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Owen Miller Prints and Multiples

British

Born in Auckland and educated at Wellington College, Owen Miller worked as an artist in New Zealand, working with the Māori people and as an illustrator for a newspaper in Wellington. Finding working life difficult in New Zealand during the depression, he signed on as a deckhand working his passage to the UK. Arriving at the Port of London with £5 to his name, Miller’s first job was an illustrator for J. Lyons & Co., the famous Corner House company. His greatest work there was to decorate the directors’ dining room as an aircraft interior. Following the outbreak of the War, Miller began to work for the Ministry of Aircraft Production in late 1942. When Lord Beaverbrook commenced his term as Minister of Aircraft Production in May 1940, it was an industry beset with problems. Aircraft parts were produced in sufficient numbers, but assembly into flyable aircraft proved more challenging, the Castle Bromwich Spitfire factory had not produced a single completed aircraft by this point. Moreover, the RAF central depots had large supplies of aircraft that had not been issued to squadrons. Once this was all brought under Beaverbrook’s control, aircraft production increased rapidly. During the Battle of Britain, the British production of fighter aircraft was two-and-a-half times that of Germany. Britain had 644 operable fighters at the start of July 1940 when the Battle of Britain began against the German 725. By the end of October 1940, when the German offensive finished, British fighter aircraft had despite significant losses increased to 732 while the Germans were left with just 275. To achieve this great productivity increase, the Ministry was run on informal grounds, few notes were kept, staff members had few formal roles. Essential to the success were motivational posters in the aircraft factories, such as those produced by Miller for the Bayly-Souster commercial art studio in Fleet Street in London for whom he worked. Life as an artist dreaming up fantasy motivational posters could have hidden risks. One poster Miller produced was a stylized airplane without a propeller. Needless to say, the jet engine was Top Secret at that time and he was duly summoned to explain what he knew of it, of course, the answer was nothing. Following the war, he worked for National Savings, while also selling his art both sculpture and paintings.

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Artist: Owen Miller
Owen Miller National Savings 1950 original vintage calendar poster
By Owen Miller
Located in London, GB
Owen Miller (1907-1960) National Savings calendar poster (1950) Lithographic poster 50 x 37 cm Printed for HMSO by Fosh & Cross. A fantastic original lithographic poster advertising the National Savings scheme and featuring a calendar for the year 1950. Born in Auckland and educated at Wellington College, Miller worked as an artist in New Zealand. His illustrations often appeared in Wellington newspapers. He found life difficult in New Zealand during the Depression, and eventually signed on to a boat as a deckhand, working his passage to the UK. When he arrived at the Port of London, he had only £5 to his name. His first job was an illustrator for J Lyons...
Category

1950s Modern Owen Miller Prints and Multiples

Materials

Lithograph

"You too can save through National Savings" original vintage poster
By Owen Miller
Located in London, GB
To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Owen Miller (1907 - 1960) They all save for the future, you too can save through National Savings Lithographic poster 76.2 x x 50.8 cm Printed for HMSO by Fosh & Cross circa 1950. A fantastic original lithographic poster advertising the National Savings scheme. Born in Auckland and educated at Wellington College, Miller worked as an artist in New Zealand. His illustrations often appeared in Wellington newspapers. He found life difficult in New Zealand during the Depression, and eventually signed on to a boat as a deckhand, working his passage to the UK. When he arrived at the Port of London, he had only £5 to his name. His first job was an illustrator for J Lyons...
Category

