Vaclav Vytlacil Abstract Paintings
American, 1892-1984
Born in 1892, Vaclav Vytlacil was a highly educated and gifted artist, early at the School of the Art Institute of Chicago, and later at the Art Students League. In the 1920s, his travels to Europe and studies of the old masters helped him gain artistic perspective and knowledge. At the Royal Academy of Art in Munich, Vytlacil met and befriended Hans Hofmann, becoming his teaching assistant. After returning to the US in 1928, Vytlacil became a member of the Art Students League faculty and successfully persuaded Hofmann to teach at the League as well. In 1936, he became a co-founder of the American Abstract Artists group and taught at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. Vytlacil was honored with solo shows at The Carnegie Institute, Montclair Art Museum, the Phillips Memorial Gallery, the Krasner Gallery, University of Notre Dame, Rochester Art Gallery and others.
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Artist: Vaclav Vytlacil
Abstract Cubist Construction Collage Mid 20th Century American Modernism Cubism
By Vaclav Vytlacil
Located in New York, NY
Abstract Cubist Construction Collage Mid 20th Century American Modernism Cubism
Vaclav Vytacil (1892 - 1984)
Abstract Construction #2
Caesin on board collage
11 x 13 1/2 th inches
S...
Category
1930s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Board, Casein
City Scene with Faces casein tempera on canvas by Vaclav Vytlacil
By Vaclav Vytlacil
Located in Hudson, NY
Modernist painting by Vaclav Vytlacil of "City Scene with Faces". Signed and dated "Vytlacil 32" lower right.
Provenance: Estate of the artist #1584; Martin Diamond Fine Art
Exhibi...
Category
1930s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Tempera, Casein, Canvas
"Fishing Through the Storm"
By Vaclav Vytlacil
Located in Lambertville, NJ
Mixed media on board; Signed lower right and dated 1961
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in ...
Category
1960s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Mixed Media
Untitled Abstraction casein tempera on board by Vaclav Vytlacil
By Vaclav Vytlacil
Located in Hudson, NY
Signed and dated "Vytlacil 38" lower left, and signed and dated verso.
Provenance: Estate of the artist #1602; Martin Diamond Fine Art
About this artist: Born in 1892 to Czechoslov...
Category
1930s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Tempera, Casein, Board
"Figure Composition"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed Lower Right
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1940s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Board, Oil
"Manhattan Night Life"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1930s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Oil
"Positano Coast"
By Vaclav Vytlacil
Located in Lambertville, NJ
Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in 1892 to Czech parents, but was raised in Chicago. He was an artist since boyhood, becoming the youngest student to ...
Category
20th Century Abstract Vaclav Vytlacil Abstract Paintings
Materials
Board, Oil
"The Evening Crowd, Manhattan"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1930s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Oil
"Roman Bath" Series (2/3)
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
20th Century Abstract Impressionist Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board
“Woman in Black”
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1960s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board
"Still Life with Bananas"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1930s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board
"Blue Fish"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1960s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board
"Vineyard Fishing Boat"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed and Dated Lower Right
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the ...
Category
1950s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Board, Oil
"Lower Manhattan"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed & dated 1940 lower left.
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the S...
Category
1940s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board
"After Work"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork.
Signed lower right
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in C...
Category
20th Century Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board
"Fish Cleaners"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed & Dated LR (Highly exhibited)
The New York Times, Sunday October 30, 1949 by Howard Devree. "Both as teacher and as painter Vaclav Vytlacil has been a decided force in contem...
Category
20th Century Abstract Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board
"Rough Seas"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed and dated 1958 lower right.
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn.
He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant.
During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League.
His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work.
He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...
Category
1950s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Mixed Media, Board
"Circus Act"
By Vaclav Vytlacil
Located in Lambertville, NJ
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of ...
Category
20th Century Abstract Vaclav Vytlacil Abstract Paintings
Materials
Board, Oil
"Classic Maiden"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed & Dated LR
Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in 1892 to Czech parents, but was raised in Chicago. He was an artist since boyhood, becoming the y...
Category
20th Century Abstract Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Oil
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Materials
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"Strong Arm" Figurative Abstract
Located in Soquel, CA
Bright figurative abstract with rich layers of texture and color by Chaz Cole (American, 20th Century). Irregular perimeter. Signed and dated "Chaz Cole" lower right. Signed and date...
