Shepard Fairey More Art

This is set of 3 Flood Magazines are from 2020. Each of the magazines have a different Shepard Fairey (Obey Giant) cover, and on the flipside of the magazine is David Bryne, H.E.R., ...

"I originally created this image in response to the terror attacks at the Bataclan and other parts of Paris in late 2015. At that terrible moment I wanted to create an image of support to show solidarity with Parisians and French people. Freedom, equality, fraternity – those are all things that I think democratic societies value. I intended for it to be interpreted and embraced by french people in a broad sense; however, I’d like to see those actions be meaningful. When I saw the attack on my mural and read some of the meaning behind it, I realized that it was done as a statement to oppose injustice. I side with people who oppose injustice, especially regarding human rights, and my beliefs in peace, harmony, and equality – all of which I work to embody through my art. If this image is used by people that don't incorporate those principles, I disapprove of that. I do not want this image to be hijacked for those who don't believe in its meaning. We're all part of shaping the world the way we want it to be and everyone should play their role, me included, in making sure that those terms are defined through action. That is why I am releasing a new version of the print that says, "actions are more important than words." If we do that properly, I think liberty, equality, and fraternity are all good things to keep in mind and continue to define in the most positive ways possible. For all the times those principles have been abandoned or have not been defined positively, I included a teardrop on Marianne. I believe in using my art to shed light on issues and support people who do work on the ground for those issues. I hope that this image's best intention can be realized as we work towards a better future." -Shepard Fairey Materials Fine Art Cream Speckletone Paper Size 36 × 24 in 91.4 × 61 cm Rarity Open edition Medium Print Condition Print is in pristine condition and has been stored flat since purchase. Signature Hand-signed by artist, Hand signed and dated by the artist Shepard Fairey, 2021. Certificate of authenticity Included (issued by gallery) Frame Not included Publisher Obey Giant Studio...

With my ICONS art show happening this weekend, it made sense to celebrate the musical and philosophical icon Joe Strummer, lead singer and lyricist of the Clash who are my all-time f...

Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

Manufacturer Obey Giant Edition Details: Year: 2020 Class: Fine Art Print Status: Official Released: 02/12/20 Run: 314550 Technique: Screen Print Paper: Thick Fine Art Cream Specklet...

This "Lifeguard Not On Duty" print was inspired by some old photos I saw of oil derricks down on the beach at Playa Del Rey and Long Beach. There are still oil drilling platforms vis...

"Based on one of my art pieces focused on peace and harmony included in my exhibition at the Straat Museum in Amsterdam. I have replicated many of the textures of the original art pi...

Obey & Ganas Day of the Dead Calavera Set. 11 x 14 inches. Letterpress print by Aardvark Letterpress. Obey version Signed by Ernesto Yerena and Shepard Fairey. Ganas version signed b...

This "Lifeguard Not On Duty" print was inspired by some old photos I saw of oil derricks down on the beach at Playa Del Rey and Long Beach. There are still oil drilling...

My work primarily revolves around concepts of and aspirations for justice. Whether it be environmental justice, racial justice, economic justice, gender equality, etc., the themes in my art often address injustices in a number of areas. Justice is a subjective, and in some ways, an abstract concept, but I think we all know in our conscience when something is wrong, unfair, immoral, or unjust. I witness convoluted logic every day from people attempting to defend (or ironically justify) injustice. These “Cultivate Justice” prints...

Introducing the Shepard Fairey "30 Year Anniversary Skate Deck Set," created for his epic show "Facing the Giant 30 Years." This limited edition set features three stunning skate decks in like-new condition, sealed and numbered at random. Each deck measures approximately 32" x 8.5", and features a bold red colorway and iconic Obey...

I've made a few Paint it Black themed images and this letterpress print was made especially for my New Clear Power show at AMUSEUM in Munich, Germany. Unfortunately, the topic remains in need of urgent action! In addition to referencing a great Rolling Stones song, Paint it Black is about oil dictating too much of our energy and foreign policy. Imagine if all the money spent on wars and strategic interests in the Middle East went to developing green energy alternatives. Instead, our government subsidizes the highly profitable oil and gas industries for $40 billion annually because no politician wants the blame for rising gas prices. Newsflash: we are still paying more for gas, whether it's at the pump or through our taxes. The need for gas will remain, but we must invest in sustainable energy alternatives as we transition off the finite supply of fossil fuels that are also terrible for CO2 emissions. "Shepard Fairey" PRINT DETAILS: Paint it Black Letterpress (Positive-Propaganda Edition). 12 x 16 inches. Letterpress on white cotton paper with hand-deckled edges. Signed by Shepard Fairey. Numbered edition of 183/275. Comes with a Digital Certificate of Authenticity provided by Verisart and New Union Gallery.

