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The Reading Lesson
By Bernard Pothast
Located in Missouri, MO
Bernard Pothast
"The Reading Lesson"
Oil on Canvas
Signed Lower Right
25 x 30 inches
30.5 x 35.5 inches framed
Born in Belgium, Bernard Pothast travel...
Category
Late 19th Century Dutch School Figurative Paintings
Materials
Oil, Canvas
Bethsabee
By Joan Miró
Located in Missouri, MO
Joan Miro
“Bethsabee” 1972
Etching and Aquatint in Colors on Wove Paper
Hand-Signed by the Artist in Pencil Lower Right
Numbered in Pencil “5/50” Lower Left
Maeght editeur Pairs
Printing: Morsang, Paris
Sheet Size: 36 x 24 3/4 inches
Framed Size: approx 41 x 39 inches
Catalogue Raisonne: Miro Engravings Vol. 2 (1961-1973), Pg. 197, #556
Joan Miro was born in Barcelona, Spain on April 20, 1893, the son of a watchmaker. From 1912 he studied at the Barcelona Ecole des Beaux-Arts and the Academie Gali. In the first quarter of the 20th century, Barcelona was a cosmopolitan, intellectual city with a craving for the new in art...
Category
1970s Modern Abstract Prints
Materials
Etching, Aquatint
Profil Rose
By André Masson
Located in Missouri, MO
Signed Lower Right
Numbered 61/200
Sight Size: 27.5 x 21.5
Framed Size: 31.5 x 24.5
Andre Masson was born in Balagne, France on January 4,1896. He was an engraver, sculptor, stage d...
Category
1960s Modern Figurative Prints
Materials
Lithograph
Deux Personnages
By André Masson
Located in Missouri, MO
Signed Lower Right
Numbered Lower Left 166/200
Framed Size: 33 x 25 inches
Andre Masson was born in Balagne, France on January 4, 1896. He was an engraver, sculptor, stage designer...
Category
1960s Modern Figurative Prints
Materials
Lithograph
DONDA Shirt
By Bipolar Holiday
Located in Missouri, MO
Signed, Dated, Titled Verso
BIO:
Daniel Jefferson AKA "Bipolar Holiday" is a self-taught street artist. A native of St. Louis, he grew up in North St. Louis County in the cities of Normandy and Hazelwood. By the age of 3, he was drawing and painting alongside his father and together they shared studios and collaborations into his mid-20s.
His father grew up in Tupelo, Mississippi and his mother in St. Louis. Expounding on his family history, Holiday speaks of his Quaker and Native American ancestry - along with his father, who is black, and his mother who is white - as forming his multiracial identity and upbringing. He expresses “not always fitting in,” - being neither “this nor that” - and residing on the margins between the social constructs of race. This emotional state is reflected in his artistic output. He cautions us to see that, while the subject matter of his work is not always a direct depiction of his experience of race, his existence as a person of color propels him and bears directly on his artistic focus and choice of materials, along with the application and gesture in each work. Anger and sadness are part of it – also love, joy, pride and humility. The artist often signs his work with a mark inspired by the ancient Egyptian Eye of Horas – a symbol of power, protection, and health.
Throughout his career, Bipolar Holiday has been both a solo practitioner and a collaborator. Tagging as King Dee and later Melo, he worked variously in the St. Louis area from the mid- 1990s to early 2000s. In the 1990s, he painted with the then St. Louis-based graffiti artist Nick Miller and his crew. Choice spots ranged from free standing concrete walls on abandoned property to temporary fencing along construction sites. The artist's compositions contained expressive line and figural elements – human faces, eyes – and the ethereal and allegorical – angel, devil motifs, etc. Later, he moved his artistic focus to a more studio-based form starting in the early 2000s. Holiday had his first show alongside his father’s work at Urbis-Orbis Gallery in downtown St. Louis in 2003. Coming full circle, he occasionally works in a few items of collage or spontaneous marks made by his daughter during her early childhood.
Bipolar Holiday has exhibited his work both locally and globally including St. Louis, New York, Grand Rapids and Antwerp. In 2019, he was featured in a four-page spread of JMG Lifestyle Magazine and a large-scale work whet to the Isabis Art Expo in 2019. St. Louis Magazine listed “Bipolar Holiday: Kyoto Girls” when the Walker-Cunningham Fine Art pop-up exhibit was named to the A-List in July 2020.
Holiday's work can be found in numerous private and public collections. He lives in St. Louis City...
Category
21st Century and Contemporary American Modern Figurative Paintings
Materials
Acrylic, Canvas
Forgive Them Nigo
By Bipolar Holiday
Located in Missouri, MO
Signed, Dated, Titled Verso
BIO:
Daniel Jefferson AKA "Bipolar Holiday" is a self-taught street artist. A native of St. Louis, he grew up in North St. Louis County in the cities of Normandy and Hazelwood. By the age of 3, he was drawing and painting alongside his father and together they shared studios and collaborations into his mid-20s.
His father grew up in Tupelo, Mississippi and his mother in St. Louis. Expounding on his family history, Holiday speaks of his Quaker and Native American ancestry - along with his father, who is black, and his mother who is white - as forming his multiracial identity and upbringing. He expresses “not always fitting in,” - being neither “this nor that” - and residing on the margins between the social constructs of race. This emotional state is reflected in his artistic output. He cautions us to see that, while the subject matter of his work is not always a direct depiction of his experience of race, his existence as a person of color propels him and bears directly on his artistic focus and choice of materials, along with the application and gesture in each work. Anger and sadness are part of it – also love, joy, pride and humility. The artist often signs his work with a mark inspired by the ancient Egyptian Eye of Horas – a symbol of power, protection, and health.