Category
1990s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Pastel, Tempera, Cardboard
Still Life with Fruit
By Juliane Solignac
Located in London, GB
'Still Life with Fruit', oil on board (1968), by Juliane Solignac. An engaging yet unusual artwork with vibrant colours, thickly applied with a painting knife. Nonetheless, through the thick paint there is an unfinished quality to the work leaving the impression that the raw canvas - or board in this case - is revealed. Some of the colour seems to have been scored on to the work with an artist's knife leaving lines and creating angles as in a cubist painting. There are layers of paint with no evident brush strokes. One may believe in this instance, Madame Solignac used this technique to create a visual effect which would deliberately have upset traditionalists. Be reminded that the Impressionists were criticised for creating patchy, incomplete works because there were strong notions about the correct way to paint in those days. Picasso once said, 'To finish a work is to kill it.' It is unsure how Mme Solignac would have felt about that. Regardless of this conjecture, the painting is colourful, compelling and rewards the viewer with a curious interest. The work is in fair vintage condition, newly framed with a linen slip. It is signed: 'Julian Solignac 68'.
About the Artist: Juliane Solignac (born 1904). Regrettably, there is not much information available about the artist (including what year she may have died). She is referenced as a resident artist in Montmartre in the 1930s, one of only a handful of women in an otherwise sea of male names. In addition, Solignac is mentioned in both French and Dutch references as a creator of fabrics. These may have been more artistic 'tapis' which are hung on the wall like a painting. A Dutch museum references having one of her designs in their collection. Here is a quote from the magazine, 'COTE', Edition Nº 9 (March 2009): "Until 20 April, Pierre Frey is exhibiting 50 printed fabric works from their own collection dating from 1936 to today. Most were produced in liaison with artists like Jean Chatanay, Irène Rohr, Juliane Solignac, Rieffel Anossof, Janine Janet...
Category
1960s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board
Antique American Abstract Expressionist Vintage Framed New York School Painting
Located in Buffalo, NY
Antique American modernist abstract painting. Oil on canvas, circa 1940. Housed in a vintage frame. Image size, 18L x 24H.
Category
1940s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Oil
H 25 in W 19 in D 2 in
Snake, Large-Scale Visionary Abstract with Mystical Creatures by Barbara Carlson
By Barbara Carlson
Located in Soquel, CA
Snake, Large-Scale Visionary Abstract with Mystical Creatures by Barbara B. Carlson
Large scale abstract with Central America mythological motifs by Barbara B. Carlson an Orinda, California artist (American, b- 1933). Visionary painting reflecting a journey with Ayahuasca or Yagé, is an entheogenic brew made out of Banisteriopsis caapi vine and other ingredients. The brew...
Category
1980s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Paper, Tempera
Structural Primitive 2
By Dunmade Ayegbayo
Located in Ibadan, Oyo
Painting
Ships in a well-protected tube from Nigeria
This work is unique, this is not a print or other type of copy.
Signed on the front side and accompanied by a Certificate of Auth...
Category
21st Century and Contemporary Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Acrylic
"Tetico" contemporary Italian abstract painting musical rhythm dancing energy
Located in Kowloon, Hong Kong
Francesco is the painter of music. Deep in the night where the painter is not sleeping, being a musician, instead of writing songs, he starts to capture the musical rhythm dancing i...
Category
2010s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Mixed Media, Acrylic, Pigment
Francesco D'adamo"Tetico" contemporary Italian abstract painting musical rhythm dancing energy, 2022
H 31.5 in W 31.5 in D 1.19 in
Multi Textured Figurative Abstract
Located in Soquel, CA
Bright and colorful highly textured abstract with figurative elements by Weston (American, 20th Century). Signed and dated "Weston '92" lower right corner. Tempera on acrylic sheet. ...
Category
1990s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Tempera, Plastic
Structural Primitive 1
By Dunmade Ayegbayo
Located in Ibadan, Oyo
Painting
Ships in a well-protected tube from Nigeria
This work is unique, this is not a print or other type of copy.
Signed on the front side and accompanied by a Certificate of Auth...
