Rob Sieminski Art

"Untitled" is a stoneware piece with the decorative layer of the rich toned glazes and markings that John was so well-known for. Each piece that John produced was unique. The lip on this piece is slightly scalloped and the shape is removed from the boring circular to mimic a gentle geometric design. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

"My process begins with a thought, a vision, a look, a trigger that draws me to the clay. Gone are the days of exhaustive preliminary sketches and maquettes, I simply visualize how I...

"Scalloped Basket" is a stoneware piece with the decorative layer of the rich toned glazes and markings that John was so well-known for. He was, also, known for the undulating lip lines on his exquisite pieces. The basket portion is shaped with gentle curves and a sculptural handle. Each piece that John produced was unique. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This particular "basket" also has the cool blues and grays that contrast with the umber. It is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Multicolored abstract ceramic sculpture titled "Flow Through" by Lauren Skelly Bailey. Glazed porcelain with gilded gold. Size: 8 x 6 x 5.5 inches...

Yellow, blue and white round abstract ceramic sculpture titled "Gemini Headspace" by Lauren Skelly Bailey. Glazed porcelain with cobalt. Size: 7 x...

This magnificent "Scalloped Box" is a stoneware piece with decorative layers of rich toned glazes and markings that John was so well-known for. He was, also, known for the undulating lip lines on his exquisite boxes that fit together like a puzzle. Each piece that John produced was unique. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes thereby changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed and stamped on the bottom. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Jun Kaneko Untitled Glazed Slab (Oval) Ceramic, Glaze 1990 Approx. 26 x 22 x 4 in Signed and dated (verso) COA provided Ref.: 90-9-41 Ref.: 924802-1007 "Scale in nature presents a ...

Jim Leedy Untitled Slab with Colored Tears (#891) Raku-Fired Stoneware 1989 Approx. 20 in in diameter COA provided Comes with original papers Ref.: #891 Ref...

Set of Three miniature ceramic stoneware sculptures, glazed, each featuring a different repeating abstract form. Each figure is approximately 2" x 2"

Jerilyn Virden Selected Exhibitions 2012 SOFA NY, Ann Nathan Gallery, New York, NY 2011 SOFA Chicago, Ann Nathan Gallery, Chicago, IL 2009 Simply Formal, Arizona State University Museum of Anthropology, Tempe, AZ. Abstraction, Santa Fe Clay, Santa Fe, NM. Smithsonian Craft Show, Washington, DC. Penland: Great Artists, Great Teachers, Habatat Gallery, Tysons Corner, VA. 2009 Yunomi invitational, Akar, Iowa City, IA. 2008 Possibilities: Rising Stars of Contemporary Craft, Mint Museum of Craft + Design, Charlotte, NC. 38th Annual Ceramics Show, Crossman Gallery, U of Wisconsin-Whitewater, Whitewater, WI. SOFA New York, SOFA Chicago, and Palm Beach³, Ann Nathan Gallery. Red, Santa Fe Clay, Santa Fe, NM. New, Penland Gallery, Penland, NC. Fellowship Exhibition, Rocky Mount Arts Center, Rocky Mount, NC. 2007 SOFA New York, Chicago, and Palm Beach 3, Ann Nathan Gallery Core Sample, James Patrick Gallery, Wiscasset, ME. By Six, Santa Fe Clay, Santa Fe, NC. Cup of Tea, Penland Gallery, Penland, NC. 90 Teapots (More or Less), Xen Gallery, St. Louis, MO. Perspectives on Containment, TRAC Gallery, Burnsville, NC. Coming Up Down South, Blue Spiral 1...

Sara Fine-Wilson's "Emerge" is a small abstract mixed media ceramic and plaster sculpture measuring 8 x 8 x 6 inches. Multiple ceramic elements were previously hand formed and extrud...

Sara Fine-Wilson's "Twist" is a small gestural 11 x 12 9.5 inch ceramic sculpture in white and browns constructed by combining three different colored clay bodies in a graceful swirl...