Theodore van Elsen Drawings and Watercolor Paintings

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Th...

A superb original illustration from one of the foremost illustrators of the 20th Century. Edward Ardizzone (1900 - 1979) The barmaid Signed, gallery label verso Pen, ink and waterco...

*THIS PRICE INCLUDES 5% IMPORT DUTY APPLICABLE IF THE WORK REMAINS IN THE UK ONLY. Esquisse pour "Commedia dell'arte" by Marc Chagall (1887-1985) India ink, pen and pencil on paper...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Th...

Donald Stacy "Looking Over Shoulder" 1951 Ink on paper 14" x 16.5" unframed Signed and dated in pencil lower left Came from artist estate *Custom framing available for additional ch...

It happened ... Paper, ink, pencil, 20x26 cm As a black and white comic, the absence of color allows the artist to focus on using shading, line work, and contrast to convey the narrative and emotions effectively. Black and white comics creates a distinct and dramatic atmosphere, emphasizing the story's mood and capturing the readers' attention. Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art...

"Five Faces #736" is an original black ink drawing with a stamped signature in the lower left by Sylvia Spicuzza. It depicts five female faces from a...

Eduard Xavier Kapp (British, 1890 – 1978) Hot soup Pen on paper Inscribed and dated ‘Hot Soup / 15-12-38’ (upper right) and signed ‘kapp’ (lower right) 7.1/2 x 12.3/8 in. (19 x 31.5 cm.) Edmond Kapp was born in Islington, London, on 5 November 1890, of American and German Jewish parentage. He gave himself the middle initial ‘X’ – sometimes said to stand for Xavier – to distinguish himself from his father Emil Kapp, who was a wine merchant. However, his parents called him ‘Eddie’ while his wife and friends knew him as ‘Peter’. During his early years, Kapp was continually ill and, while convalescing, entertained himself by drawing at home. As his health improved, he attended Dame Alice Owen’s School, Islington (1903-10), with periods at Berlin University (1909) and L’Institut Français pour les Etrangers, Paris (1909). He then read Languages at Christ’s College, Cambridge (1910-13), though spent most of his time writing and drawing. Kapp took a studio in London, and worked intensively until the outbreak of the First World War, contributing to the Daily News, the Onlooker and other periodicals. During the war, he served as a 2nd Lieutenant in the Royal Sussex Regiment on the Western Front, and then in Intelligence, rising to the position of Staff Captain on Haig’s Staff. Finally, he founded and directed the Neutral Press Counter-propaganda Section. In 1919, Kapp returned to London and, after abortive periods at three art schools, worked alone. In that year, he made his name with an exhibition of caricatures, held at Furst’s Gallery, London, and accompanied by a catalogue introduced by Max Beerbohm. This soon led to contracts with three London periodicals and a book of caricatures, Personalities, published by Martin Secker. Through the 1920s and 30s, his drawings of musicians and other personalities appeared in a wide variety of periodicals, most notably Time & Tide; were collected in further volumes; and were exhibited at the Leicester Galleries. He considered himself to be a ‘character-portraitist’, producing images of psychological not satirical power, and disliking the term ‘caricature’. Between the wars, Kapp developed other aspects of his artistic talents, the desire to study and the search for subject matter often taking him abroad. For instance, work at the British Academy, Rome, under Antonio Sciortino...

JAK  (Raymond Allen Jackson) 1927-1997 "I Think we Should Let the Germans Keep it Next Time" (1992) Visitez La Belle France, Fly Air France 51x59cm Pen, i...

Miguel CONDE (1939-) The fruit seller, 1998 Original ink drawing with charcoal enhancement Signed bottom left On heavy tinted vellum 79 x 60 cm (c. 32 x 26 in) Excellent condition

Artist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: Letter to Dr. Laforet Year: circa 1965 Medium: Ink and Wash on Paper, signed l.r. Size: 8.25 in. x 10.5 in. (20.96 cm x 26.67 ...

Tsuhugaru Foujita - Fear - Original Drawing 14 x 11.9 cm Ballpoint pen ink on paper Provenance: Succession Kimiyo Foujita Léonard Foujita (French/Japanese, 1886–1968) Léonard T...