Category
21st Century and Contemporary Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Acrylic
Large Scale Gestural Figurative Abstract Expressionist Surrealist Oil Painting
By Matthew Carone
Located in Surfside, FL
Artist: Matt Carone, signed lower right
Dated: 1995
Dimensions: 80.25"H x 56.25"L
In a fine wooden black and gold gilded frame.
Provenance: Freitas Revilla Gallery.
Matt Carone (1930-) South Florida artist and gallerist. The Italian- American New Jersey native took up painting in the 1940s after Hans Hoffman asked him to model in a class in which Nicolas Carone, Matt's brother was a student. He has never stopped painting since that seminal experience in Abstract Expressionism. His work reveals a dynamic gestural vocabulary that’s confident, rich in color and texture, and charged with emotion. Matthew Carone opened his famous, influential gallery on Las Olas Boulevard in Fort Lauderdale in 1959, and in the following decades, he built a roster that included such artists as Wolf Kahn, Leon Kroll, Wifredo Lam, and the great Chilean surrealist Roberto Matta. Meanwhile, Carone quietly continued his own work as a painter, urged on by Matta on his many visits to the area. His works range from pure abstract expressionist painting to figurative expressionism to an almost Surrealist calligraphic abstraction. Carone lived with and posed for Hans Hoffman, and was friends with Roberto Matta, Conrad Marca-Relli, Paul Jenkins, Franz Kline and Wolf Kahn. His paintings, according to Palm Beach Post art critic Gary Schwan, “reveal a spontaneity that recalls the automatic writing of the surrealists. The figures radiate motion, tension and sexual heat in contained spatial constructions.” This painting depicts nude figures reminiscent of the nudes in the famous Pablo Picasso painting Demoiselle D'avignon. His later paintings, perhaps closer to Jackson Pollock or Cy Twombly than Matta’s animated stick figures and skeletal machines, step toward the path of patterned abstraction without venturing onto it. Like Pollock, whose lyrical loops carried the private rhythms of an artist enamored of dance, and Twombly, whose staccato, sketchy lines reflect a different temperament, Carone’s inspirations flow directly from a subconscious informed by a lifetime of association with some of the century’s most important artists and their works. Not only is Carone identified with the pioneer generation of Abstract Expressionists, but also critics have seen affinities with Surrealism in his work, as well as development parallel to those of the CoBrA group.”
Earlier paintings by Carone, an accomplished musician and violinist, often suggest ensembles of musical instruments, particularly those with strings. Like the drip paintings of Pollock, these works, with their powerful sense of movement and lyrical compositions, sometimes seem like musical passages captured on canvas or paper.
SELECT ONE PERSON SHOWS
Boca Raton Museum of Art, Boca Raton, FL
Palazzo Panni Museum, Arco di Trento, Italy
Fox-Martin Gallery, Housatonic, MA
Lurie Galleries, Boca Raton, FL
ArtSpace/Virginia Miller Galleries, Coral Gables (Miami), Florida
Georgetown College, Georgetown, Kentucky
Schramm Galleries, Fort Lauderdale, Florida
Granville Galleries, Coral Gables, Florida
Coral Ridge Yacht Club, Fort Lauderdale, Florida
Museum of Art, Fort Lauderdale, Florida
The Gallery, Fort Lauderdale, Florida
Gallery 99, Bay Harbour Island, Florida
Mercer University, Macon, Georgia
P.N.Y.K. Gallery, Kent, Connecticut
Simons Rock College of Bard, Great Barrington, Massachusetts
Freites-Revilla Gallery, Boca Raton, Florida
GROUP SHOWS
Museum of Art, Fort Lauderdale, Florida
Society of the Four Arts, Palm Beach, Florida Schramm Galleries, Fort Lauderdale, Florida
Roko Gallery, New York, New York
Loft Gallery, Coral Gables
Florida Lowe Art Museum, Coral Gables, Florida
Brandeis Art Festival, Palm Beach, Florida
Drawing Exhibition, Museum of Art, Fort Lauderdale, Florida
Ute Stebich Gallery, Lenox, Massachusetts
Florida Pavilion, New York World's Fair, 1965
The Lantern Gallery, Ann Arbor, Michigan
The Little Gallery, Philadelphia, Pennsylvania
Tampa Bay Art...
Category
1990s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Oil
Previously Available Items
"Fresh Catch"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, ...
