Oliver Hall, R.A., R.E., R.S.W. Art

Unknown Artist "Charcoal and Pencil Country Landscape" c. 1940s Charcoal and pencil on paper 12"x9" unframed Unsigned

"Flat Lands" is an original mixed media on paper by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. Th...

"1940 - Number Nine" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes colo...

"Chelsea Cafe" by Richard Gower is a captivating original figurative cityscape painting that seamlessly captures the essence of a bustling London Chelsea café. Executed with masterful skill using oil on board, Gower employs an impressionistic style to breathe life into the scene, creating a visual narrative that engages the viewer. The painting is a celebration of the vibrant city life, focusing on a charming Chelsea café with people relishing the pleasures of outdoor seating. The atmosphere is lively, and Gower skillfully portrays the nuanced interactions between patrons, capturing the genuine enjoyment of the moment. The figures are rendered with a dynamic fluidity, their gestures and expressions conveying a sense of shared camaraderie and leisure. The color scheme of "Chelsea Cafe" is a harmonious blend of blue, white, and pastel tones. The artist's use of these colors adds a tranquil and inviting ambiance to the scene, creating a visual symphony that resonates with the cafe's charm. The play of light and shadow enhances the depth and dimension of the composition, providing a realistic yet dreamlike quality to the overall painting. Gower's signature is a testament to the authenticity and completion of the artwork, and "Chelsea Cafe" is ready to be proudly displayed in any art enthusiast's collection. Whether viewed up close or from a distance, the details in the painting come together to form a cohesive and visually stimulating experience. For those seeking to bring a piece of London's Chelsea charm...

Gyrth Russell. Canadian ( b.1892 - d.1970 ). Before the Hot Day Brightens to Blue (Mevagissey Harbor, Cornwall). Oil on Canvas. Signed. Image size 22.4 inches x 34.8 inches ( 57cm x 88.5cm ). Frame size 28.5 inches x 40.6 inches ( 72.5cm x 103cm ). Available for sale; this original oil painting is by Gyrth Russell and dates from post WWII. The painting is presented and supplied in a 1960s frame (which is shown in these photographs). The painted surfaces have benefitted from cleaning and conservation, which took place on our instruction, supervision and approval. This vintage painting is now in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with the Howard Roberts Gallery, Cardiff. Considered one of the best coastal painters of the 20th century, Gyrth Russell was born in Halifax, Nova Scotia in April 1892. He was the youngest of 8 children. His father was a Canadian MP and a Supreme High Court Judge for Nova Scotia. At the age of fourteen, Russell began his artistic career at Halifax School of Art, and quickly graduated to the School of Art at Boston, Massachusetts. His first job was as a draughtsman in the Public Works Department of Canada, in Halifax. It was during this period he saw and sketched the cable ship Mackay Bennett returning to her Halifax Station, her decks piled high with coffins containing bodies found after the Titanic Disaster. In 1911 Russell left Canada to study at the Academie Julian and Academie Calorossi in Paris. In 1914 at the outbreak of War, he left France for London where he was commissioned, under the command of Lord Beaverbrook, as an official War Artist for the Canadian Sector, and spent most of 1918 in Northern France painting the landscapes and coasts travelled by the Canadian military during the conflict. During the course of the First World War he worked with amongst others, Augustus John, William Orpen & Frank Brangwyn, who greatly influenced him. Many of his earliest works are of landscapes and coasts travelled by the Canadian military in the conflict. During the War Russell also made etchings and poster prints for sale to help popularize and support the war effort abroad. He took part in the Canadian War Memorial Exhibition in London in 1919. Between the Wars, Russell earned his living as an artist in film studios, designing Railway Posters, Lecturing and Writing. He also illustrated books on the geography of Nova Scotia and Western Britain. Russell enjoyed considerable success between the Wars, exhibiting extensively at the major galleries, and was elected to membership of the Royal Society of British Artists, the Royal Institute of Painters and Watercolorists, the Royal Institute of Oil Painters and the Royal Society of Marine Artists as well as being an active member of the Langham...

"1940 - New Mexico Farmers" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherwor...

This energetic contemporary impressionist painting by artist Richard Gower captures the atmosphere of individuals enjoying their time in a cafe. The whole scene is described in thick...

"Collecting Cattails" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly r...

Gyrth Russell. Canadian ( b.1892 - d.1970 ) Ness Harbor, Butt of Lewis, Outer Hebrides. Oil on canvas. Signed. Image size 15.6 inches x 23.6 inches ( 39.5cm x 60cm ). Frame size 21 inches x 29.1 inches ( 53.5cm x 74cm ). Available for sale; this original oil painting is by Gyrth Russell and dates from the...

Gustave Poetzsch (1870-1950) The Old Pine, 1891 Original charcoals and pencil drawing Signed on the back Stamp of the Estate auction sale on the back on cream vellum 27.5 x 25 cm (...

Titled "Perspective", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white paper. It remains unfr...

A bright and beautiful Orientalist landscape by a master of the genre. Watercolor and graphite on cream laid paper, laid down to archival board, 14 3/4 x 6 3/4 inches (374 x 170 m...