Ricardo Ramírez Art

Shana Wilson's "Young Woman on Blue Chair" is a 16" x 20" (26.5x30.5 Framed) masterpiece that captures the essence of contentment and relaxation. The young nude woman, with brown hair and a tranquil expression, sits on a light blue chair against a backdrop of a warm, ochre-toned wall. Her posture, leaning to one side with one arm on the armrest and the other resting on her lap, exudes comfort. This framed artwork masterfully portrays a sense of calm and ease, inviting viewers to appreciate the serene moment it portrays. Wilson's attention to detail and use of color create a captivating and emotionally resonant composition. About the Artist: Over seven billion souls exist on this planet, each with a unique face and story. Shana transfers her visceral love for the human landscape to canvas, tenderly cradling its peaks and valleys, darkness and light, colors and neutrals, empty and full, hard edges and soft curves. Each brush stroke creates a controlled cacophony as it assembles the intricate jigsaw of the human face. An entire life’s journey is written on this human landscape; a journey that begs to be documented and treasured. Shana’s legacy project is to paint inspirational women from all walks of life, inclusive of all cultures and orientations. The subjects all have one thing in common; the ability to inspire and create social change. She pays tribute to them on canvas, painting a long overdue celebration of trail-blazing women. Visit any major gallery or museum in the world and it is teeming with paintings of nude women...

"Reclining Woman Nude" by Shana Wilson is a 48" x 36" contemporary figurative nude that presents the human form in a subtle and graceful manner. The color palette is composed of soft, earthy tones such as warm browns and delicate creams, creating a sense of intimacy and vulnerability. The artist's unique style captures the essence of the subject through abstract shapes and gentle brushwork, allowing the viewer to engage with the emotion and sensuality of the reclining figure. This piece evokes a feeling of serenity and contemplation, inviting viewers to appreciate the beauty of the human body in its most relaxed and natural state. About the Artist: Over seven billion souls exist on this planet, each with a unique face and story. Shana transfers her visceral love for the human landscape to canvas, tenderly cradling its peaks and valleys, darkness and light, colors and neutrals, empty and full, hard edges and soft curves. Each brush stroke creates a controlled cacophony as it assembles the intricate jigsaw of the human face. An entire life’s journey is written on this human landscape; a journey that begs to be documented and treasured. Shana’s legacy project is to paint inspirational women from all walks of life, inclusive of all cultures and orientations. The subjects all have one thing in common; the ability to inspire and create social change. She pays tribute to them on canvas, painting a long overdue celebration of trail-blazing women. Visit any major gallery or museum in the world and it is teeming with paintings of nude women...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

This is a large hand signed mixed media paiting on Arches French paper. A chess game encounter. Figurative Abstract Expressionist painting. Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarabia) Russian, Romanian border region. He fled the Nazi Holocaust and in 1948 Arrived in Israel via Cyprus, where he studied with Rafael Ben­ Zvi. Studies in Tel­ Aviv with Mordecai Ardon, Aharon Avni, Moshe Mokadi and Marcel Janco founder of the Dada art movement. Studies at The Bezalel Art School, Jerusalem. 1956 Awarded a scholarship by the Israel​ American Fund. In 1991, Roland Topor invited him to participate in the last exhibitions of the Panique group and collaborated in the review Le Fou Parle. Select Group Exhibitions 1950­ 55 Israeli Artists​ Exhibition, Tel­ Aviv Museum 1956 Cimaise de Paris, 1958 "School of Paris", Charpentier Gallery, 1959 Les Grands et les Jeunes Aujourd ​hui Salon National 1960 Les Grands et les Jeunes d ​ Aujourd ​hui Contemporary Israeli Art, Museum of Modern Art, Paris 1961 Russian Artists of the Paris School , Ecole du Paris ​1961​ Salon de la Jeune Peinture, 1964 Salon des Indépendants, Grand​ Palais, Paris 1965 Salon d'Automne, Grand​ Palais, Paris 1966 Lauréat for the Gravure du Prix de la Critique 1967 Biennale, Paris 1970 stay with Theodor Ahrenberg, the eminent Swedish art collector. MILSHTEIN has an exhibition at ARC, in the museum of modern art in Paris. Drawings suspended in a liquid contained in a bottle thus creating a three dimensional effect. 1978 An retrospective exhibition of his etchings engravings is held at the Bibliotheque Nationale; the publication of a book illustrated with 33 drawings : Le rite du chat, on exhibit at Artcurial in Paris. Milshtein has also written several plays and has worked in etching intaglio carborundum, lithograph techniques. listed in adec artprice. He has exhibited at galleries in Germany, France and Switzerland with Theodore Theo Tobiasse, Mane Katz, Raya Sorkine, Avigdor Arikha and Abram Krol. A fine Judaica artist. Since 2007 Milshtein has had his workshop in the Rhône in Gleizé where he also lives. Personal exhibitions 1952: Tel Aviv (Israel), Studio Avni 1955: Tel Aviv (Israel), Museum 1957: Paris, Galerie Saint Placide 1958: Paris, La Cave de la Galerie Saint-Placide - Paris, Galerie Katia Granoff 1959: Tel Aviv (Israel), Museum Dizengoff House 1960: Paris, Galerie Katia Granoff 1962: Tel Aviv (Israel), Chemerinsky Art Gallery - Jerusalem (Israel), Musée National Bezalel —New York (United States), Bodley Gallery - Bat Yam (Israel), Bat Yam Museum 1963: Geneva (Switzerland), Museum of Art and History, Cabinet des Estampes 1964: Paris, Galerie Katia Granoff 1965: Paris, Librairie-Galerie Alexandre Loewy 1966: Paris, Galerie Saint-Placide - Brussels (Belgium), Galerie Le Creuset...

