Franco Albini Lb7

Iconic two-bay ceiling bookcase with top model 'LB7', designed by Franco Albini and produced by Poggi from the late 1950s. The bookcase features two bays with solid teak wood upright...

Libreria a tre campate modello 'LB7', disegnata da Franco Albini e prodotta da Poggi a partire dalla fine degli anni '50. Montanti in legno massello di teak fissati a pressione tra s...

The iconic ceiling-mounted bookcase model 'LB7', designed by the renowned designer Franco Albini around 1960, represents a unique example of refined and functional design. This innov...

A Franco Albini rare bookcase , edited by Poggi in the. 60s.It works as a wall unit or room divider.One single column upholds three shelves , one of them capable to rotate. Exce...

library, Franco Ablini for Poggi, Italy, 1950. Elegant Franco Albini library or room divider. Shelves and units can be adjusted or put in different positions. The feet are in lacque...

A three modular bookcase designed by Fanco Albini and edited by Poggi in the 50s.It is composed of three modules and 15 shelves.The central module measures 90 cm length and the two l...

LB7 bookcase composed of a single module with shelves and a storage unit with two doors, made in veneered solid teak wood, and black lacquered metal details. Designed by Franco Alb...

LB7 bookcase, designed by Franco Albini and manufactured by Poggi in 1957. Modular bookstore composed by upholds, containers with flying and doors, shelve. The industrial standard for every product component allows permanent and different solutions, from the bearing structures to the elements. The structure does not need anchorages to the wall and can be placed in the middle of the space. This set is composed of 3 modules, ten shelves, and three containers. It is made of Rosewood, iron, and brass. Excellent vintage condition. Franco Albini was born in Robbiate in 1905, and after his childhood and part of his youth, he moved to Milan. He graduated at Politecnico of Milan, Faculty of Architecture, in 1929, and He collaborated for three years in Giò Ponti and Emilio Lancia’s office. He probably had his international contacts here, at The International Exposition of 1929 in Barcelona and Paris, where he visited le Corbusier’s office, as Franca Helg used to tell. Throughout these first three years, his works were undoubtedly related to XIXth Century. His meeting with Edoardo Persico marks an evident turnover towards rationalism and writers for “Casabella” magazine. Persico’s thoughtful and ironical comments on some of Albini’s drawings for office furniture caused him deep upsetting. “I spent days of real anxiety – tells Albini – I had to answer all questions. I had a long fever”. The new phase that the meeting provoked begins with opening his own first office at Via Panizza with Renato Camus and Giancarlo Palanti. The group of Architects starts taking care of social housing, participating in the competition for the Baracca neighborhood in 1932, and then realizing the Ifacp neighborhood: Fabio Filzi (1936/38), Gabriele D’Annunzio, and Ettore Ponti (1939). During those years, He also worked for his first private villa (Pestarini). It is mainly in the context of exhibitions that the Italian architect experiments the compromise between rigor and poetic fantasy that Pagano was talking about; He conceived all the elements that would become recurrent in all types of his work – Architecture, Interiors, Design. The 1933 opening of the new Triennale of Milano, in Palazzo dell’Arte, becomes an occasion to express the highly innovative character of rationalist thinking. In this place, to experiment with new materials and solutions, but most of all a “method”. Young rationalist architects cultivated the art of exhibiting as a communication lab, an open field to space solutions. Albini, with Giancarlo Palanti, sets the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and coordination by G. Pagano) designing also its furniture. For the next Triennale in 1936, marked by Persico’s early death, Franco Albini, together with a group of young architects around Pagano, takes care of the exhibition of Dwelling, where he presented 3 types of lodgings. In the same year, Albini and Romano design the exhibition for Ancient Italian jewelry: vertical uprights, simple linear poles design space. This element is recurring in other works, like the Scipione exhibition (1941), Vanzetti stand (1942), and Olivetti shop in Paris (1956). The architectural space is readable through a grid, introducing a third dimension, the vertical one, with a sense of lightness and transparency. Upright is also used in design objects, such as the Veliero bookcase...

Mid-Century Modern "Lb7" Bookcase by Franco Albini for Poggi, Italy, 1950s Height is adjustable

Franco Albini (1905-1977) Infinito original book unit. Large modular bookcase made up of 6 vertical uprights, container elements with hinged doors and lo...

Designed by Franco Albini in 1940 and edited by Officina della Scala for the very first time from a sketch belonging to a project called “Furniture Perspective”; this vase in an uniq...

Designed by Franco Albini in 1940 and edited by Officina della Scala for the very first time from a sketch belonging to a project called “Furniture Perspective”; this vase in an uniq...

Designed by Franco Albini in 1940 and edited by Officina della Scala for the very first time from a sketch belonging to a project called “Furniture Perspective”; this vase in an uniq...

Designed by Franco Albini in 1940 and edited by Officina della Scala for the very first time from a sketch belonging to a project called “Furniture Perspective”; this vase in an uniq...

Designed by Franco Albini in 1940 and edited by Officina della Scala for the very first time from a sketch belonging to a project called “Furniture Perspective”; this vase in an uniq...

Designed by Franco Albini in 1940 and edited by Officina della Scala for the very first time from a sketch belonging to a project called “Furniture Perspective”; this vase in an uniq...

Designed by Franco Albini in 1940 and edited by Officina della Scala for the very first time from a sketch belonging to a project called “Furniture Perspective”; this vase in an uniq...