Throughout his career, Bipolar Holiday has been both a solo practitioner and a collaborator. Tagging as King Dee and later Melo, he worked variously in the St. Louis area from the mid- 1990s to early 2000s. In the 1990s, he painted with the then St. Louis-based graffiti artist Nick Miller and his crew. Choice spots ranged from free standing concrete walls on abandoned property to temporary fencing along construction sites. The artist's compositions contained expressive line and figural elements – human faces, eyes – and the ethereal and allegorical – angel, devil motifs, etc. Later, he moved his artistic focus to a more studio-based form starting in the early 2000s. Holiday had his first show alongside his father’s work at Urbis-Orbis Gallery in downtown St. Louis in 2003. Coming full circle, he occasionally works in a few items of collage or spontaneous marks made by his daughter during her early childhood.
Bipolar Holiday has exhibited his work both locally and globally including St. Louis, New York, Grand Rapids and Antwerp. In 2019, he was featured in a four-page spread of JMG Lifestyle Magazine and a large-scale work whet to the Isabis Art Expo in 2019. St. Louis Magazine listed “Bipolar Holiday: Kyoto Girls” when the Walker-Cunningham Fine Art pop-up exhibit was named to the A-List in July 2020.
Holiday's work can be found in numerous private and public collections. He lives in St. Louis City...
Category
21st Century and Contemporary American Modern Figurative Paintings
Materials
Acrylic, Canvas
Wise Man Say
By Bipolar Holiday
Located in Missouri, MO
Signed, Dated, Titled Verso
BIO:
Daniel Jefferson AKA "Bipolar Holiday" is a self-taught street artist. A native of St. Louis, he grew up in North St. Louis County in the cities of Normandy and Hazelwood. By the age of 3, he was drawing and painting alongside his father and together they shared studios and collaborations into his mid-20s.
His father grew up in Tupelo, Mississippi and his mother in St. Louis. Expounding on his family history, Holiday speaks of his Quaker and Native American ancestry - along with his father, who is black, and his mother who is white - as forming his multiracial identity and upbringing. He expresses “not always fitting in,” - being neither “this nor that” - and residing on the margins between the social constructs of race. This emotional state is reflected in his artistic output. He cautions us to see that, while the subject matter of his work is not always a direct depiction of his experience of race, his existence as a person of color propels him and bears directly on his artistic focus and choice of materials, along with the application and gesture in each work. Anger and sadness are part of it – also love, joy, pride and humility. The artist often signs his work with a mark inspired by the ancient Egyptian Eye of Horas – a symbol of power, protection, and health.
Throughout his career, Bipolar Holiday has been both a solo practitioner and a collaborator. Tagging as King Dee and later Melo, he worked variously in the St. Louis area from the mid- 1990s to early 2000s. In the 1990s, he painted with the then St. Louis-based graffiti artist Nick Miller and his crew. Choice spots ranged from free standing concrete walls on abandoned property to temporary fencing along construction sites. The artist's compositions contained expressive line and figural elements – human faces, eyes – and the ethereal and allegorical – angel, devil motifs, etc. Later, he moved his artistic focus to a more studio-based form starting in the early 2000s. Holiday had his first show alongside his father’s work at Urbis-Orbis Gallery in downtown St. Louis in 2003. Coming full circle, he occasionally works in a few items of collage or spontaneous marks made by his daughter during her early childhood.
Bipolar Holiday has exhibited his work both locally and globally including St. Louis, New York, Grand Rapids and Antwerp. In 2019, he was featured in a four-page spread of JMG Lifestyle Magazine and a large-scale work whet to the Isabis Art Expo in 2019. St. Louis Magazine listed “Bipolar Holiday: Kyoto Girls” when the Walker-Cunningham Fine Art pop-up exhibit was named to the A-List in July 2020.
Holiday's work can be found in numerous private and public collections. He lives in St. Louis City...
Category
21st Century and Contemporary American Modern Figurative Paintings
Materials
Acrylic, Canvas
Chinese Theater, Los Angeles
By Dong Kingman
Located in Missouri, MO
Dong Kingman
"Chinese Theater, Los Angeles" 1965
Watercolor on Paper
Sheet Size: 15 x 22 inches
Framed Size: approx 19 x 26 inches
Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer.
Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975.
In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor."
His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum.
Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet.
When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success.
From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945.
In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East.
During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn.
He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy.
In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine.
One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists."
Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...
Category
1960s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Les Grandes Voiles (The Grand Sails)
By Marcel Mouly
Located in Missouri, MO
Hand-Signed by the Artist Lower Right
Titled Lower Center
Inscribed "Epreuve d'Artist" (Artist's Proof) Lower Left
Framed: 25.5 x 32.75 inches
Site Size: 19 x 26.5 inches
Marcel Mou...
Category
Late 20th Century Modern More Prints
Materials
Lithograph
Readying for Play
Located in Missouri, MO
Framed Size: 25.5 x 23 inches
Joseph Gyselinckx was born in 1817. He was a genre painter in Antwerp. The artist was a student of F. de Brakeleer. He had two paintings included in ...
