Schiaparelli Paris Luxurious Sable Trim Astrakhan 3/4 Length Jacket c 1960
View Similar Items
Schiaparelli Paris Luxurious Sable Trim Astrakhan 3/4 Length Jacket c 1960
About the Item
- Designer:
- Brand:
- Dimensions:Length: 26 in (66.04 cm)Bust: 36 in (91.44 cm)Shoulder to Hem: 26 in (66.04 cm)
- Place of Origin:
- Period:
- Material Notes:The black astrakhan lamb fur 3/4 length jacket is designed with a plush sable fur collar and cuffs. Lined in black satin with Schiaparelli's script name repeated throughout
- Condition:Wear consistent with age and use.
- Seller Location:University City, MO
- Reference Number:1stDibs: LU7363368493
House of Schiaparelli
From her signature color Shocking Pink to her collaborations with Surrealist artists, the boldly original Elsa Schiaparelli transformed fashion with her haute couture house Maison Schiaparelli from the late 1920s to the early ’50s. Experimenting with elements like trompe l’oeil images and colorful visible zippers, the Italian designer instilled a provocative avant-garde artistry in her clothing and accessories, including those created with Salvador Dalí, such as the lobster dress and a hat shaped like a shoe.
Born in Rome, Schiaparelli was a rebellious child who grew up among the city’s intellectual elite. She had a voracious appetite for reading and became interested in ancient cultures, astronomy and world religions. Schiaparelli studied philosophy at the University of Rome, and after publishing a collection of poems on love and sensuality that so mortified her conservative parents that they tried, unsuccessfully, to confine her to a Swiss convent, she left for London.
A quick marriage to Count Wilhelm de Wendt de Kerlor brought her to New York, but it would be in Paris following her divorce that Schiaparelli embraced her artistic passions. She moved to the French capital city in 1922 with her young daughter and happened to meet master couturier Paul Poiret, who loaned the stylish Schiaparelli his clothes, sparking her own fashion interests.
Schiaparelli opened her modest atelier in Paris and debuted her first collection of knitwear in 1927, and later that year, she designed a black-and-white pullover hand-knit wool sweater featuring a trompe l’oeil bowknot that captured the attention of the fashion world. Vogue called it “an artistic masterpiece.” The success led to her moving her house to 21 Place Vendôme in 1935 where thousands of garments were produced each year.
Schiaparelli’s knitwear collections were later accompanied by revolutionary swimsuits and other clothing and accessories. Her inventive designs would include culottes — a radical statement in the 1930s when women still could cause a scandal by wearing pants — as well as printed fabric, such as the 1938 Tears dress with a print designed by Dalí making it appear as if the evening gown had been savagely ripped.
Schiaparelli was among the first designers to use materials like rayon and Lurex as well as explore wrap dresses and transparent raincoats. She also introduced unisex fragrances and brought her artistic partnerships into jewelry, such as bronze brooches made with Alberto Giacometti and fur-lined bracelets with Méret Oppenheim. As she wrote in her 1954 autobiography Shocking Life, women should “dare to be different.”
Despite her acclaim, her shop closed in 1954 after a tumultuous time during World War II. By then, fashion had moved on with Christian Dior's New Look, and the closure of Schiaparelli's business coincided with a comeback mounted by Coco Chanel, her archrival in the early days.
In 2006, Italian businessman Diego Della Valle acquired the brand and its archives, and the Maison Schiaparelli was reopened in 2012, back at 21 Place Vendôme where Schiaparelli's fearless and enduring work began.
Find vintage Maison Schiaparelli clothing and accessories on 1stDibs.
Elsa Schiaparelli
From her signature color Shocking Pink to her collaborations with Surrealist artists, the boldly original Elsa Schiaparelli transformed fashion with her haute couture house from the late 1920s to the early ’50s. Experimenting with elements like trompe l’oeil images and colorful visible zippers, the Italian designer instilled a provocative avant-garde artistry in her clothing and accessories, including those created with Salvador Dalí, such as the lobster dress and a hat shaped like a shoe.
Born in Rome, Schiaparelli was a rebellious child who grew up among the city’s intellectual elite. She had a voracious appetite for reading and became interested in ancient cultures, astronomy and world religions. Schiaparelli studied philosophy at the University of Rome, and after publishing a collection of poems on love and sensuality that so mortified her conservative parents that they tried, unsuccessfully, to confine her to a Swiss convent, she left for London.
