Schiaparelli 50s Sunglass Frames - Dead Stock
View Similar Items
Schiaparelli 50s Sunglass Frames - Dead Stock
About the Item
- Designer:
- Brand:
- Dimensions:Height: 2 in (5.08 cm)
- Place of Origin:
- Period:
- Material Notes:plastic
- Condition:excellent.
- Seller Location:Gresham, OR
- Reference Number:1stDibs: AU120627501432
House of Schiaparelli
From her signature color Shocking Pink to her collaborations with Surrealist artists, the boldly original Elsa Schiaparelli transformed fashion with her haute couture house Maison Schiaparelli from the late 1920s to the early ’50s. Experimenting with elements like trompe l’oeil images and colorful visible zippers, the Italian designer instilled a provocative avant-garde artistry in her clothing and accessories, including those created with Salvador Dalí, such as the lobster dress and a hat shaped like a shoe.
Born in Rome, Schiaparelli was a rebellious child who grew up among the city’s intellectual elite. She had a voracious appetite for reading and became interested in ancient cultures, astronomy and world religions. Schiaparelli studied philosophy at the University of Rome, and after publishing a collection of poems on love and sensuality that so mortified her conservative parents that they tried, unsuccessfully, to confine her to a Swiss convent, she left for London.
A quick marriage to Count Wilhelm de Wendt de Kerlor brought her to New York, but it would be in Paris following her divorce that Schiaparelli embraced her artistic passions. She moved to the French capital city in 1922 with her young daughter and happened to meet master couturier Paul Poiret, who loaned the stylish Schiaparelli his clothes, sparking her own fashion interests.
Schiaparelli opened her modest atelier in Paris and debuted her first collection of knitwear in 1927, and later that year, she designed a black-and-white pullover hand-knit wool sweater featuring a trompe l’oeil bowknot that captured the attention of the fashion world. Vogue called it “an artistic masterpiece.” The success led to her moving her house to 21 Place Vendôme in 1935 where thousands of garments were produced each year.
Schiaparelli’s knitwear collections were later accompanied by revolutionary swimsuits and other clothing and accessories. Her inventive designs would include culottes — a radical statement in the 1930s when women still could cause a scandal by wearing pants — as well as printed fabric, such as the 1938 Tears dress with a print designed by Dalí making it appear as if the evening gown had been savagely ripped.
Schiaparelli was among the first designers to use materials like rayon and Lurex as well as explore wrap dresses and transparent raincoats. She also introduced unisex fragrances and brought her artistic partnerships into jewelry, such as bronze brooches made with Alberto Giacometti and fur-lined bracelets with Méret Oppenheim. As she wrote in her 1954 autobiography Shocking Life, women should “dare to be different.”
Despite her acclaim, her shop closed in 1954 after a tumultuous time during World War II. By then, fashion had moved on with Christian Dior's New Look, and the closure of Schiaparelli's business coincided with a comeback mounted by Coco Chanel, her archrival in the early days.
In 2006, Italian businessman Diego Della Valle acquired the brand and its archives, and the Maison Schiaparelli was reopened in 2012, back at 21 Place Vendôme where Schiaparelli's fearless and enduring work began.
Find vintage Maison Schiaparelli clothing and accessories on 1stDibs.
Elsa Schiaparelli
From her signature color Shocking Pink to her collaborations with Surrealist artists, the boldly original Elsa Schiaparelli transformed fashion with her haute couture house from the late 1920s to the early ’50s. Experimenting with elements like trompe l’oeil images and colorful visible zippers, the Italian designer instilled a provocative avant-garde artistry in her clothing and accessories, including those created with Salvador Dalí, such as the lobster dress and a hat shaped like a shoe.
Born in Rome, Schiaparelli was a rebellious child who grew up among the city’s intellectual elite. She had a voracious appetite for reading and became interested in ancient cultures, astronomy and world religions. Schiaparelli studied philosophy at the University of Rome, and after publishing a collection of poems on love and sensuality that so mortified her conservative parents that they tried, unsuccessfully, to confine her to a Swiss convent, she left for London.
A quick marriage to Count Wilhelm de Wendt de Kerlor brought her to New York, but it would be in Paris following her divorce that Schiaparelli embraced her artistic passions. She moved to the French capital city in 1922 with her young daughter and happened to meet master couturier Paul Poiret, who loaned the stylish Schiaparelli his clothes, sparking her own fashion interests.
Schiaparelli opened her modest atelier in Paris and debuted her first collection of knitwear in 1927, and later that year, she designed a black-and-white pullover hand-knit wool sweater featuring a trompe l’oeil bowknot that captured the attention of the fashion world. Vogue called it “an artistic masterpiece.” The success led to her moving her house to 21 Place Vendôme in 1935 where thousands of garments were produced each year.
