Otis Oldfield Art

A large (48 x 48 inch) painting of a scene in the art studio by American artist John Winslow (1938 - ).

"Two Sisters" is a contemporary realist painting of two young women sitting at a bar. One sister looks a bit reserved, her hair down, clasping her hands in...

A 20th-century American School oil painting on board featuring American banker and financier J.P. Morgan (1837-1913) seated at his desk. Light streams through the window, casting th...

A contemporary realist painting of a couple sitting at the booth of restaurant. The pale green wall lightens the space made up mostly of dark wood paneling. The woman sits nearer to ...

An oil painting of a neutral-toned interior, man sits comfortably, playing a guitar. Painting dimensions: 14 x 16 inches Framed dimensions: 19.5 x 21.5 inches

Light and briefly executed genre scene depicts cozy domestic atmosphere with few people singing and playing guitars surrounded by listeners. All inhabitants of the moment are greatly...

"God Bless Our Home" is an interior and figurative scene of a woman sitting on her couch in serious and proper expression. The Americana style painting was created by American genre ...

Albert Pels (1910 - 1998) Three Engineers, circa 1935 Oil on board 10 x 13 1/2 inches Signed lower right Albert Pels was an art educator and painter of figures, genre scenes, urban ...

A painting of painter, Ben Fenske, his muse, Beatrice, and his dog. Sitting in front of and underneath Fenske's 2009 painting, "The Break Up." The artist comforts the dog with a nice...

An oil painting of the interior of The National Gallery museum in London. A multi-figure composition, of people inside a grand room filled with some of the world's most famous paintings, including John Constable's 1821 painting "The Hay Wain", and J.M.W. Turner's moody 1801 painting "Dutch Boats...

Oil on canvas STATEMENT by AUDREY ANASTASI: Considering myself primarily a feminist artist, painting other women, most of my work focuses on the human face, figures, animals and natu...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...