernst  in 1961. It presents very good conditions. Passepartout included: 49 x 34 cm. Bibliography: Catalog Brusberg n....

Edition of 1100 copies. Copy on Marais une fleur paper. Includes 31 colorful, scale reproductions of original works by Ernst. French language. Binding partially detached. Very good c...

Hand signed and numbered. Edition of 100 prints, numbered and hand signed. Excellent condition.

"Obliques" is an etching hand-signed and numbered etching realized by Max Ernst in 1967. This is an edition of 57 prints. Passepartout included. Very good condition. Published by Ge...

" Zodiaque " is an etching realized by Max Ernst in 1971. This print is hand signed and numbered. This is an edition of 100 prints. Reference: Catalogue Spies n. 144. Originally a ...

Hand signed. Edition of 100 pieces. Very good condition Provenance: P. Prouté

" Après-moi le XX siècle" is a hand-signed and numbered lithograph realized by Max Ernst in 1971. This is part of the deluxe edition of 80 prints published by the Art Magazine XXème ...

" Composition - from 'Festin' " is an original hand-signed, numbered, and dated lithograph realized by  Max Ernst  in 1974. This is an edition of 79 prints. It presents excellent. co...

Hand signed and numbered. Edition of 69 prints. Matting included. Very good condition.

Les Malheurs des Immortels révélés par Paul Eluard et Max Ernst. Collection of poems and prints Woodcuts. Uncut. Copy number 822 of 1300. This copy is printed on paper Madagascar.

Après moi is an artwork reazlized by Max Ernst as deluxe edition for the Art Magazine XXème Siècle. Lithograph on japanese paper, 1971. Edition 14/80. Hand signed and numbered. 29 x...

Wunderhorn is an artwork realized by Max Ernst, Lewis Carrolls,1970. Lithograph on Japon Paper, signed and numbered 68/69. Printed and published by Manues Press (Embossing Stamp)....

Engraving, 1967 Handsigned by the artist in pencil and Annotated "Essay" Edition : 99 + HC Publisher : Georges Visat (Paris) Printer : Georges Visat (Paris) Catalog : Leppien 118 43....

Wunderhorn is an artwork realized by Max Ernst, Lewis Carrolls,1970. Lithograph on Japon Paper, igned and numbered 68/69. Printed and published by Manues Press (Embossing Stamp). ...

Idols is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd conditions. T...

Max Ernst (1891-1976) Surrealist Dream : Couple of Roosters, 1970 Original color lithograph Printed signature in the plate On Arches vellum 33.5 × 61 cm (c. 13 x 24 in) REFERENCES...

Etching and aquatint, 1975 Handsigned by the artist in pencil and numbered 26/100 Publisher : Éditions Georges Visat (Paris) Printer : Atelier Georges Visat (Paris) 54.50 cm. x 41.50...

Max Ernst - Elektra Lithograph 1939 Dimensions: 32 x 24 cm Signed in the plate From XXe siècle Unsigned and unumbered as issued

Beautiful poster of Max Ernst printed by Mourlot in 1964 for an exhibition on surrealism. A prolific artist, Ernst is one of the pioneers of the Dada movement...

Menorah is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd conditions. ...

Artist: Max Ernst, German (1891 - 1976) Title: Oiseaux Souterrains Year: 1975 Medium: Lithograph on Japon paper, signed and numbered in pencil Edition: 99 Image Size: 13.5 x 24.5 inc...

Through the Window is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd c...

Beautiful poster of exhibition of the writings and engraved work of Max Ernst to the gallery of the point Cardinal. Max Ernst ( 1891 - 1976 ) was a German painter, sculptor, graphic artist and poet. A prolific artist, Ernst was one of the main pioneers of the Dada movement...

Idols is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd conditions. T...

Lithograph Handsigned by the artist in pencil / Annoted "EA" 57.00 cm. x 34.50 cm. 22.44 in. x 13.58 in. (paper) 32.00 cm. x 24.00 cm. 12.6 in. x 9.45 in. (image) LCD4734

Through the Window is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd c...

Artist: Max Ernst, German (1891 - 1976) Title: Monkey Pursued by an Elephant for a Flight of Hat Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 78/99 Image Siz...

Artist: Max Ernst Medium: Original Lithograph, E.A. Signed, Edition of 125, 1965 Dimensions: 29 x 21.5 in, 73.66 x 54.61 cm

Artist: Max Ernst Medium: Lithographic Poster Ed of 500, 1964 Dimensions: 29 x 20 in, 74 x 50 cm

Etching in colours by Max Ernst. "Bonjour", 1966 66,5 x 50,1 cm Copy 7/99 Edition of 111 copies (approx.)

La Dame Ovale is an original modern rare book written by Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011) and illustrated by Max Ernst (1891 - 1976) in 1934. Original edition. Published by GLM, Paris. 535 numbered copies. Format: small 8°. Seven full page collages. Unnumbered pages. Good conditions. Max Ernst in 1934. Originally a Dada activist in Germany, Max Ernst (1891 - 1976) became one of the early adherents of the Surrealist circle. As a child living in a small community near Cologne, Ernst had considered his existence incredible and full of wonders. In autobiographical transcripts, written mostly in the third person, he said of his birth: “Max Ernst had his first contact with the world of sense on the 2nd April 1891 at 9:45 a.m., when he emerged from the egg which his mother had laid in an eagle’s nest and which the bird had incubated for seven years”. Ernst’s service in the German army during World War I swept away his early success as an Expressionist. In his own words: “Max Ernst died on 1st August 1914. He returned to life on 11th November 1918, a young man who wanted to become a magician and find the central myth of his age. From time to time he consulted the eagle which had guarded the egg of his prenatal existence. The bird’s advice can be detected in his work”. Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011). Carrington was a British-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the Surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s. In 1936 Leonora saw the work of the German surrealist...