Category
Late 19th Century Realist Figurative Paintings
Materials
Oil, Canvas
Fish Pitcher
By Pablo Picasso
Located in Missouri, MO
Fish Pitcher 1952
Turned Pitcher
13 cm x 21 cm/approx 8 1/4 x 4 3/4 inches
Red Earthenware Clay, Decoration in Engobes
Black, White
Edition Madoura Picas...
Category
1950s Abstract Figurative Sculptures
Materials
Ceramic
Diurnes (Femme Assise En Pyjama De Plage II)
By Pablo Picasso
Located in Missouri, MO
Pablo Picasso
"Diurnes" (Femme Assise En Pyjama De Plage II) 1962
Linocut printed in ochre and brown, 1962, on Arches paper
Inscribed "Epreuve D'Artist" (Artist Proof) lower left, as...
Category
1960s Modern Abstract Prints
Materials
Linocut
Joie de Vivre
By Pablo Picasso
Located in Missouri, MO
JOIE DE VIVRE (A. Ramié no. 346)
stamped, marked, engraved and numbered 'Madoura Plein Feu/Empreinte Originale de Picasso (underneath)
unglazed white ea...
Category
1950s Modern Figurative Sculptures
Materials
Ceramic
Yan Black Headband
By Pablo Picasso
Located in Missouri, MO
"Yan Black Headband" (A.R. 514) 1963
Red Earthenware Pitcher Painted in Black
Inscised 'EDITION PICASSO MADOURA' and 'EDITION PICASSO' pottery stamps on...
Category
1960s Modern Figurative Sculptures
Materials
Ceramic
Les Cavaliers dans la Parc
By Jean Dufy
Located in Missouri, MO
Jean Dufy (1888-1964)
"Les Cavaliers Dans La Parc" c. 1929/30
Oil on Canvas
Signed Lower Left
Provenance: Arthur Lenars & Co., Paris
*This work has been authenticated by Jacques Ba...
Category
1920s Impressionist Figurative Paintings
Materials
Oil, Canvas
A Fresh Catch
Located in Missouri, MO
Alfred Guillou (French 1844-1926)
"A Fresh Catch"
Oil on Canvas
Signed Lower Left
Canvas Size: approx 18 x 24 inches
Framed Size: approx 24 x 30 inches...
Category
Late 19th Century Victorian Figurative Paintings
Materials
Oil, Canvas
Peace
By Heloise Crista
Located in Missouri, MO
Heloise Crista (1926-2018)
Peace
Brass and Copper
approx. 15 x 17 x 10 inches
Heloise Crista, Acclaimed Sculptor and Frank Lloyd Wright Apprentice
FRANK LLOYD WRIGHT FOUNDATION JU...
Category
Mid-20th Century American Modern Abstract Sculptures
Materials
Brass, Copper
Still Life on Porcelain
By Tom Wesselmann
Located in Missouri, MO
Tom Wesselmann, (1931-2004)
"Still Life" (Stilleben) 1988
Porcelain with Polychrome
Ed. 169/299
Porcelain Size: approx. 13 x 14 inches
Overall Size: approx. 18 3/4 x 20 inches
Foun...
Category
1980s Pop Art Still-life Prints
Materials
Porcelain
Caesar Provoked
Located in Missouri, MO
Alessandro Pigna (Italian, 1862-1919)
"Caesar Provoked" c. 1890
Watercolor
Signed Lower Left "APigna"
Site Size: approx. 18 x 28.5 inches
Framed Size: approx. 24 x 34.5 inches
Ales...
Category
Late 19th Century Realist Figurative Drawings and Watercolors
Materials
Watercolor
Mountain Springtime
By Mark Swanson
Located in Missouri, MO
Mark Swanson (b. 1958)
“Mountain Springtime"
Oil on Panel
18 x 22 inches/ 25 x 29 Framed
Mark Swanson was born in 1958 in South Dakota and raised in California. Although his uncles, Ray and Gary...
Category
Late 20th Century American Realist Landscape Paintings
Materials
Panel, Oil
Man
By Elizabeth Catlett
Located in Missouri, MO
Elizabeth Catlett
“Man” 1975 (The Print Club of Cleveland Publication Number 83, 2005)
Woodcut and Color Linocut
Printed in 2003 at JK Fine Art Editions Co., Union City, New Jersey
Signed and Dated By The Artist Lower Right
Titled Lower Left
Ed. of 250
Image Size: approx 18 x 12 inches
Elizabeth Catlett (1915-2012) is regarded as one of the most important women artists and African American artists of our time. She believed art could affect social change and that she should be an agent for that change: “I have always wanted my art to service black people—to reflect us, to relate to us, to stimulate us, to make us aware of our potential.” As an artist and an activist, Catlett highlighted the dignity and courage of motherhood, poverty, and the working class, returning again and again to the subject she understood best—African American women.
The work below, entitled, “Man”, is "carved from a block of wood, chiseled like a relief. Catlett, a sculptor as well as a printmaker, carves figures out of wood, and so is extremely familiar with this material. For ‘Man’ she exploits the grain of the wood, allowing to to describe the texture of the skin and form vertical striations, almost scarring the image. Below this intense, three-dimensional visage parades seven boys, printed repetitively from a single linoleum block in a “rainbow roll” that changes from gold to brown. This row of brightly colored figures with bare feet, flat like a string of paper dolls, raise their arms toward the powerful depiction of the troubled man above.”
