Pierre-Yves Trémois Art
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Artist: Pierre-Yves Trémois
Bulldog and Woman - Original Handsigned Etching
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves TREMOIS
Bulldog and Woman, 1974
Original etching
Handsigned in pencil
Justified EA or numbered / 80
On vellum 76 x 56 cm (c.30 x 22 inch)
Excellent condition
Category
1970s Modern Pierre-Yves Trémois Art
Materials
Etching
A Loving Couple - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
A loving couple
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)
Very good...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Pierre-Yves TRÉMOIS : Harmony - Original Handsigned Etching, 1968
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves TREMOIS
Harmony, 1968
Original etching
Handsigned by the artist
Justified by "Epreuve d'artiste" (Artist proof)
On BFK Rives vellum 76 x 56 cm (c. 29 x 22 inch)
Exce...
Category
1960s Modern Pierre-Yves Trémois Art
Materials
Etching
Oppian : Snake and Toad - Original Etching
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves TREMOIS
Oppian : Snake and Toad, 1955
Original etching
Printed signature in the plate
On vellum 76 x 56 cm (c.30 x 22 inch)
Excellent condition
Category
1950s Modern Pierre-Yves Trémois Art
Materials
Etching
Couple Embraced - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
Couple embraced
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)
Very good...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Naked Woman Lying Down - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
Gorgone and a naked woman
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Un Jour un Homme
By Pierre-Yves Trémois
Located in Palm Springs, CA
As is common in his work, this image combines surrealism, science illustration, and fantasy. The man and baboon pictured in many of his prints pose questions for the viewer.
Born i...
Category
1980s Contemporary Pierre-Yves Trémois Art
Materials
Etching
Minos and A Naked Woman - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
Minos
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)
Very good conditio...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Narcisse - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
Narcisse
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)
Very good condit...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Atlas - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
Atlas
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)
Very good condition...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
A Scientist Studying Orion - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
A scientist studied Orion
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Woman Looking In The Mirror - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
Woman looking in the mirror
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 9...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Aphrodite - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
Aphrodite
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)
Very good condi...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Lovers - Thétis and Pelée - Original etching handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
Thésis and Pelée
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)
Very goo...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
A Wild Ray - Original etching, Handsigned and numbered
By Pierre-Yves Trémois
Located in Paris, FR
Pierre-Yves Tremois
A wild ray
Original etching, 1970
Handsigned by the artist
Numbered / XXIV copies (total edition of 90 + XXIV)
Size 57 x 45 cm (c. 22,4 x 17,7 in)
Very good cond...
Category
1970s Surrealist Pierre-Yves Trémois Art
Materials
Etching
Le singe à l'électronique
By Pierre-Yves Trémois
Located in Palm Springs, CA
As is common in his work, this image combines surrealism, science illustration, and fantasy. The monkey, woman and computer circuit board pose questions for the viewer.
Born in Par...
Category
1970s Contemporary Pierre-Yves Trémois Art
Materials
Etching, Aquatint
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Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
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Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
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Leonor Fini - Untitled - Original Handsigned Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Untitled - Original Handsigned Etching
Circa 1982
On colored paper
Handsigned and Numbered
Edition: 275
Dimensions: 69 x 52.5 cm
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category
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H 27.17 in W 20.56 in D 0.04 in
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By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
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Mme.Helvetius' Cats
Original etching created in 1985, Printed Signature (LF).
Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture...
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Conditions: excellent
Edition: 100
Support: Arches paper.
Dimensions: Paper dimensions: 44 x 28 cm
Editions: Moret, Paris.
Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life.
Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums.
Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931.
Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy,
very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy.
In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery.
Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau.
A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
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Pierre-yves Trémois art for sale on 1stDibs.
Find a wide variety of authentic Pierre-Yves Trémois art available for sale on 1stDibs. You can also browse by medium to find art by Pierre-Yves Trémois in etching, aquatint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Surrealist style. Not every interior allows for large Pierre-Yves Trémois art, so small editions measuring 18 inches across are available. Customers who are interested in this artist might also find the work of Roger Chapelain Midy, Roland Topor, and David Avery. Pierre-Yves Trémois art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $324 and tops out at $950, while the average work can sell for $432.