Yoonmi Nam Abstract Sculptures

Small’s work includes porcelain figurines and lace-like steel chandeliers inspired by branches and twigs he has documented during his travels. While in China, Small’s porcelain forms...

"My process begins with a thought, a vision, a look, a trigger that draws me to the clay. Gone are the days of exhaustive preliminary sketches and maquettes, I simply visualize how I...

“My work reflects on experiences of transformation, alchemy and the sublime, manifesting in sculptures that undulate between soft and hard, alive and static, real and imagined. These works shape-shift, oscillating between abstraction, flora, fauna and mineral. This has the effect of compressing time, with elements frozen in mid-transformation. This dislocation reflects on mortality and ephemerality, exploring the space in between stages in our lives as well as embracing fantasies of alternative dimensions as a means of escapism.” - Artist Statement Sasha Koozel Reibstein...

Sara Fine-Wilsons ”Turn” is a gestural 10.5 x 8 x 6.5 inch ceramic sculpture in cream and white. In this graceful and evocative sculpture individual twisted elements are assembled an...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside of the vessel, a “Jacob’s Ladder” that leads not just up but in. Using sculptural techniques, I cut through the wall of the pot to get more depth and dynamic movement. I continue to push the limits of my medium, taking apart thrown vessels and reconfiguring them in new ways. "Autumn Snow...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the...

Originally from the Northwest with a B.A. from Stanford University, I have painted, published illuminated books, and lived and traveled extensively in Asia. Now working primarily in ceramics, I draw images from the deep well of past experience, always starting from a strong “mind’s eye” vision. My ceramic pieces are as much about their inside as they are about their sculpted outside. Implied are the dichotomies between the inner and outer, between that which is hidden and that which is seen, between the esoteric and the exoteric, between the soul and the body. I continue to create “Metaphysical Pots” that feature water both inside and outside, becoming metaphorically both the Water of Life and the Infinite Ocean, symbolizing the continuous process between creation and transcendence. Other pieces include shapes that repeat in a pattern that follows the form of the vessel. It is a “bio-geometry” that leads the eye back to the inside...

Perry Haas is a ceramic artist making functional pottery and focusing on wood-firing techniques. Drawing from a love for the wood-fired ceramic surface, Perry looks to anticipate the manner in which ash in the kiln will collect in different arrays across the convex and concave surfaces of his gestural clay forms. “I approach making with a childlike spirit of experimentation and exploration. My work stems from a love of the wood fired ceramic surface, particularly how it evokes many beautiful natural phenomena. Like imagining the way wind gathers and deposits leaves on a landscape according to changes in topography, I anticipate the manner in which ash will collect differently on the convex and concave surfaces of my gestural forms. These functional pots are developed as a place for this surface to exist and to be enjoyed as a part of our daily life.”—Haas "Mini Droplet Set", Contemporary, Ceramic, Sculpture, Wood Platform...

Sara Fine-Wilson's "Crimp" is a gestural 16.5 x 14 x 8 inch ceramic sculpture in white and cream constructed in white stoneware with porcelain...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...