A quick marriage to Count Wilhelm de Wendt de Kerlor brought her to New York, but it would be in Paris following her divorce that Schiaparelli embraced her artistic passions. She moved to the French capital city in 1922 with her young daughter and happened to meet master couturier Paul Poiret, who loaned the stylish Schiaparelli his clothes, sparking her own fashion interests.
Schiaparelli opened her modest atelier in Paris and debuted her first collection of knitwear in 1927, and later that year, she designed a black-and-white pullover hand-knit wool sweater featuring a trompe l’oeil bowknot that captured the attention of the fashion world. Vogue called it “an artistic masterpiece.” The success led to her moving her house to 21 Place Vendôme in 1935 where thousands of garments were produced each year.
Schiaparelli’s knitwear collections were later accompanied by revolutionary swimsuits and other clothing and accessories. Her inventive designs would include culottes — a radical statement in the 1930s when women still could cause a scandal by wearing pants — as well as printed fabric, such as the 1938 Tears dress with a print designed by Dalí making it appear as if the evening gown had been savagely ripped.
Schiaparelli was among the first designers to use materials like rayon and Lurex as well as explore wrap dresses and transparent raincoats. She also introduced unisex fragrances and brought her artistic partnerships into jewelry, such as bronze brooches made with Alberto Giacometti and fur-lined bracelets with Méret Oppenheim. As she wrote in her 1954 autobiography Shocking Life, women should “dare to be different.”
Despite her acclaim, her shop closed in 1954 after a tumultuous time during World War II. By then, fashion had moved on with Christian Dior's New Look, and the closure of Schiaparelli's business coincided with a comeback mounted by Coco Chanel, her archrival in the early days.
In 2006, Italian businessman Diego Della Valle acquired the brand and its archives, and the Maison Schiaparelli was reopened in 2012, back at 21 Place Vendôme where Schiaparelli's fearless and enduring work began.
Find vintage Elsa Schiaparelli hats, evening dresses and other clothing and accessories on 1stDibs.
- Fendi Italy Black Wool Applique Faux Fur Jacket Size 42 ca 1990sBy FendiLocated in University City, MOFendi Italy Black wool applique faux fur trim jacket Size 42 The designer jacket is accented with plush brown faux fur that embellishes the front, covers the buttons, frames the ...Category
1990s Italian Jackets
- Black Velvet Marabou Cuff Mandrian Collar Jacket c 1970sLocated in University City, MOBlack velvet marabou cuff mandrian collar jacket c 1970s The stylish cotton velvet jacket is embellished with wide black fluffy marabou feather cuffs The jacket secures with th...Category
1970s Unknown Jackets
- Mirella Cavorso Italian Black Silk Beaded Tuxedo Style Evening JacketLocated in University City, MOMirella Cavorso Italian silk black beaded tuxedo style evening jacket The elegant jacket is embellished with glass bugle beads combined with tiny seq...Category
1990s Italian Tuxedo Jackets
- Silk Glass Beaded Sequined Evening Jacket for Saks Fifth Avenue c 1980sLocated in University City, MOExquisite silk glass beaded sequined evening jacket c 1980s The elegant silk evening jacket is encrusted with a combination of contiguous glittering glass bugle beads and iridescent sequins throughout The three dimensional flowers are clusters of glass bugle beads in various colors. Framed with a row of black glass bugle beads Secures at the neckline with a single hook closure to partially reveal the garment underneath Designed b Gunit New York Saks...Category
1980s Indian Jackets
$225 Sale Price34% Off - Liliane Romi Couture Paris Black Boucle Wool Jacket c 1990sLocated in University City, MOLiliane Romi Couture Paris black boucle wool jacket The stylish designer jacket is adorned with three massive gilt metal buttons that run down the fron...Category
1990s French Blazers
$275 Sale Price21% Off - Exotic Embroidered Green Wool Jacket c 1970sLocated in University City, MOExotic embroidered green wool jacket c 1970s The unique wool hunter green jacket is embellished with intricate lavender embroidery and applique d...Category
1970s Unknown Jackets
