Robyn Denny Furniture

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Metallic silver and gold background with vibrant red bunny outline, framed beautifully. SIGNED and dated 2014 - early work for Slonem. Hunt Slonem is a renowned painter known for p...

This delightful round framed print of a Peacock from a series of exquisitely detailed British natural history illustrations from the early 19th century. Prints of this style were or...

Box framed geometric print by Victor Vasarely, signed. Original brushed stainless steel frame.

A wonderful image by British artist or printmaker Frank Martin titled "Maened". The image is of dancer Olga Tshechowa and was later used for the poster of...

An exceptional vintage framed print entitled "Unfinished Stereoscopic Picture" by Salvador Dalí. The work depicts Dalí painting a portrait of both his wife and himself. It hangs in a...

We love this striking limited edition screenprint by Shepard Fairey. Stunning colours and superb, powerful graphics depicting the iconic Statue of Liberty against a growing seering sun and drowning in rising sea levels. Fairey created it for the 2014 People’s Climate March – To Change Everything We Need Everyone. Signed edition of just 300, September 18, 2014. A major figure of the contemporary street art movement, Shepard Fairey rose...

Print Digital Print on Moab Entrada Measures: 15.87 x 12.00 in 40.3 x 30.5 cm Edition of 100 Art by Garrick Gott This print is from Oh So Pretty: Punk in Print 1976-80—an unrivalled collection of visually striking ephemera from Britain’s punk subculture. The volume presents 500 artefacts, 'zines,' gig posters...

Print Pigment inkjet on HotPress Natural, 300 gsm Measures: 20.00 x 25.00 in 50.8 x 63.5 cm Edition of 108 Signed and numbered by the artist. This work is part of the Vera List Anniversary Print Portfolio, created in recognition of the exceptional legacy of philanthropist Vera List. It was the generosity of Vera and her husband Albert that enabled the founding of the Vera List Art Project at Lincoln Center in 1962, MIT's List Arts Center in 1982, and the Vera List Center for Art and Politics at The New School in 1992, among others. These institutions joined forces with Artspace and six internationally renowned artists to produce this print portfolio. This print by Fred Wilson is comprised of a mashup of flags of Caribbean nations, presenting an idea about the relationships among the people of these cultures. Fred Wilson is a conceptual artist of African-American and Caribbean descent who's primarily known for rearranging art and artifacts in museum collections to reveal the inherent racism and gender politics that are often overlooked. First gaining notoriety in the early '90s with the exhibition Mining the Museum, in which he placed a whipping post from pre-Civil War America in a gallery and surrounded it with four ornate chairs...

For sale an original signed edition museum-quality Magnum 6x6 photographic print by MARTIN PARR (British, born 1952). Titled "Weymouth, England, Great Britain. 2000", this Magnum p...

Surrealist framed print by Bruce Richards (American, born 1948): "Witness (Man Ray)". Numbered 2/45 and signed Bruce Richards '92.

Oil on canvas painting "Untitled" by Paola Vega, Argentina, 2014. The painting was exhibited in her solo show "The life of paintings" at Calvaresi in Buenos Aires, 2020. Paola Vega bio: Paola Vega is an artist, researcher and curator. She graduated with a degree in History from the Universidad Nacional del Sur in 2003. In parallel, she began to study painting in Bahía Blanca at Espacio Vox with Gustavo López, and carried out work clinics with Jorge Gumier Maier and Diana Aisenberg between 2001 and 2002, and later in Buenos Aires with Pablo Siquier...