Philip Rideout Animal Paintings

Susan McDonnell's (U.S. based) "Twins" is an original, handmade oil painting of two birds (Black-throated Sparrows) facing the viewer and clouds in the background. The painting is 20 x 16" and with the frame it is 21.25 x 15.37". Artist bio: Susan McDonnell is a realist painter who has recently moved back to Minnesota after living in Southern California for 30 years. Her paintings are narratives inspired by her observations of wild animals in their natural habitats. Albrecht Dürer and Otto Marseus van...

Che Leviathan (US based) "Harbinger" is an original, handmade oil painting that depicts an Appaloosa horse's white face and Black and White speckled coat...

Che Leviathan (US based) "Spectre" is an original, handmade oil painting that depicts a white horse in profile, with thick grey mane, as it emerges from ...

John Frederick Herring Junior, Antique 19th century English, Cart Horses in a farmyard landscape with cottage. John Frederick Herring Jnr. was a painter of sporting and animal subjects in oil and watercolor. His style was very similar to that of his father, John Frederick Herring Snr...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

Henry Garland British, (1834-1913) Driving the Cattle ‘Hame’ Oil on canvas, signed & further inscribed & dated 1895 verso Image size: 32.25 inches x 27.25 inches Size including fram...

Late 19th century Scottish Highland Lock landscape, with Cattle watering E.Mulready was almost certainly a pseudo name for William Langley a well known English painter of landscapes...

H.Jackson. 19th-century English landscape with sheep resting in a field. English late 19th-century painter of animals either in barns or landscapes. His paintings have the influence of the work of the Belgium painter Cornelius van Leemputten...

William Watson Jnr British, (1847-1921) Morning, Head of Glen Coe Oil on canvas, signed & dated 1897, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 19.75 inches x 25.75 inches A superb Scottish landscape painting of Highland Sheep at the head of Glen Coe by William Watson. The sheep and their lambs are depicted grazing in the morning light with the dramatic mountains beyond. Glen Coe is a valley located in the Highlands to the North of the county of Argyll and close to the province of Lochaber. The area, which became infamous for the Massacre of Glencoe is one of Scotland’s most scenic Highland glens. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...

Henry H Parker British, (1858-1930) The River Lledr, Bettws-y-coed Oil on canvas, signed, further signed & inscribed verso Image size: 19.5 inches x 29.5 inc...

William Sidney Cooper British, (1854-1927) Near Herne Bay, Kent Oil on canvas, signed & dated 1923, inscribed in pencil on stretcher Image size: 19.5 inches x 29.5 inches Size inclu...

William Watson Jnr British, (1847-1921) Up Glen Goil, West Highlands Oil on canvas, signed & dated 1892, further inscribed verso Image size: 23.5 inches x 35.5 inches Size including frame: 36.25 inches x 48.25 inches This highly atmospheric and well executed painting by William Watson Jnr depicts Highland Cattle watering at Glen Goil. Glen Goil is a valley area of Argyll and Bute in the West Highlands. It is situated at the junction of Hell’s Glen and Gleann Mor and has the river Goil flowing through. Located around 2 miles from Lochgoilhead, it is well known as an area of outstanding natural beauty. Watson made several trips to the Highlands and produced a number of paintings of the locality, many of which included highland cattle such as this fine example. Another painting by him of Glen Goil is held by the Walker Art Gallery, Liverpool. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen Watson (1871-1947), William Robert Charles Watson (1873-1928) and Walter James Watson...