Stephane Couturier Art

60 x 61.3 inches ed. of 7 $9000 70 x 71.6 inches ed. of 5 $11,000

Untitled (Nr. 7117) Photography 36" x 44" Edition 1/12 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminat...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 90 x 60 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogra...

60 x 40 inches ed. of 10 $6,000 75 x 50 inches ed. of 7 $9,000 90 x 60 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogr...

Reinhard Görner, Ganymed, Palazzo Grimani, Venice, Italy. In this monumental photograph, a sculpture depicting the Kidnapping of Ganymed is suspended in the center of the vault, decorated by lacunae. The image combines the unique geometric abstraction of the architecture with the organic form of the sculpture and the floor. What is so unique about this artwork? Compositionally, all lines radiate to the the center of the room, where the energy is thrust upwards again by the mythical figure. The wings of Ganymed direct the eye back to the perimeter of the room, where the attention flows inwards once again. The floor radiates with an earthy ktenic energy, which compliments the vertical push of the sculpture. The result is a living, pulsing composition, set within the unusual warm classicism of this unique Venetian Palazzo. This beautiful palace was the residence of the Doge Antonio Grimani. It is one of the most unique examples of Venetian architecture in transition from Gothic, well-rooted in the local culture, to the Renaissance. German large-scale photographer Reinhard Görner is known for his stunning, monumental-scale photography, which combine a sense of grandness with intimacy. He was born in 1950 in Leipzig, Germany, and he lives and works in Berlin, Germany. He studied drama, german literature and sinology in Munich and Berlin, and has been photographing architecture, interiors, and public spaces since 1981. Condition: New. Images are crisp and sharp. Images are not shown at full resolution for the protection of the artist. 50 x 49 inches ed of 10 $6,000 60 x 59 inches ed of 7 $9,000 70 x 68.8 inches ed of 5 $11,000 signed and numbered on label, verso Reinhard Görner with his large format architectural photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Paper is trimmed to the image: actual image size listed More about the Palazzo: Newly restored, the Palazzo Grimani also includes Camerino di Callisto, with stucco by Giovanni da Udine...

50 x 59.4 inches ed. of 10 $6000 60 x 71.3 inches ed. of 7 $9000 70 x 83.1 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format pho...

60 x 61.3 inches ed. of 7 $9,000 70 x 71.6 inches ed. of 5 $11,000

40 x 60 inches ed. of 10 $6,000 50 x 75 inches ed. of 7 $9,000 60 x 90 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photogr...

Immerse yourself in the enchanting grandeur of one of the world's most beautiful libraries with this evocative photograph by celebrated German artist, Reinhard Görner. This captivating image features the Library Hall at the Upper Lusatian Library of Sciences, a testament to the intersection of history, knowledge, and architectural elegance. Lit by a warm, timeless glow, the scene leads you through multiple carved archways...

Hang gliding in Kitzbuhel, Austria, 1980 Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Chromogenic ...

Alone Together XVI, 2019 - Hong Kong Since 2016, Roufanis has been creating high-resolution images of urban landscapes that offer the viewer an intimate look into the lives of the c...

The work 'Aturalia' is part of Margriet her most recent series of works from Fruits de Rococo, where she found her inspiration in the style period of Rococo. Aturalia is together with Nartificilia a diptych, but can also be enjoyed perfectly seperate from one another. In the series Fruits de Rococo, artist Margriet Smulders takes us into the maelstrom of her thoughts about our existence. In thirty still lifes, she depicts life as a flowing river. Smulders takes us from the source to the sea, from the dark origin to the sublime end. Fascinated as she is by the cycle of life, she guides us through birth, bloom and decay, with heaven as the apotheosis. about Margriet Smulders In the works by Margriet Smulders (1955, the Netherlands), the theme ‘lust and temptation’ play a major role. Standing in front of them, her impressive photograph’s cause the feeling of being sucked into the image. Large compositions are seducing the viewer and lead the eye from one to the other detail. In her work, Smulders mostly uses exotic flowers and fruit. To arrange the objects she uses colored draperies, water and mirrors. The result looks like a detail from a mysterious fairy tale world. Even though people are absent in these surrealistic landscapes, these works seem to tell a story or hold a meaning. It feels like Margriet Smulders paints with her photo camera.