Reginald Marsh Figurative Drawings and Watercolors

Artist Biography Zhang Chunyang was born in 1975 in Changchun, Jilin. She earned her B.F.A at Jilin University of Arts in 1999, and studied at Central Acadamy of Fine Arts, Beijing ...

Auguste RODIN (1840-1917) Seated Nude, Cambodian Dancer c. 1898 - 1900 Pencil and watercolour 11.5 x 9.3 inches; 25 x 20.5 inches, inc. frame Provenance: Christie's South Kensington: Wednesday, November 28, 2007 "It's very simple. My drawings are the key of my art." Rodin was an extraordinary creative artist and a prolific worker. After attending the “Petite École”, he worked in the studio of the ornamentalist Albert-Ernest Carrier-Belleuse, first in Paris, then in Brussels, where his skill in handling decorative subjects fashionable in the 18th century became apparent. His discovery of Michelangelo, during a visit to Italy in 1875-76, was a decisive moment in his career. Rodin would, in turn, break new ground in sculpture, paving the way for 20th-century art, by introducing methods and techniques that were central to his own artistic aesthetics. In 1906, King Sisowath of Cambodia visited France on an official state visit. It was on this visit that Rodin discovered the dancers of the Cambodian Royal Ballet and was inspired to draw and paint them over 150 times. They made a deep impression on the artist, as he confided to Georges Bourdon, in an article for the newspaper Le Figaro on 1 August 1906: “There is an extraordinary beauty, a perfect beauty, about these slow, monotonous dances, which follow the pulsating rhythm of the music… [The Cambodians] have taught me movements I had never come across anywhere before…” Originally seeing them in Paris he left everything suddenly to follow the dancers of the royal ballet to Marseille, from where they would embark on their return to Cambodia. In just one week, he made about one hundred and fifty drawings, re-transcribing or interpreting the ballet poses, with an obvious fascination for the arms and hands of the dancers. These drawings were later highlighted with watercolour, creating coloured harmonies of a rare refinement. The first performance of the Cambodian Royal Ballet took place in the context of the Colonial Exhibition in Marseille. Sisowath 1st had just been crowned King of Cambodia when he undertook the first trip ever to be made by a Cambodian sovereign to France, which had controlled Cambodia since June 1884. This official visit occurred at the height of French colonial expansion. Previously, the Universal Exhibition of 1900 had attracted 48 million visitors! The organisers realised what a tremendous impact this event made on the public, and it was soon adopted as the main tool for colonial propaganda. At the exhibition in Marseilles, the area devoted to Indochina was the largest of the seven sections. When Auguste Rodin met the troupe of dancers for the first time in July 1906, during their brief visit to Paris for an exceptional performance at the Pré Catalan...

If you are interested in African American Art and in Women in the Arts, I will certainly not need to introduce Lois Mailou Jones (1905-1988). Often associated with the Harlem Renaiss...

Medium: Watercolor on Paper Dimensions: 24.00" x 20.0" Signature: Signed Lower Right An Argument in the Park; Shaw Barton Calendar Illustration

Medium: Watercolor and Ink Dimensions: 5.75" x 7.00" Signature: Signed Lower Right Original SIGNED Pen Ink and Watercolor Study for John Bull Taking a L...

This appears to be dated 1927. It came in with a piece dated 1929. A very early, rare work. Framed 22.5 x 18. Image 14.5 x 9 A great New York city street scene with an El train (elevated subway line) and architectural renderings of buildings. This is a wonderful piece by one of America's most treasured artists, Chaim Gross. Throughout his lifetime Gross has gone through tragedy and a real test of faith however, he has the unique ability to focus and direct his expression to the most joyful and beautiful works of art, such as the present lot. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes. His acrobats, cyclists, and mothers and children convey joyfulness, exuberance, love, and intimacy. This aspect of his work remained consistent with his Hasidic heritage, which teaches that "only in his childlike happiness is man nearest to God." He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Chaim Gross (March 17, 1904 – May 5, 1991) was an American sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Delicate depiction of a fly fisherman in the rain by Harvey Eckert (American, 1946-2018). This highly detailed landscape watercolor depicts a man fishing in the rain, wading into the water as he smokes a pipe under a tree. Signed and dated in the lower right corner. Presented in a wood frame with a double mat and anti-glare glass. A check from the original purchase is attached to verso (blurred for privacy). Image size: 14"H x 18"W Harvey Eckert (American, 1946-2018) was an American artist from Kansas. He attended Colby Community College, Hays Emporia State and graduated from Wichita University with two degrees. While living in Montana, he was employed by Bob Wards, Fran Johnson’s Sporting Goods and Cashell Engineers as a surveyor and draftsman. Eckert illustrated three books, Caddisflies by the late Gary LaFontaine, Montana Trout Flies and The Master Fly Weaver by the late George Grant. He did illustrations for the following publications: Montana Outdoors, Colorado Streamside, The River Rat published by Trout Unlimited, Fly Fisherman, Rod and Reel...

A quick live sketch is always a little imperfect - too little time and too much adrenaline in the blood at this moment, but it perfectly conveys the delight of beauty and, as the Fre...

3761 Drawing of a nude woman under a tree Set in a solid oak frame Image size 15x22 Signed Dommisse 62

This is one of those sketches where Evgeniy Monahov first used an industrial marker together with tempera - the thick velvety black of his lines expands the tonal range of the delica...

Here for your consideration is an original mixed media fashion illustration by the world renowned fashion artist, Kenneth Paul Block. Signed with initials bottom right. Circa 1965. ...

An original American impressionist figurative watercolor of a California coastline with trees.