- Rare Schiaparelli Black Quilted Faille Evening Cape, 1951By House of SchiaparelliLocated in New York, NYRare Schiaparelli Haute Couture Mandarin Black Quilted Faille Cape, 1951 Amazingly chic and modern quilted silk faille Haute Couture cape by Elsa Schiaparelli from the 1950's. M...Category
Early 20th Century French Art Deco Capes
Price Upon Request - Schiaparelli Haute Couture Black Changeant Faille Evening JacketBy Elsa SchiaparelliLocated in New York, NYSchiaparelli Haute Couture Changeant Faille Jacket, 1938-39. "France gave me the inspiration: America gave me the approval" Elsa Schiapa...Category
1940s French Jackets
Price Upon Request - Extraordinary Elsa Schiaparelli Haute Couture Evening JacketBy Elsa SchiaparelliLocated in New York, NY"In difficult times, fashion is always outrageous" Elsa Schiaparelli,1930's. "Life has changed so much, A Schiaparelli was never made for the streets." Karl Lagerfeld, 1970's. 2 quotes,2 designers, 4 decades apart. 4 decades later. Although these quotes are highly debatable, especially in the context of today's high-low designer collabs and pop up retailing, iconic fashion endures. Whether now relegated to a museum exhibition, a collector's acid free box or a celebrity one nighter, these fashion artifacts from the french Haute Couture of the 1930's echo a time, pace and culture unrecognizable to most people today. Schiaparelli changed the definition of what it meant to be a designer at an important time in the evolution of the Haute Couture. Rather than simply making beautifully elegant garments (which she also did), she focused on the concepts behind the pieces. For her fashion was a fluid medium and she effortlessly blended fashion, politics and the fine arts. She was one of the most innovative and rebellious designers of the period working against what she considered the stale fashion currents of the day. She was elegant yet untrained. As a protege of Poiret, she gained entry into the world of Parisian fashion. While her rival Chanel was essentially uneducated and a “primitive” in the artistic circles in which she socialized, Schiaparelli’s impeccable social credentials as the daughter of an old and distinguished Roman family gave her a relatively easy entree into Paris society. She was a subversive, a punk, a desecrator, a collaborator, an innovator as well as the ultimate insider whose plans on design domination and creating "la zone rose" for the modern world were cut short by the advent of WWII. She was at the height of her influence and power showing 4 iconic collections in the last years of the decade. Fascinating to consider what the House of Schiaparelli could have brought forth in the following decades had the world not been swept away in turmoil at that moment. In the context of her short prewar career, few remaining masterworks have survived. The rare "moment" she created in the 30's lives on within each art piece, safelocked away within each stitch and sequin. Each design retains her spirit and legacy as a free thinking, modernist rebel who used the avantegarde as her platform in the most creative period of fashion design in the 20th Century. -------------------------------------------------------------------------------------- Rare and Important Elsa Schiaparelli Haute Couture...Category
1930s French Jackets
Price Upon Request - CHANEL blue jacket FR 36 Cruise 2013 Versailles 13CBy ChanelLocated in Rubiera, REChanel blue jacket Cruise 2013 - Versailles gardens - Look 35/71 on the show Jacket in blue cotton with central front zip, mandarin collar. White s...Category
2010s French Jackets
- CHANEL black bolero jacket FR 36 Spring 2009 09PBy ChanelLocated in Rubiera, RECHANEL Spring 2009 - Look 49/71 on the show Black bolero jacket Size FR 36 Made in France 56% polyester 25% silk 19% a...Category
Early 2000s French Bolero Jackets
- FAUSTO PUGLISI black leather biker jacket IT 40By FAUSTO PUGLISILocated in Rubiera, REFAUSTO PUGLISI Black leather biker jacket with large golden studs and crystals 100% Leather 100% Silk lining 100% Polyurethane padding Size IT40 Made...Category
2010s Jackets
$3,366 Sale Price20% Off
Recently Viewed
View AllRead More
You Saw It at the Met Ball. Here’s What Camp Fashion Is Really About
This year's Costume Institute exhibition is all about embracing the eccentric.
The Met’s Latest Blockbuster Tells a Powerful Story through 230 Jewels
A captivating show at the Manhattan museum explores how jewelry has ornamented the body through the millennia — and redefines it as high art.