Biography:
Elizabeth Catlett (1915-2012)
Known for abstract sculpture in bronze and marble as well as prints and paintings, particularly depicting the female figure, Elizabeth Catlett is unique for distilling African American, Native American, and Mexican art in her work. She is "considered by many to be the greatest American black sculptor". . .(Rubinstein 320)
Catlett was born in Washington D.C. and later became a Mexican citizen, residing in Cuernavaca Morelos, Mexico. She spent the last 35 years of her life in Mexico.
Her father, a math teacher at Tuskegee Institute in Alabama, died before she was born, but the family, including her working mother, lived in the relatively commodious home of his family in DC. Catlett received a Bachelor of Arts degree from Howard University, where there was much discussion about whether or not black artists should depict their own heritage or embrace European modernism.
She earned a Master of Fine Arts degree in 1940 from the University of Iowa, where she had gone to study with Grant Wood, Regionalist* painter. His teaching dictum was "paint what you know best," and this advice set her on the path of dealing with her own background. She credits Wood with excellent teaching and deep concern for his students, but she had a problem during that time of taking classes from him because black students were not allowed housing in the University's dormitories.
Following graduation in 1940, she became Chair of the Art Department at Dillard University in New Orleans. There she successfully lobbied for life classes with nude models, and gained museum admission to black students at a local museum that to that point, had banned their entrance. That same year, her painting Mother and Child, depicting African-American figures won her much recognition.
From 1944 to 1946, she taught at the George Washington Carver School, an alternative community school in Harlem that provided instruction for working men and women of the city. From her experiences with these people, she did a series of paintings, prints, and sculptures with the theme "I Am a Negro Woman."
In 1946, she received a Rosenwald Fellowship*, and she and her artist husband, Charles White, traveled to Mexico where she became interested in the Mexican working classes. In 1947, she settled permanently in Mexico where she, divorced from White, married artist Francisco Mora...
Category
Late 19th Century American Modern Figurative Prints
Materials
Woodcut, Linocut
Le Quais et la Louvre
By Antoine Blanchard
Located in Missouri, MO
Antoine Blanchard
"Le Quais et la Louvre"
Oil on Canvas
Signed
Canvas Size: 13 x 18 inches
Framed Size: 22.5 x 27.5 inches
Antoine Blanchard
French (1910-1...
Category
Late 20th Century Impressionist Figurative Paintings
Materials
Oil, Canvas
George III Style Mechanical Drinks and Smoking Cabinet (Converts to Table)
Located in Missouri, MO
George III Style
Drinks & Smoking Cabinet (Converts to Table) c. late 19th/early 20th Century
Wood, Silver, Glass
approx. 30.5" H x 23" W x 19.5" D
...
Category
Early 20th Century More Art
Materials
Silver
Piccolo Guerriero (Little Warrior)
By Luciano Minguzzi
Located in Missouri, MO
Luciano Minguzzi (Italian, 1911-2004)
Piccolo Guerriero (Little Warrior) c. 1950s
Bronze
Monogrammed and Numbered 1/5
Height From Base to Top: approx. 12" High
Bronze: 6 3/4 inches x 4W x 3D
Luciano Minguzzi was born in Bologna in 1911 and died in Milan in 2004. In 1943 he took part in the Fourth Quadrennial of Rome. In 1950 he was awarded the grand prize for sculpture at the XXV Venice Biennale, and attended again in 1952.
His works can be found at Museum of the Fabbrica del Duomo, in the Museum of Modern Art in the Vatican and in the Galleries of Modern Art in Rome, Milan, Bologna, Florence, Trieste, Verona, Carrara, Padova, as well as abroad and overseas.
Additional Biography (translated from Italian):
Luciano Minguzzi ( Bologna , 24 May 1911 - Milan , 30 May 2004 ) was a sculptor and medalist Italian .
Image of the exhibition Luciano Minguzzi: sculptures and gouaches 1950-1970 in the Romanesque cloister of the Cathedral of Prato ( Museo dell'Opera del Duomo ), 24 April - 24 May 1971. Photo by Paolo Monti .
Index:
He made his first experiences under the wise guidance of his father, also a sculptor , continuing his studies at the Academy of Fine Arts in Bologna following the engraving courses held by Giorgio Morandi , those of sculpture under the guidance of Ercole Drei , attending at ' university the lessons Roberto Longhi.
Thanks to a scholarship, he stayed in Paris and London , starting to exhibit in 1933 and already at the Roman Quadrennial of 1943 he obtained his first prize, which was followed by others including the Angelicum of 1946 and the first place ex aequo at the Biennale del 1950.
Immediately after the war he created the monument to the Partisan and the Partisan for his hometown , located near Porta Lame , in the area where an epic battle between Nazi-Fascists and partisans took place in 1944 .
The work, composed of two figures of young people - one of which armed - caught in a moment of great naturalness, was forged with cast bronze from the equestrian statue of Benito Mussolini (by Giuseppe Graziosi ) which was located inside the current "Renato Dall'Ara" Stadium, in turn made with some cannons stolen from the Austrians during the Bolognese Risorgimento uprisings of 1848.
