Patrick Rubinstein Art

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Edition of 40 Pencil signed and numbered 11/40 on the front Frame included: elegantl...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Victor Vasarely Granat (Garnet) Negatif, 1967 3-D color painted and carved wood relief Hand signed in black ink on the Denise Rene label on the back (see photos), Edition 8/50 Catalo...

The series "Mångatas" explores the marriage of chance-derived gestures with exacting grid geometry. Built upon a multilayered convergence of aerosol painting and hard-edge technique...

Label from Obelisk Gallery verso. Henry C. Pearson (October 8, 1914 – December 3, 2006) was an American abstract and modernist painter. Pearson was born in Kinston, North Carolina, graduated from the University of North Carolina in 1938, and studied theatrical design at Yale University. He served in the U.S. Army Air Corps in the Second World War, designing maps for the Okinawa campaign, and then re-enlisted to serve in the US occupation of Japan, where he was influenced by Japanese art and theatre forms. Henry Pearson is perhaps best known for a mildly optical manner of painting, featuring a mutable labyrinth of undulating parallel lines, which somewhat inadvertently linked him to the Op Art movement of the 1960s. Although included in the Museum of Modern Art's landmark exhibition The Responsive Eye in 1965, his work displays an intuitive rhythm and poetic elegance that falls well outside of the calculated, often hard-edged quality normally associated with the Op group of artists. Pearson came late to the visual arts. His first career, in theatre design, was cut short by the Second World War. He entered the U.S. Army in 1942, and at war's end requested duty in occupied Japan, where a prolonged contact with Japanese culture nurtured a passion for painting. Upon his discharge from the army, in 1953, he enrolled in the Art Students League in New York City, where he studied with, among others, Reginald Marsh and Will Barnet. Inspired by Malevich, he turned to rectilinear abstraction, and employed it as the dominant means of expression in his painting between 1954 and 1961. As early as 1959, however, sensing an incipient decadence in his geometric canvases...

This illusionistic work on canvas titled "Busta" is a collaboration between two artists, Joe Doyle and Diane Rosenblum. The surface of the canvas is completely flat but a remarkable ...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex on canvas. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the ver...

By great Master Optical Art YOSHYUKI MIURA (Japanese), kinetic sculpture strictly limited to edition of 5. Signed and dated on the base 2022 Edition 1/5. Hand painted acrylic on st...

The Physichromie is a structure designed to reveal certain circumstances and conditions related to color, changing according to the movement of the viewer and the intensity of the li...

Original painting on circular shaped wood. Hand signed on verso by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will ...