Shepard Fairey 11th Hour, 2007 Screenprint on paper24 x 18 in SKU: SF0003bg gallery

"The 'Endless Power Petrol Palace' poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited. Though oil may have seemed initially to be endless, we now know the world’s oil reserves will run out eventually but more importantly, we know from thorough scientific research that the planet does not have the endless power to maintain a stable climate if oil and gas...

By Any Means Necessary (Red)

Shepard Fairey Marcos Diagram (Viva la posse), 2003 Seriograph24 x 18 in SKU: 415.499.696bg gallery

I'm honored to be a part of the Adopt the Arts’ 7th annual gala and fundraiser tonight honoring my good friend @moby and benefitting programs for kids! I created this Adopt the Arts Lotus print...

Interpol NYC Calling on True White Speckle Tone paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 550. - Shepard Fairey Obe...

Features renowned Sikh activist, filmmaker, and civil rights lawyer, Valarie Kaur of the Revolutionary Love Project. "Valarie's portrait is the first in our year long series of artw...

Materials Lithograph Size 36 × 24 in 91.4 × 61 cm Rarity Unknown edition Medium Print Condition Mint condition and stored flat since purchase. Signature Hand-signed by artist, Hand signed by the artist in pencil and dated 2019, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Frame Not included Publisher Obey Giant Studio's

Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry, passed away on August 29. I first discovered Lee Perry when I got deep i...

Original Photo by Ruven Afanador. "Ruth Bader Ginsburg is a hero of mine because she was a low-key radical. She encountered gender discrimination in her personal life which she over...

"For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

Silkscreen / Feminist Art and Contemporary Feminist / Pop and Contemporary Pop / Graffiti and Street Art / Cultural Commentary DIMENSIONS 24 × 18 in 61 × 45.7 cm EDITIONS Edition 476/600 "I grew up at a time when women's rights were on the rise...

Edition Details: Year: 2017 Class: Letterpress Art Print Released: 10/10/17 Run: 219/450 Technique: Letterpress Paper: Cream cotton paper Size: 10 X 13 Markings: Signed & Numbered

Shepard Fairey The Shrine 7” Signed VINYL Project Autograph Limited Print Run. Edition of only 500. Signed by the artist in pencil and dated 2018. Ultra rare Shepard Fairey item an...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” cam...

Signed by Ted Soqui and Shepard Fairey. Based on photos taken by Ted Soqui during the LA riots of spring 1992. A portion of the proceeds benefitted WLCAC (Watts Labor Community Act...

Shepard Fairey 30th Anniversary Skateboard Edition Details: Year: 2019 Class: Skate Deck Status: Official Size: 8.5 X 32 Unsigned Still sealed in sh...

Manufacturer: Obey Giant Edition Details: Year: 2022 Class: Diptych Set Technique: Screen Print Paper: Fine Art Thick Cream Speckletone Size: 18 X 24 Markings: Signed & Numbered by ...

Joan Jett is one of the most prolific, bad-ass women in music. I was honored when Joan asked me to recreate the cover of her 1981 album "I Love Rock & Roll" for its 33 1/3 Anniversar...

"For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

"This Monkey Pod VSE (Variable Stencil Edition) is a collaboration produced with my good friend and former co-worker Ernesto Reyna Each piece is a stencil painting with letterpress lantern images glued in position to add an additional dimension to the art. The price difference between the two variable editions is because of the greater technical and labor-intensive demands of the red and gold version. A portion of the proceeds from these stencil pieces will go to the NRDC to support their efforts to improve environmental regulations and policies. I originally made the Monkey Pod image based on a tree on the grounds of The Contemporary Museum in Honolulu, where I completed a residency back in 2005. I was presented with a unique conundrum: Hawaii doesn't have outdoor advertising, which my street art was designed to compete with and make people question. After visiting Hawaii, I realized that the primary form of propaganda was not advertising but the cliches of Hawaii itself: Coke machines...