Illustrated Book, 1972 Handsigned by the artist in pencil and numbered 231/500 Publisher : Manus Presse (Stuttgart) Text in German illustrated with 6 lithographs by Max Ernst and 6 l...

Signed and numbered in pencil Lithograph 20.5 x 17 inches Edition 64 of 70

Max ERNST Surrealist Composition : Après-moi le XX° siècle, 1971 Original lithograph in colours Unsigned On wove paper 31 x 24 cm (c. 12,2 x 9,4 inches) REFERENCES : Catalogue rais...

MAX ERNST 1891-1976 Cologne 1891-1976 Paris (German) Title: Le parquet se soulève, 1939 (Red) Technique: A Suite of Six Original Hand Signed and hand Numbered Lithographs in Red on...

Max Ernst - Birds - Original Lithograph Birds, 1964 (BNF, 63) Dimensions: 32 x 24 cm Revue Art de France ax Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...

Max Ernst - Birds - Original Lithograph Birds, 1964 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

A l’Intérieur de la Vue is an original modern rare book written by Paul Éluard (Saint-Denis, 1895 – Charenton-le-Pont, 1952) and illustrated by Max Ernst (1891 - 1976) in 1948. Orig...

Max Ernst - Birds - Original Lithograph Birds, 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

At Eye Level Paramyths is an original modern rare book illustrated by Max Ernst (1891 - 1976) and written by Various Authors in 1949. Original Edition, designed by Max Ernst as cat...

La Femme 100 Têtes is an original modern rare book illustrated by Max Ernst (1891 - 1976) in 1929, and extraordinary first example of conceptual art Original first edition. Publish...

Max Ernst - Composition - Original Lithograph 1958 Dimensions: 32 x 24 cm XXe siècle Unsigned and unnumbered, as issued Max Ernst was born in Bruhl, a place near Cologne, in Germany. He was raised in a strict Catholic family, and both of his parents were disciplinarians who were dedicated to training their children into God-fearing and talented individuals. Although his father was deaf, Ernst learned so much from him, particularly when it comes to painting. In fact, much of his early years were lived under the inspiration of his father who was also a teacher. He was the one who introduced painting to Ernst at an early age. In 1914, Ernst attended the University of Bonn where he studied philosophy. However, he eventually dropped out of school because he was more interested in the arts. He claimed that his primary sources of interest included anything that had something to do with painting. Moreover, he became fascinated with psychology, among other subjects in school. Primarily, Ernst's love for painting was the main reason why he became deeply interested with this craft and decided to pursue it later on in his life. During his early years, he became familiar with the works of some of the greatest artists of all time including Claude Monet, Paul Cezanne and Vincent van Gogh. He was also drawn to themes such as fantasy and dream imagery, which were among the common subjects of the works of Giorgio de Chirico. During World War I, Ernst was forced to join the German Army, and he became a part of the artillery division that exposed him greatly to the drama of warfare. A soldier in the War, Ernst emerged deeply traumatized and highly critical of western culture. These charged sentiments directly fed into his vision of the modern world as irrational, an idea that became the basis of his artwork. Ernst's artistic vision, along with his humor and verve come through strongly in his Dada and Surrealists works; Ernst was a pioneer of both movements. It was Ernst's memories of the war and his childhood that helps him create absurd, yet interesting scenes in his artworks. Soon, he took his passion for the arts seriously when he returned to Germany after the war. With Jean Arp, a poet and artist, Ernst formed a group for artists in Cologne. He also developed a close relationship with fellow artists in Paris who propagated Avant-Garde artworks. In 1919, Ernst started creating some of his first collages, where he made use of various materials including illustrated catalogs and some manuals that produced a somewhat futuristic image. His unique masterpieces allowed Ernst to create his very own world of dreams and fantasy, which eventually helped heal his personal issues and trauma. In addition to painting and creating collages, Ernst also edited some journals. He also made a few sculptures that were rather queer in appearance. In 1920s, influenced by the writings of psychologist Sigmund Freud, the literary, intellectual, and artistic movement called Surrealism sought a revolution against the constraints of the rational mind; and by extension, they saw the rules of a society as oppressive. Surrealism also embraces a Marxist ideology that demands an orthodox approach to history as a product of the material interaction of collective interests, and many renown Surrealism artists later on became 20th century Counterculture symbols such as Marxist Che Guevara. In 1922 Ernst moved to Paris, where the surrealists were gathering around Andre Breton. In 1923 Ernst finished Men Shall Know Nothing of This, known as the first Surrealist painting. Ernst was one of the first artists who apply The Interpretation of Dreams by Freud to investigate his deep psyche in order to explore the source of his own creativity. While turning inwards unto himself, Ernst was also tapping into the universal unconscious with its common dream imagery. Despite his strange styles, Ernst gained quite a reputation that earned him some followers throughout his life. He even helped shape the trend of American art during the mid-century, thanks to his brilliant and extraordinary ideas that were unlike those of other artists during his time. Ernst also became friends with Peggy Guggenheim, which inspired him to develop close ties with the abstract expressionists. When Ernst lived in Sedona, he became deeply fascinated with the Southwest Native American navajo art. In fact, the technique used in this artwork inspired him and paved the way for him to create paintings that depicted this style. Thus, Ernst became a main figure of this art technique, including the rituals and spiritual traditions included in this form of art. Pollock, aside from the other younger generations of abstract expressionists, was also inspired by sand painting of the Southwest...