I stared at the man with keen interest, hoping to know more about what life has in store for me. The man looked at me sternly, and I couldn’t be more convinced he had seen everything, including my afterlife. A strange language jolted me back to reality as I realized the lady in the room had arrived at the intersection where "Malaicha" and other spirits were. I watched in confusion as the man quickly scribbled down what appeared to be an interpretation of the foreign tongue. My patience dwindled per second as the man kept penning down words. To shorten a long story short, the interpretation was presented in bold letters. My background was also written as additional proof of the veracity of the "spirit." I became eager to know the way forward. "Abeg, Sir, and Ma help my life." "I want to come out of my family's shackles and enemies," I pleaded. They exchanged a knowing look as if they’d been anticipating this moment. My pockets started running dry while my anxiety spiked. I was told to join their religion and denominations. Of course, it’s preferable to go from "God" to "God" in spiritual warfare. I wish to go back to the point of ignorance, where no one was after my life and every day was another day to conquer. A few months later, I realized that to see beyond any circumstances, we must be at ease and calm; we are better able to discern people’s motivations. To see beyond is to see with our inner eyes rather than filthy, unknown eyes. To see beyond is to remain steadfast in personal prayer and to hold out hope that your prayers will be heard. To see beyond is to see beyond the limitations of flesh, realizing that you are gods. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiola was born in 1992, in Odo-ona Elewe, Ibadan, Nigeria. He was trained and mentored by Mr. Tope Fatunmbi...

In "Wuraola," Odetomi skillfully captures the attention of onlookers with the magnificent presence of a woman donning a striking gele. Gele, a traditional African headwrap, symbolizes grace, elegance, and the celebration of femininity. The artist's meticulous strokes and vibrant colors draw the viewer's gaze to the intricate folds and contours of the gele, which cascades dramatically around the woman's head, commanding awe and admiration. Enhancing the allure of the artwork are the woman's stunning earrings, depicted in exquisite detail. These bold and oversized accessories serve as a testament to African culture, where jewelry holds great significance. The intricate design and meticulous craftsmanship of the earrings capture the essence of African artistry, exemplifying a sense of heritage and grandeur. Abayomi Odetomi...

MARZENA KAWALEROWICZ Polish artist. Currently, she lives and works in Warsaw. She has been exhibiting her paintings all over the world. Most important exhibitions were in "Galerie Je...

Black Angel in a bustling city, where towering buildings cast shadows and exhaust fills the air, a hidden struggle unfolds. Olamide silently prayed for her...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

I stared at the man with keen interest, hoping to know more about what life has in store for me. The man looked at me sternly, and I couldn’t be more convinced he had seen everything, including my afterlife. A strange language jolted me back to reality as I realized the lady in the room had arrived at the intersection where "Malaicha" and other spirits were. I watched in confusion as the man quickly scribbled down what appeared to be an interpretation of the foreign tongue. My patience dwindled per second as the man kept penning down words. To shorten a long story short, the interpretation was presented in bold letters. My background was also written as additional proof of the veracity of the "spirit." I became eager to know the way forward. "Abeg, Sir, and Ma help my life." "I want to come out of my family's shackles and enemies," I pleaded. They exchanged a knowing look as if they’d been anticipating this moment. My pockets started running dry while my anxiety spiked. I was told to join their religion and denominations. Of course, it’s preferable to go from "God" to "God" in spiritual warfare. I wish to go back to the point of ignorance, where no one was after my life and every day was another day to conquer. A few months later, I realized that to see beyond any circumstances, we must be at ease and calm; we are better able to discern people’s motivations. To see beyond is to see with our inner eyes rather than filthy, unknown eyes. To see beyond is to remain steadfast in personal prayer and to hold out hope that your prayers will be heard. To see beyond is to see beyond the limitations of flesh, realizing that you are gods. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiola was born in 1992, in Odo-ona Elewe, Ibadan, Nigeria. He was trained and mentored by Mr. Tope Fatunmbi...

"Woman in Red" is a stirring 30" x 24" mixed media piece by Helen Steele that delves into the heart of contemporary expressionism. Steele's canvas is a whirlwind of emotion, articula...

"She Tarries," a captivating artwork by Ife Kalejaiye, invites viewers into a moment of contemplation and introspection. At the focal point of the compos...