Still on the theme linked to war , but with a changed style with more dramatic and expressionist tones , in the fifties he created a series of sculptures inspired by the theme of the men of the Lager and the unknown and anonymous victims, obtaining in 1953 the third prize in the competition for the "Monument to the Unknown Political Prisoner " announced by the Tate Gallery ( London ).
In 1950 he won the competition for the "Quinta Porta" of the Milan Cathedral , completed in 1965 .
In 1962 he participated, together with the most important international sculptors of the time, in the exhibition Sculptures in the city organized by Giovanni Carandente as part of the V Festival dei Due Mondi in Spoleto . He presented a 1958 iron and bronze sculpture entitled Pas-de-quatre.
In 1970 he was given the task of building the "Door of good and evil" of the basilica of St. Peter in the Vatican , on which he worked with vigor and passion for seven years.
In 2012, on the occasion of the centenary of the artist's birth, a posthumous anthological exhibition was set up in Bologna at the Fondazione del Monte [1] .
He also worked as a medalist: his example is the silver 500 lire coin...
Category
Mid-20th Century Modern Abstract Sculptures
Materials
Bronze
Black Falling Man with Form
By Ernest Tino Trova
Located in Missouri, MO
Ernest Tino Trova
"Black Falling Man with Form" 1996
Bronze
Ed. 1/3
Signed, Dated and Numbered Verso
approx. 16 x 8.5 x 16 inches
Known for his Falling Man series in abstract figura...
Category
1990s American Modern Figurative Sculptures
Materials
Bronze
Car Man, Four Wheels
By Ernest Tino Trova
Located in Missouri, MO
Ernest Tino Trova
"Car Man, Four Wheels"
17 x 8 x 14.5 inches
Inscribed T-06 Bottom
Known for his Falling Man series in abstract figural sculpture, he created hard-edge images that ...
Category
Late 20th Century American Modern Figurative Sculptures
Materials
Bronze
Falling Man and Form
By Ernest Tino Trova
Located in Missouri, MO
Ernest Tino Trova
"Falling Man and Form" 1996
Brass and Bronze
14 x 4.5 x 4.5 inches
Signed and Numbered 1/1 (Unique)
Known for his Falling Man series in...
Category
1990s American Modern Figurative Sculptures
Materials
Bronze, Brass
Dessert in the Garden
Located in Missouri, MO
Provenance:
This is an early painting by Huldah Mae Cherry (also known as Huldah Cherry Jeffe), done in her "Impressionist years" and painted after a painting by another American I...
Category
1920s American Impressionist Figurative Paintings
Materials
Oil, Canvas
Mother and Children
By Bernard De Hoog
Located in Missouri, MO
Bernard DeHoog (1867-1943)
"Mother and Children"
Oil on Canvas
Signed Lower Left
Site Size: approx. 32.5 x 39.5 inches
Framed Size: approx. 39 x ...
Category
Late 19th Century Realist Figurative Paintings
Materials
Oil, Canvas
Flower Market, Oslo Norway
By Dong Kingman
Located in Missouri, MO
Dong Kingman
"Flower Market, Oslo Norway" c. 1950
watercolor on paper
signed
sheet size: 15 x 22 inches
framed size: approx 23.5 x 30.5 inches
DONG KINGMAN (1911-2000)
Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer.
Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975.
In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor."
His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum.
Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet.
When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success.
From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945.
In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East.
During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn.
He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy.
In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine.
One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists."
Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...
Category
1950s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Buckingham Palace, London
By Dong Kingman
Located in Missouri, MO
Dong Kingman
"Buckingham Palace, London": c. 1950
watercolor on paper
signed
sheet size: 15 x 22 inches
framed size: approx 23.5 x 30.5 inches
DONG KINGMAN (1911-2000)
Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer.
Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975.
In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor."
His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum.
Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet.
When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success.
From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945.
In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East.
During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn.
He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy.
In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine.
One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists."
Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Paris and the Eiffel Tower (The City of Love)
By Dong Kingman
Located in Missouri, MO
This is by the great and legendary artist, Dong Kingman (1911-2000). See bio below.
Sheet Size: 22 x 30 inches
Signed
The following obituary is from Dong Kingman Jr., son of the artist:
DONG KINGMAN (1911-2000)
Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer.
Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975.
In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor."
His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum.
Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet.
When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success.
From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945.
In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East.
During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn.
He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy.
In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine.
One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists."
Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...
Category
1960s Modern Landscape Drawings and Watercolors
Materials
Watercolor
Untitled
By Robert Rauschenberg
Located in Missouri, MO
Robert Rauschenberg
"Untitled" 1973
Medium: Screenprint and collage in colors
Printed and Published by Styria Studios, New York and with their blindstamp
Signed and Numbered 71/100
Images Size: approx. 28 x 20 inches
Framed Size: approx. 34 x 26 inches
Born with the name Milton Rauschenberg in Port Arthur, Texas, Robert Rauschenberg became one of the major artists of his generation and is credited along with Jasper Johns of breaking the stronghold of Abstract Expressionism*.
Rauschenberg was known for assemblage*, conceptualist methods, printmaking, and willingness to experiment with non-artistic materials--all innovations that anticipated later movements such as Pop Art*, Conceptualism*, and Minimalism*.
In May, 1999, ARTNews magazine featured him as one of the top twenty-five influential western artists, stating: "His irreverent notions of what an artwork could be gained him the status of an enfant terrible. . .Rauschenberg pushed the viewer to accept the unexpected."