Schiaparelli’s knitwear collections were later accompanied by revolutionary swimsuits and other clothing and accessories. Her inventive designs would include culottes — a radical statement in the 1930s when women still could cause a scandal by wearing pants — as well as printed fabric, such as the 1938 Tears dress with a print designed by Dalí making it appear as if the evening gown had been savagely ripped.
Schiaparelli was among the first designers to use materials like rayon and Lurex as well as explore wrap dresses and transparent raincoats. She also introduced unisex fragrances and brought her artistic partnerships into jewelry, such as bronze brooches made with Alberto Giacometti and fur-lined bracelets with Méret Oppenheim. As she wrote in her 1954 autobiography Shocking Life, women should “dare to be different.”
Despite her acclaim, her shop closed in 1954 after a tumultuous time during World War II. By then, fashion had moved on with Christian Dior's New Look, and the closure of Schiaparelli's business coincided with a comeback mounted by Coco Chanel, her archrival in the early days.
In 2006, Italian businessman Diego Della Valle acquired the brand and its archives, and the Maison Schiaparelli was reopened in 2012, back at 21 Place Vendôme where Schiaparelli's fearless and enduring work began.
Find vintage Elsa Schiaparelli hats, evening dresses and other clothing and accessories on 1stDibs.
- Lia Livoli 60s Milanese Outrageous HatLocated in Gresham, ORAn outrageous 60s Lia Livoli helmet hat in orange and plaid mohair! Medium size.Category
1960s Italian Hats
Price Upon Request - 1960s Christian Dior Navy Blue Straw and Tulle TurbanBy Christian DiorLocated in Gresham, ORA beautiful 1960s navy blue straw and tulle Christian Dior turban.Category
1960s French Hats
- 1940s Irina Roublon Fine Brown Straw Large Brim Hat w/ Felt Bouquet TrimBy Irina RoublonLocated in Gresham, ORA lovely 1940s Irina Roublon brown, finely woven straw hat: Large upturned brim is embellished underneath with detailed felt cut-out basket and bouquet details. Top side of brim is ...Category
1940s American Hats
- 1960s Mr. John Kelly Green Quilted Turban HatBy Mr. JohnLocated in Gresham, OR1960s Mr. John kelly green silk quilted turban-style hat.Category
1960s American Hats
- Maison Michel Aubergine Medium Brim Felt Hat with Matching Flower & Velvet BandBy Maison MichelLocated in Gresham, ORMaison Michel Autumn/Winter Aubergine Medium Brim Felt Beautifully Blocked High Top Hat with Matching Flower & Wide Velvet Band: Unlabeled, with attached combs for securing. Size 6 ...Category
21st Century and Contemporary French Hats
- Maison Michel Citrine Wool Felt Large-Brim Hat w Camellias & Ribbon BandBy Maison MichelLocated in Gresham, ORMaison Michel Autumn/Winter Citrine Wool Felt Large-Brim Hat w Camellias & Ribbon Band: Large brim is worked in concentric stitched circles as a straw would be made. Tall wide crown...Category
21st Century and Contemporary French Hats
- Vintage Pink Fendi SunglassesBy FendiLocated in Hoffman Estates, ILVintage Pink Fendi Sunglasses Frame Width: 155mm Lens Width: 63mm Frame Height: 55mm Arm Length: 140mmCategory
1990s Italian Sunglasses
- Vintage Versace Sunglasses Mod 413/A Col 852Located in Hoffman Estates, ILDescription: Classic Vinage Versace Sunglasses Mod 413/A COL 852. Country: Italy Period: 1990'sCategory
1990s Sunglasses
- Vintage Bugatti Aviator Sunglasses 65359Located in Hoffman Estates, ILVintage Bugatti Aviator Sunglasses 65359 Frame Width: 155mm Lens Width: 58mm Frame Height: 51mm Arm Length: 100mmCategory
1980s French Sunglasses
- Chanel Sunglasses With Rhinestone CCs Y2KBy ChanelLocated in Hoffman Estates, ILChanel Sunglasses with Rhinestone CCs from Y2K era.Category
1990s Italian Sunglasses
- Vintage Gianni Versace Sunglasses Mod 414/A Col 852 Black GoldBy Gianni VersaceLocated in Hoffman Estates, ILDescription: Vintage Gianni Versace Sunglasses Mod 414/A Col 852 Condition: Excellent Period: 1990'sCategory
1990s Sunglasses
- Vintage Gianni Versace Black Medusa Sunglasses MOD 413/H COL 852By Gianni VersaceLocated in Hoffman Estates, ILExtremely rare vintage Gianni Versace black sunglasses with iconic Medusa motif and rhinestones.Category
1990s Italian Sunglasses
Recently Viewed
View AllRead More
You Saw It at the Met Ball. Here’s What Camp Fashion Is Really About
This year's Costume Institute exhibition is all about embracing the eccentric.
The Met’s Latest Blockbuster Tells a Powerful Story through 230 Jewels
A captivating show at the Manhattan museum explores how jewelry has ornamented the body through the millennia — and redefines it as high art.