Category
1930s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Oil
"The Happy Fisherman'
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork by:
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth,...
Category
20th Century Vaclav Vytlacil Abstract Paintings
"Outdoor Cafe"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed and Dated Lower Right
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the ...
Category
1940s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Board, Oil
"Beauty"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork.
Signed and dated 1932 on verso.
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York City....
Category
1930s Abstract Vaclav Vytlacil Abstract Paintings
Materials
Oil, Canvas
"First Kiss"
By Vaclav Vytlacil
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork.
Signed and dated 1958 lower left.
Vaclav Vytlacil (1892-1984)
He was born to Czechoslovakian parents in 1892 in New York Ci...
Category
1950s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Oil, Board, Mixed Media
The Muse
By Vaclav Vytlacil
Located in Lambertville, NJ
Oil on Board
Signed and Dated 1956 Lower Left
Abstract painting of a women's head.
Category
1950s Abstract Expressionist Vaclav Vytlacil Abstract Paintings
Materials
Oil
"Fishing Cove - Martha's Vineyard"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed and dated 1947 LL
Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in 1892 to Czech parents, but was raised in Chicago. He was an artist since boyhood, becoming the youngest student to enroll in the Art Institute of Chicago in 1906. There he earned a scholarship to The Art Students League in New York in 1913. He studied at the League for three years under John C. Johansen and Anders Zorn. In 1916, Vytlacil accepted an invitation to teach at the Minneapolis School of Art where he remained for four years.
At the age of 29, and at the crossroads in his painting career, Vyt (a name affectionately given) decided it was time for “the European experience” It was believed by most artists at the time that Europe offered many more superior values in art, and with a strong desire to investigate the art of Cezanne, Vyt left the US for Europe in 1922. He headed to Paris where he befriended fellow painters and had his eyes opened to a whole new world of art. In Vyt’s words, “Many shattering experiences brought home to me that I knew practically nothing about painting. Or in other words, what I did know, did not amount to much!”
He next went to Munich where along with new found American artist friends, Worth Ryder and Ernest Thurn, Vyt studied under (relatively unknown teacher and artist at the time) Hans Hoffman. Now Modernism was the focus of Vyt’s art, quite a change from his previous more academic teachings. The traditions being exercised by Picasso, Braque, and Cezanne among other French Modernists were greatly influenced through Hofmann’s tutelage.
Vyt continued to travel and paint throughout Europe, Mexico, Jamaica, Monhegan, Martha’s Vineyard...
Category
20th Century 85 New Wave Vaclav Vytlacil Abstract Paintings
Materials
Board, Gouache, Oil
"Mr. and Mrs. Smith"
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed & Dated LL
This set of two is 24x18 each with a total framed dimension of 35x47
Vaclav Vytlacil (Vas-lav Vit-la-chil) was born in New York City in 1892 to Czech parents, but...
Category
20th Century Abstract Vaclav Vytlacil Abstract Paintings
Materials
Board, Oil
Fisherman's Daughter
By Vaclav Vytlacil
Located in Lambertville, NJ
abstract
Category
20th Century Vaclav Vytlacil Abstract Paintings
Jamaica
By Vaclav Vytlacil
Located in Lambertville, NJ
abstract islands landscape, signed and dated 1961 lower right
Category
20th Century Vaclav Vytlacil Abstract Paintings
The Discussion
By Vaclav Vytlacil
Located in Lambertville, NJ
Signed on verso
Category
20th Century Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Oil
Classic Figure
By Vaclav Vytlacil
Located in Lambertville, NJ
Category
20th Century Vaclav Vytlacil Abstract Paintings
Materials
Canvas, Oil
Vaclav Vytlacil abstract paintings for sale on 1stDibs.
Find a wide variety of authentic Vaclav Vytlacil abstract paintings available for sale on 1stDibs. If you’re browsing the collection of abstract paintings to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Vaclav Vytlacil in paint, oil paint, board and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Vaclav Vytlacil abstract paintings, so small editions measuring 18 inches across are available. Customers who are interested in this artist might also find the work of Stanley Boxer, Paul Jenkins, and Lowell Boyers. Vaclav Vytlacil abstract paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $14,375 and tops out at $170,000, while the average work can sell for $48,125.