He has said that he believes painting should relate to both life and art and that he wants is artwork to be the intermediary between the two.
He received much formal art education beginning with the Kansas City Art Institute in 1947 and 1948. He studied briefly in Paris at the Academie Julian*, and from 1948 to 1949 was at Black Mountain College* in North Carolina with Josef and Anni Albers. This period was followed by several years attendance at the Art Students League* in New York City with Morris Kantor and Vaclav Vytlacil. In 1951, he exhibited all white and black paintings incorporating viewer participation through the shadows they cast on the works.
At Black Mountain College, he had met composer, John Cage, and dancer- choreographer, Merce Cunningham, for whom he worked in his company as a designer, manager, and performer. Frequently he scoured the area in which they were performing for 'unusual' objects such as tires, old radios...
Category
1970s Abstract Expressionist Figurative Prints
Materials
Lithograph
TL#6
By Jack Tworkov
Located in Missouri, MO
Jack Tworkov
"TL#6" 1978
Lithograph
Edition 103/250 (aside from 15 artist's proofs)
Signed, titled, numbered and dated in pencil
Printed at Tamarind Institute, Albuquerque, NM by Bil...
Category
1970s Abstract Prints
Bleeding Heart
By Robert Elton Tindall
Located in Missouri, MO
Robert Elton Tindall (1913-1983)
"Bleeding Heart" 1944
Egg Tempera with Resin Oil Glazes on Panel
Signed and Dated 5/44 Lower Right
Site: 12.5 x 15.5 i...
Category
1940s American Modern Still-life Paintings
Materials
Oil, Glaze, Egg Tempera, Panel
Philodendron
By Robert Elton Tindall
Located in Missouri, MO
Robert Elton Tindall (1913-1983)
"Philodendron" 1941
Egg Tempera with Resin Oil Glazes on Panel
Signed and Dated Lower Right
Site: 13.5 x 11.5 inches
Framed: 21 x 19 inches
Proteg...
Category
1940s American Modern Still-life Paintings
Materials
Oil, Panel, Egg Tempera, Glaze
Shelter
By Xavier Bueno 1
Located in Missouri, MO
Xavier Bueno (Active Spain/Italy, 1891-1979)
"Shelter"
Oil on Canvas
Signed Upper Left
Framed Size: approx. 38 x 30 inches
Site Size: approx. 35 x 28 inc...
Category
Mid-20th Century Modern Figurative Paintings
Materials
Oil, Canvas
Lemon Tree
By Kazuhisa Honda
Located in Missouri, MO
Kazuhisa Honda (b. 1948)
"Lemon Tree" c. 1980s
Mezzotint
Signed Lower Right
Numbered Lower Left 81/250
Site Size: approx. 8 x 5 inches
Framed Size: approx...
Category
1980s Modern Still-life Prints
Materials
Mezzotint
"Men at the Seattle Public Market" (Two Figures)
By Mark Tobey
Located in Missouri, MO
Mark Tobey
"Men at the Seattle Public Market" (Two Figures) 1958
Ink and Tempera on Silk
Signed and Dated Lower Left
*This is a rare and important work. See attached images with book...
Category
Mid-20th Century Modern Figurative Paintings
Materials
Ink, Tempera, Silk
One of Diamond and Thirteen of Diamonds
By Donald Sultan
Located in Missouri, MO
"One of Diamonds and Thirteen of Diamonds" (from Playing Cards) 1990
Aquatint Engravings Framed Together
Each Signed, Titled and Dated
Each Numbered Lower Right 2/44 aside from the 1...
Category
1990s Pop Art More Prints
Materials
Engraving, Aquatint
An Opulent Evening
By Guiseppe Aureli
Located in Missouri, MO
Guiseppe Aureli (1858-1929)
"An Opulent Evening" c. 1880s
Watercolor on Paper
Signed Lower Right
Site Size: approx. 30 x 20 inches
Framed Size: approx. 37 x 29 inches
Giuseppe Aureli (December 5, 1858 in Rome – 1929) was an Italian painter and watercolorist. His work is noted for its historical subject matter, portraits of Italian noble families as well as genre paintings and local scenes, especially work with Oriental themes.
He received his early art education at the Academia de San Luca where he was the pupil of Pietro Gabarini and Cesare Maccari.[1] He exhibited in various exhibitions; including: The International Exhibition of 1888 in Munich and the World Fair of 1893 in Chicago, but his Oriental works were rarely included in these early exhibitions. Having his workshop at 48 Via Margutta in Rome, Aureli was in a position to exchange ideas with the most prolific Orientalist artists at that the time. He used the same staircase that led to a rabbit-warren of studios including those of Filippo Bartolini, Enrico Tarenghi...
Category
Late 19th Century Victorian Figurative Drawings and Watercolors
Materials
Laid Paper, Watercolor
Pensees Germinales
By Mark Tobey
Located in Missouri, MO
Mark Tobey
"Pensees Germinales" 1973
Drypoint Engraving Printed in Brown and Blue by Willie Steinert, Karlsruhe, Germany, on Auvernge Paper Handmade by Richard de Bas
Signed Lower R...
Category
1970s Abstract Abstract Prints
Materials
Engraving, Drypoint
After the Painting of Secrets (Sister's Diary)
By After Norman Rockwell
Located in Missouri, MO
*This color lithograph was done as a lithographic reproduction of Rockwell's original painting that was used for the cover of a 1942 Saturday Evening Post.
