Royal Delft Furniture

This elegant antique faience planter was created in Holland, circa 1880. Round in shape with bowed movement, the cachepot stands on small shell...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...

Place this elegant pair of antique ceramic ginger jars on a mantel or a console in entryway. Crafted in Holland, circa 1960, the traditional blue and white jars are round in shape an...

This important antique vase was crafted in France, circa 1780. Octagonal in shape with gadrooned body style and a tall neck, the elegant potiche features a hand painted medallion dep...

A large and handsome Delft lidded baluster vase, in the traditional blue and white colour scheme of this Dutch pottery producer. The vase dates from the second half of the 20th centu...

A Dutch Delft garniture of two side and one middle vase, decorated with a dog and parrot. Origin: Delft, The Netherlands Date: 1763 - 1806 Workshop: De Porceleyne Clauw Owner: Lambe...

Blue and white DUYNKERKER tobacco jar Delft, 1760-1780 The ovoid tobacco jar with copper lid has a groove on the shoulder at the top and a protruding rim. The jar is painted in blue...

This impressive Delft Blue and white ceramic charger or plate was produced in the 20th century at De Porceleyne Fles (now Royal Delft). The image is after a painting by Dutch painter...

Dutch Delft Porceleyne Fles wall plate, 1948 A Dutch delft Porceleyne Fles wall plate with in medallion painted bouquet with flowers in vase with birds on each side. Floral decor on...

This hand-painted jar and cover from circa 1790 boasts beautiful Dutch Delft floral artwork. The intricate design features a stunning array of blooms and vines in deep and medium cobalt blue. The shoulders of the jar are adorned with lappets filled with flower heads, and its octagonal form is topped with a simple, deep blue knop. Dimensions: 12.75" tall x 6" at widest point x 4.75" across base Condition: Excellent with small edge frits invisibly restored Price: $1160 Background of Dutch Delft: The technique of making Delft was first described in writing by Gerrit Paape in "The Delft Pottery Maker," written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city...

Blue and white chinoiserie altar vase. Delft, circa 1685 The ovoid altar vase stands on a high-waisted foot. The flaring cylindrical neck ends in an outward sloping mouth rim. The two blue coloured lion-shaped handles have suspending rings in their jaws. The body is painted with a continuous oriental landscape with banana and pine trees, Chinese figures and houses, while the neck is painted with three bands of different ornaments. The mouth rim is decorated with rectangular ornaments, the foot with leaves under a band around the ankle. Altar vases are also called vases à chimères. The oldest faience examples were made in the sixteen-twenties in Nevers, France and are attributed to the Conrade potters family, who originated from Italy. The shape is based on metal vases used during the services in Catholic churches. Therefore it is no wonder that many altar vases are painted with the Christogram IHS. Altar vases were made in Delft from about 1675 onwards and production continued well into the eighteenth century. Marked examples are known from multiple manufacturers, such as The Greek A and The Moor’s Head potteries (Aronson 2011, pp. 14-15). A pair of eighteenth century vases was made between 1700 and 1716 at The Three Porcelain Ash Barrells pottery. They are marked with PK for the owner Pieter Kam or, after 1705, by his widow (Blazy & Boyazoglu 1983, p. 110). The pair is painted with a dense parsley decor. A miniature example was excavated from a cesspit in the grounds of the former Porcelain Bottle pottery in Delft. At the same location a larger fragment was also found, decorated with a triple-tulip design in blue and yellow (Eliëns, Schledorn, Van Aken-Fehmers, pp. 31 , 36, 45). Three altar vases with similar tulip and flower decoration in blue and yellow are in the collection of the Dutch Open Air Museum in Arnhem and can also be attributed to the Porcelain Bottle pottery (Klein, p. 152). Official Catholic services were not allowed in the seventeenth century in the Dutch republic, however Catholic conventicles were tolerated. At first sight it might be surprising that a Catholic object...

Decorate a console or buffet with this elegant antique vase. Crafted in France, circa 1880, the tall faience vase is beautifully shaped with a rounded body and a long, thin neck. Han...