Manufacturer Obey Giant Edition Details Year: 2020 Class: Art Print Status: Official Released: 09/22/20 Run: 124/500 Technique: Screen Print Paper: Fine Art Cream Specketone Size: 1...

I think this text in this Conformity Factory print speaks for itself, but I’d add that we all need to ask the question: who are the overlords of the conf...

I think this text in this Conformity Factory print speaks for itself, but I’d add that we all need to ask the question: who are the overlords of the conf...

Sold exclusively at Beyond The Streets New York, in-Store only. "The Cut it Up - Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto k...

"References the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon ...

Image Artists Fairey, Shepard More info Manufacturer Obey Giant Edition Details Year: 2022 Class: Art Print Status: Official Released: 01/27/22 Run: 400 Technique: Screen Print Pape...

"Inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultiv...

Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Obey publishing chop in lower left corner. Fine Ar...

TITLE Shepard Fairey Peace Tree Golden Edition Artist Proof YEAR 2007 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Silkscreen...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley's passing. The series represents the amazing breadth of Marley's...

"The Shadowplay print is inspired by punk, post-punk, and new wave music graphics that combined original art and found imagery in subversive and enigmat...

Shepard Fairey Silkscreen Print Lemmy Damaged Case Motorhead Ace Of Spades Signed And Numbered. Manufacturer Obey Giant Edition Details Year: 2021...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s...

Edition Details Year: 2015 Class: Art Print Status: Official Released: 06/23/15 Run: 450 Technique: Screen Print Paper: Cream Speckletone Paper Size: 18 X 24

"I made this custom art for Blake Mycoskie and TOMS' End Gun Violence Together campaign which benefits organizations that I believe in like Everytown for Gun Safety, March For Our Li...

Medium: Silk Screen Print Condition: Print is in pristine condition and has been stored flat since purchase. Four sharp corners and the print is breathtaking in person. Cheers ...

Hand Signed & Numbered by the artist himself Shepard Fairey, in pencil dated 2016. Very Rare Benefit Silkscreen Print from 2016. YEAR: 2016 CLASSIFICATION: Limited edition MEDIUM TYPE: Fine Art Print MEDIUM/MATERIALS Silkscreen on Fine Art paper with Gold Metallic Inks INVENTORY ID N/A CATEGORIES Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary / Outsider Art DIMENSIONS 24 × 18 in 61 × 45.7 cm EDITIONS Edition of 200 Comes with Certificate Of Authenticity from NEW UNION GALLERY...

This is another in my series of images to encourage people to rethink fossil fuel consumption. This one is a bit of a tribute to the Ramones and their underground legacy, but the phr...

5 color screen print on cream 100% cotton archival paper with hand-deckled edges The Paper, provided by Legion Paper, is custom 100% cotton Coventry Rag paper which uses salvaged material to create a more eco-friendly product, reusing what would typically be considered waste. The color and features of this fine art paper were created specifically for these large format prints. Comes with a Certificate of Authenticity Publisher: Obey Giant LARGE FORMAT SERIES ONLY 75 ever produced with most going to friends and family. One of our rarest prints by Shepard Fairey here at the gallery! Thank you for stopping by and if you have any questions at all don't hesitate to ask. Print is in pristine condition and has been stored flat since purchase in our temperature controlled flat file Vault. This is a very large print...

TITLE: Shepard Fairey “Unyielding” Aluminum Signed Print Beyond The Streets Obey Giant With C.O.A. YEAR: 2020 CLASSIFICATION: Limited edition MEDIUM TYPE: Mixed Media with Screen Printing and wall Mount MEDIUM/MATERIALS: Aluminum Metal Street Sign...

These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on...

Capital Gain - Shepard Fairey Obey Contemporary Print. 18 x 24 inch screen print on French Paper 80# Cream Cordtone. Signed and numbered edition of 450. The U.S. government gives approximately $70 billion in tax breaks and subsidies to the highly profitable oil and gas...

Edition Details: Year: 2020 Class: Art Print Status: Official Run: 200 Technique: Screen Print Paper: Cream Speckletone Size: 18 X 24 Markings: Signed & Numbered

Fragile Peace. 18 x 24 inches. Screen print on cream Speckletone paper. Signed by Shepard Fairey and Jim Marshall. Numbered edition of 450. Shepard Fairey is a major influencer in t...