1950s Modern Owen Miller Prints and Multiples

Materials

Lithograph

Original Poster: Lancaster Bomber WW2 RAF Aeroplane Owen Miller
By Owen Miller
Located in London, GB
Owen Miller (Auckland 1907-London 1960) Instrument Bulletin No. 1 - Lancaster Bomber Our Target is Their Success Original poster c. 1943 Printed for HMSO by Multi Machine Plates Ltd for the Ministry of Aircraft Production In the last war our airmen were alone in the sky - dependent only on their wings and their wits. Now they find their way, are warned of danger, know their course, their height, their speed, can calculate their change - by the instruments that keep them in touch with the world. Several miles aloft, a hundred miles away, in glorious combat, in desperate danger - it is you who warn, speed, comfort and save them. Britain owes you many precious lives. Born in New Zealand Owen Miller worked his passage to London as a deckhand and worked as an illustrator for J Lyons & Co. In 1942 he began work for the Ministry of Aircraft Production and after the war produced posters for National Savings. Born in Auckland and educated at Wellington College he worked as an artist in New Zealand, working with the Maori peoples and as an illustrator for a Wellington newspaper. Finding working life difficult in New Zealand during the depression he signed on as a deckhand working his passage to the UK. Arriving at the Port of London with £5 to his name his first job was an illustrator for J Lyons & Co, the famous Corner Houses company. His greatest work there was to decorate the directors’ dining room as an aircraft interior. Following the outbreak of war Miller began to work for the Ministry of Aircraft Production in late 1942. When Lord Beaverbrook commenced his term as Minister of Aircraft Production in May 1940 it was an industry beset with problems. Aircraft parts were produced in sufficient numbers, but assembly into flyable aircraft proved more challenging – the Castle Bromwich...
Category

1940s Modern Owen Miller Prints and Multiples

Materials

Lithograph

1943 Original Poster: Spitfires WW2 RAF Fighter Owen Miller They need Spares...
By Owen Miller
Located in London, GB
From our series of wartime aeroplane posters, to see the others scroll down to 'view all from this seller'. Owen Miller (Auckland 1907-London 1960) They need Spares to use their Win...
Category

1940s Modern Owen Miller Prints and Multiples

Materials

Lithograph

1943 Original Poster Ministry of Aircraft Production: Barrister WW2 Owen Miller
By Owen Miller
Located in London, GB
Owen Miller (Auckland 1907-London 1960) Barrister: You've got a good case - Handle with Care Original poster c. 1943 Printed for HMSO by Fosh and Cross Ltd for the Ministry of Aircra...
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1940s Modern Owen Miller Prints and Multiples

Materials

Lithograph

Related Items
Jean Cocteau - Blue Lady - Original Lithograph
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Original Lithograph by Jean Cocteau Title: Blue Lady Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumb...
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1950s Modern Owen Miller Prints and Multiples