After Norman Rockwell...
Category
Late 20th Century American Modern Figurative Prints
Materials
Lithograph
Can't Wait
By After Norman Rockwell
Located in Missouri, MO
Norman Rockwell
"Can't Wait" 1977
Lithograph
Signed Lower Right
Numbered Lower Left 186/200
Sheet Size: 30 x 24 inches
Framed Size: 30.5 ...
Category
1970s American Realist Figurative Prints
Materials
Lithograph
The Dream
By Will Barnet
Located in Missouri, MO
Will Barnet
"The Dream" 2002
Color Lithograph on Somerset Velvet White Paper
Signed and Titled
Ed. 250
Will Barnet, Visionary Artist, Dies at 101
By KEN JOH...
Category
Early 2000s Modern Figurative Prints
Materials
Lithograph
Barbershop Quartet
By After Norman Rockwell
Located in Missouri, MO
After Norman Rockwell
Reproduction print of "Barbershop Quartet" 1936
Lithograph
Signed in Pencil Lower Right
Numbered Lower Left 182/200
This i...
Category
Mid-20th Century American Realist Figurative Prints
Materials
Lithograph
Charwomen in Theater
By After Norman Rockwell
Located in Missouri, MO
Norman Rockwell
"Charwomen in Theater" 1946
Lithograph
Signed in Pencil Lower Right
Numbered Lower Left 160/200
Site Size: approx 26 x 20 inches
Framed Size: approx. 34.5 x 28.5 inc...
Category
Mid-20th Century American Realist Figurative Prints
Materials
Lithograph
Tending the Garden
By Robert Elton Tindall
Located in Missouri, MO
Robert Elton Tindall (1913-1983)
"Tending the Garden" (Girl with a Hoe) c. 1940
Egg Tempera with Resin Oil Glazes on Panel
Signed Lower Left
Site: 10 x 9 inches
Framed: 15 x 14 inch...
Category
Mid-20th Century American Modern Figurative Paintings
Materials
Wood Panel, Egg Tempera
Gray Brothers
By Charles Harold Davis
Located in Missouri, MO
Charles Harold Davis (1856-1933)
"Gray Brothers"
Oil on Canvas
Signed Lower Left
Canvas Size: 30 x 24 inches
Framed Size: 35 x 30.5 inches
Born in Amesbury, Massachusetts, Charles ...
Category
Late 19th Century American Impressionist Landscape Paintings
Materials
Oil, Canvas
Seagull Lamp
Located in Missouri, MO
William F. Boogar, Jr.
Seagull Lamp 1946
Bronze
approx. 15 1/4" High x 6 1/2" Wide
Signed and Dated Bottom
WILLIAM F. BOOGAR, Jr., the Provincetown sculp...
Category
1940s Modern Figurative Sculptures
Materials
Bronze
Face and Chinese Calligraphy
By Huang Gang
Located in Missouri, MO
Huang Gang (b. 1961)
"Face with Chinese Calligraphy"
Mixed Media including Gold Gilding, Decoupage, Oil on Panel
approx 23.5 x 23.5 inches
Huang Gang
黄钢
Hu...
Category
Late 20th Century Modern Figurative Paintings
Materials
Mixed Media
Lion and Antelope (No. 23)
Located in Missouri, MO
Alfred Barye (1839-1882)
"Lion and Antelope"
Bronze
Approx. 7.5H x 9W x 4D inches
Signed "BARYE.ALF" and Inscribed under base "NO. 23 LION AND ANTELOPE"
The son of a goldsmith, Parisian born Antoine-Louis Bayre was a sculptor of animal subjects and acclaimed, not only for his apparent skill, but as the founder of what became known as the French Animaliers School. Among his patrons were representatives of the state government and royalty including the Duke of Orleans and the Dukes of Luynes, Montpensier and Nemours.
Well compensated financially, he was able to buy the best of materials and hire the country's most skilled foundry craftsmen. The foundry he hired was owned by Ferdinand Barbedienne, and casts from this period were stamped with the letters, FB. However, he did not make a lot of money from his work because he was such a perfectionist that often he would not sell his work because he thought it was not 'quite right'. In 1848, he declared bankruptcy, and his molds and plaster casts were sold along with the copyrights.
Bayre's specialty was aroused, angry seeming wild game such as lions and tigers and elephants, but he also did equestrian groups and mythology figures. In order to do realistic depictions of animal anatomy, he spent much time at the Jardin de Plantes in Paris.
His early training was as an apprentice to a metal engraver, but being drafted in the army in 1812, ended that education. In 1832, he had established his own studio, and unique at that time was his method of cold stamping his bronze casts, so that each one had a special number. He had his first entry, The Milo of Croton...
Category
19th Century Realist Figurative Sculptures
Materials
Bronze
Boston
By John William Hill
Located in Missouri, MO
John William Hill (1812-1879)
"Boston" 1857
Hand-Colored Engraving
Site Size: 29 x 41 inches
Framed Size: 39 x 52 inches
Born in London, England, John William Hill came to America with his family at age 7. His father, John Hill, was a well-known landscape painter, engraver, and aquatintist. John William had a career of two phases, a city topographer-engraver and then, the leading pre-Rafaelite school painter in this country. Employed by the New York Geological Survey and then by Smith Brothers...