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Large French Judaica Lithograph Colorful Jewish Wedding Hebrew Calligraphy
By Théo Tobiasse
Located in Surfside, FL
Theo Tobiasse Title "On the Shores of the Circus" Suite: Song of Songs of King Solomon Year: 1975 Medium: Original lithograph in colors on paper (deckle edged paper) Publisher: Leon Amiel, Paris & New York Signature: Hand signed by the artist Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theo Tobiasse shows very early talent for drawing and painting, and during a visit to the Special Exhibition of 1937 held in Paris, he is enchanted by Raoul Dufy. The death of his mother (in June 1939) followed by the outbreak of the Second World War, Paris under the German Nazi occupation, the wearing of the yellow star and his registration at the National School of Decorative Arts denied for racist reasons upsets his life. He enrolled in a private advertising design course on the boulevard Saint-Michel, which he abandoned nine months later because his family, narrowly escaping the Winter Vélodrome roundup in July 1942 was forced to hide in an apartment in Paris for two years. At the Liberation of Paris, he quickly began a career as an advertising graphic designer with the Draeger art printer and also produced tapestry cartoons, stage sets and Hermes showcases at the Hermès boutique on rue du Faubourg Saint-Honoré. In 1950, he obtained French nationality and moved to Nice in the Alpes-Maritimes, where he continued his advertising graphic design career. His first paintings were exhibited at the Salon des peintres du Sud-Est in 1960. He was laureate in 1961 the "prize of the young Mediterranean painting" and Armand Drouant offers him a first contract and exhibited at the Faubourg Saint-Honoré Gallery in Paris in 1962. Théo Tobiasse also won the Dorothy Gould Prize in 1961. He decided to devote himself solely to the visual arts. Numerous exhibitions are dedicated to him all over the world, in Paris at the Drouant Gallery, in Geneva, Montreal or Tokyo, then London, Zurich, Lausanne, Los Angeles, Kiev, and then a first personal exhibition in New York (1968). Self-taught, he studied the technique of grand masters in museums during his travels. The reliefs, glazes and colors of Rembrandt's Jewish Fiancee at the Rijksmuseum in Amsterdam, in particular, open up new technical possibilities that he explores in his canvases back to his studio. The figurative subjects without narrative or symbolism (cat, bird, kite, velocipede, etc.) of his first paintings, allow him to focus on the techniques, the color and the texture of oil painting and gouache. From 1964, Theo Tobiasse develops a more personal iconography drawn from his own memories of his childhood in Lithuania, the wanderings of a family seeking a land of asylum and the Holocaust. The train, the one which drove his family from Kaunas to Paris, or the Jews to the camps, becomes a recurring motif and memory a major theme in his work. A visit to Jerusalem, Israel in 1970 brings him closer to his Israeli Jewish origins. He created his first Judaic stained-glass windows on the theme of "Jewish Feasts" for the Jewish Community Center in Nice and a monumental oil painting titled " Que tentes sont beau", O Jacob (1982). He continues to travel and immerse himself in the cultures he meets, New Orleans jazz, Mexican archaeological sites and Native American totems . In New York, he meets Elie Wiesel (1982). While Josy Eisenberg makes a film about Théo Tobiasse, entitled Tell me who you are painting, for French television in 1977, many personal exhibitions are devoted to him in France and abroad, notably at the Passali gallery in Paris, France. Atheneum Museum in Geneva and the Nahan Gallery in New Orleans. In 1983, a retrospective exhibition of his work was organized in Nice , at the Museum of Contemporary Art in Ponchettes. Carborundum engraving, lithography, stained glass, mosaic, pottery, bronze and ceramic sculpture are all tools of expression he first explored in the studio he had built at his home on the heights of Nice (1954 -1972), then to the Rauba Capeu wharf in Nice (1971-1976). He leaves Nice to install his main workshop on his property in Saint-Paul-de-Vence in 1976. In collaboration with Pierre Chave, lithographer in Saint-Paul-de-Vence, Théo Tobiasse is developing a technique for making lithographs of eighteen to twenty colors that he produces for many original portfolio editions published in France, Sweden and the United States. In addition to the theme of memory of the wanderings and exodus of his family and the Jewish people, the personal iconography of Tobiasse comprises three other major themes that recur in his work: The cities that are dear to him (Paris and Jerusalem, first, then New York and Venice from the 1980s); twenty-eight monochrome gouaches, From Notre-Dame to Saint-Germain-des-Près (1969). The Hebrew Bible, an endless source of human dramas, which he re-imagines in contemporary times. Rachel (1978), Sarah and the three messengers (1981),Bathsheba in the Garden of Pomegranates (1982). The woman, lover, erotic and shameless, Daphnis and Chloé (1978), Portrait of a woman immobile in ecstasy , (1978), a creature-sex apple whose skin burns and arms twist (1980). To explore the theme of the erotic woman, Tobiasse adopts nude drawing in graphite, ink and pastel on paper, as well as the writing of poetic texts he inscribed in his drawings and notebooks. The American merchant, Kenneth Nahan Sr., met in 1978, encourages Théo Tobiasse to join in the United States other French painters he represents, including Max Papart and James Coignard. Tobiasse moved to New York in 1984. He first worked at the Chelsea Hotel and then set up his studio in Manhattan. He decides to split his time and his work between Saint-Paul-de-Vence and New York. The first paintings painted in America are distinguished from their European production by their scale and their bright themes. Oil-painted canvases are filled with family portraits, children, and biblical characters. My family came from Lithuania, Little Girl Sitting , Saul and David (1984). In these paintings, families no longer flee the pogroms in the trains, but land in New York, new host country according to his imagination, as in America (1984). 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1970s Modern Owen Miller Prints and Multiples

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1960s Modern Owen Miller Prints and Multiples

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Materials

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Located in Surfside, FL
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1960s Modern Owen Miller Prints and Multiples

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1960s Modern Owen Miller Prints and Multiples

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1960s Modern Owen Miller Prints and Multiples

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Colorful Russian French Judaica Jewish Shtetl Wedding Lithograph Mourlot Paris
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Owen Miller prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Owen Miller prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Owen Miller in lithograph and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Owen Miller prints and multiples, so small editions measuring 15 inches across are available. Customers who are interested in this artist might also find the work of John Tandy, Clare Leighton, and William Lee Hankey. Owen Miller prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $470 and tops out at $1,833, while the average work can sell for $544.

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