Category
1850s Pre-Raphaelite Landscape Prints
Materials
Aquatint, Engraving
The Grand Canyon
Located in Missouri, MO
Mark Christopher Weber (b. 1949)
"The Grand Canyon"
Oil on Panel
approx 37 x 60 inches
Mark Christopher Weber is a master artist whose style and technique can only be compared to th...
Category
Late 20th Century American Realist Landscape Paintings
Materials
Oil, Wood Panel
Breton Chores
Located in Missouri, MO
Clement Nye Swift
"Breton Chores" 1870
Oil on Canvas
Signed and Dated Lower Right
Canvas Size: approx 27 x18 inches
Framed Size: approx 34 x 35 inches
Provenance: Private Midwes...
Category
1870s Victorian Figurative Paintings
Materials
Oil, Canvas
Regina Enthroned
By Lazzaro Donati
Located in Missouri, MO
Lazzaro Donati (Italian 1926-1977)
"La Regina"
Bronze
Signed on Base
Size: approx 19 x 9 x 9 inches
Lazzaro Donati (1926-1977) was born in Florence in 1926 and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia.
Mr. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d'art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning.
In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America.
Donati was a born host with a warm welcome, an elegant man who possessed enormous charm a good nature and a keen sense of humor. Apparently shy, he preferred to speak on subjects extraneous to his art, purposely distracting you from his paintings, then leading you back to them, tactfully and without pretension. He spoke fluent French and English as well as some Spanish and German. "After all", he said, "you've got to know how to sell a painting to everyone."
He had no sympathy for the "drip and splash" studios of his contemporaries, preferring to keep his studio tidy and spotless. "Painting is a matter of precision", he said, "If a painter can't put his paint where he wants it to go, I don't see how he can call himself a painter. For me it is absolutely necessary to control the paint."
When asked to reveal the technique he used to achieve the enamel-like finish typical of his paintings he answered, "That is a secret between me and my butler. Actually, most of my paintings are done by him!"
But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color. But by 1958, with his painting The Lady with a Fan...
Category
Late 20th Century Modern Figurative Sculptures
Materials
Bronze
A Lovely Reflection
By Auguste Toulmouche
Located in Missouri, MO
Auguste Toulmouche (1829-1890)
"A Lovely Reflection" 1874
Oil on Panel
Signed and Dated Lower Left
Site Size: approx 17 x 14 inches
Framed SIze: approx. 27.5 x 24 inches
Provenan...
Category
1870s Victorian Figurative Paintings
Materials
Wood Panel, Oil
Made in the Shade
By William Henry Howe
Located in Missouri, MO
William Henry Howe (1846-1929)
"Made in the Shade" 1887
Oil on Canvas
Signed and Dated
Site Size: approx. 14.5 x 21.5 inches
Frames Size: approx. 17.5 x 24.5 inches
Provenance: Private Collection, St. Louis, Missouri thence by descent
William Henry Howe was born in Ravenna, Ohio in 1846. Of him it was written: "In the late nineteenth century no American artist was more thoroughly identified with the painting of cows than William Henry Howe." (Richter 128). In a style that combined Tonalism and Realism, he was a painter of light-filled pastoral landscapes that sometimes had sheep as well as cattle tended by their shepherds and herders.
He began a career as a businessman in St. Louis, and in his mid-thirties, changed course and went to Dusseldorf Germany to study art at the Royal Academy. In 1881, he went to Paris and studied with animal painters Felix Vuillefroy and Otto de Thoren. He also exhibited his work at the Paris Salons and the Paris Universal Exposition of 1889.
Travels in Holland in the 1880s with other artists inspired his interest in pastoral subjects, and during that time he began his cattle paintings...
Category
1880s American Impressionist Animal Paintings
Materials
Oil, Canvas
Poor Man's Flock
By George Chambers 1
Located in Missouri, MO
George W. Chambers
“Poor Man’s Flock” 1897
Oil on Canvas
23.5 x 37.5 inches/42 x 57 inches framed approx.
In Original Frame
Provenance: The Artist thence by Descent; to Private Mi...
Category
1890s Victorian Figurative Paintings
Materials
Canvas, Oil
Central Park Autumn
By Paul Cornoyer
Located in Missouri, MO
Paul Cornoyer
“Central Park Autumn” c. 1910
Oil on Canvas
Framed Size: approx 29 x 35 inches
Canvas Size: approx 22 x 26.5 inches
Provenance: The Artist to Private Collection, St. Louis thence by Descent
Conservation report: Excellent condition. On original canvas, not relined. No in-painting.
Paul Cornoyer was born in 1864 in St. Louis, Missouri. He studied there at the School of Fine Arts in 1881. His first works were in a Barbizon mode, and his first exhibit was in 1887. In 1889, he went to Paris for further training, studying at the Academie Julien, and returned to St. Louis in 1894.
By the early 1890s, his work was more lyrical and Tonal, and he applied this style to subjects such as cityscapes and landscapes. In 1894, he painted a mural depicting the birth of St. Louis for the Planters Hotel in that city. His activities during the next six years were not particularly profitable, however, and the whereabouts of his St. Louis paintings are scarcely known. One exception is the triptych, A View of Saint Louis, with its strong urban realism. It shows the Eads Bridge...
Category
1910s American Impressionist Figurative Paintings
Materials
Oil, Canvas