Tweed jacket with white, red & green trimming Gucci by Alessandro Michele 2019
About the Item
- Designer:
- Brand:
- Dimensions:Width: 16.54 in (42 cm)Length: 29.93 in (76 cm)Marked Size: 38 (Fr) 8 (Us) M (EU)Bust: 39.38 in (100 cm)Waist: 41.74 in (106 cm)Hip: 41.74 in (106 cm)Shoulder to Hem: 19.69 in (50 cm)
- Style:Cruise 2019 (Of the Period)
- Place of Origin:
- Period:
- Material Notes:Main fabric composition: 33% wool, 28% polyester, 15% polyamide, 11% cotton, 9% acrylic, 4% rayon. Trimming: 50% cotton, 50% rayon. Lining: 73% Cupro, 27% silk.
- Condition:
- Seller Location:Saint-Ouen-Sur-Seine, FR
- Reference Number:
Gucci
Long before trend-bucking creative director Alessandro Michele brought his hallucinatory “Utopian Fantasy” campaign to Gucci, it was a modest Italian leather shop. Today, it’s an internationally renowned luxury house with an iconic logo, and vintage Gucci clothing, handbags and shoes are among high fashion's most covetable goods.
Guccio Gucci (1881–1953) admired the stylish suitcases he saw wealthy guests arrive with at the Savoy Hotel in London, where he worked as a bellhop. So, in 1921, after a stint at Franzi, a luggage company in his hometown of Florence, he opened a leather goods shop of his own.
At first, Gucci’s Florence business specialized in equestrian accessories. But as its reputation flourished, particularly among the English aristocracy, so too did its footprint. In 1938, he brought three of his sons — Aldo, Vasco and Rodolfo — into the business and expanded it to Rome and later Milan. In the mid-1930s, a League of Nations embargo against Italy pushed Gucci to experiment with alternatives to imported leather. Its woven hemp fabric from Naples, adorned with the brand’s signature diamond print, was a hit, especially among A-list celebrities. The material was first used on suitcases before finding enduring popularity on handbags. (No list of revered designer purses would be complete without Gucci.)
In the 1950s, Elizabeth Taylor carried one of Gucci’s bamboo-handled tote bags, another adaptation to material rationing. After Jackie Kennedy was seen sporting a slouchy Gucci tote in 1961, it was renamed for the First Lady. Then Grace Kelly, on a visit to the boutique in Milan, inspired Rodolfo Gucci to work with Italian illustrator and Gucci textile designer Vittorio Accornero on the Flora print in 1966. Taking cues from Sandro Botticelli’s Primavera, with its pattern of flora and insects, it was painted entirely by hand and featured no fewer than 37 colors.
In 1953, just 15 days after opening his first store on New York’s 5th Avenue, Guccio passed away at 72. The early 1970s saw store openings in Tokyo and Hong Kong, but by the late 1980s, Gucci was floundering. Rodolfo Gucci took charge in 1982, but family drama and lawsuits ensued. In 1993, Rodolfo’s son, Maurizio, transferred his shares in the company to Investcorp, ending the family’s involvement in Gucci. Dawn Mello, then-president of Bergdorf Goodman, joined as creative director in 1989. But it was Tom Ford, who took over as creative director in 1994, who ultimately revived the brand.
Ford’s racy ads, shot by photographers such as Mario Testino, stirred controversy. And his potent vision of sexed-up femininity — with “jewel-toned satin shirts unbuttoned to there,” as Vogue described his breakthrough 1995 runway show — was wildly successful. The new millennium brought new ownership — Pinault Printemps Redoute in 2004 — and a more toned-down vision from Frida Giannini, who became sole creative director in 2006. Alessandro Michele was named creative director in 2015, and the storied brand took a giant leap forward.
Find vintage Gucci clothing and accessories on 1stDibs.
- ShippingRetrieving quote...Ships From: SAINT-OUEN-SUR-SEINE, France
- Return PolicyThis item cannot be returned.
- Black and purple full embroidered jacket with beads, threads and sequinsLocated in Saint-Ouen-Sur-Seine, FRBlack and purple full embroidered jacket with beads, threads and sequins on a black chiffon base and chiffon lining;Category
Early 2000s Unknown Dinner Jackets
- Blue coton and linen blazer Emporio ArmaniBy EMPORIO ARMANI EA7Located in Saint-Ouen-Sur-Seine, FRBlue coton and linen (denim aspect) blazer without liningCategory
1990s Italian Blazers
- Black ruban jacket in "Luxeuil" and passementerie Circa 1900Located in Saint-Ouen-Sur-Seine, FRBlack ruban jacket in "Luxeuil" and passementerie Circa 1900 La broderie de Luxeuil ressemble beaucoup à la duchesse mais elle est réalisée sur du passe...Category
Early 1900s Unknown Jackets
- Brown double breasted jacket Yves Saint Laurent ( by Stefano Pilati)By Stefano Pilati for Yves Saint LaurentLocated in Saint-Ouen-Sur-Seine, FRBrown double breasted jacketCategory
Early 2000s French Double-Breasted Jackets
- Asymmetrical evening jacket in black and gold lace 1930Located in Saint-Ouen-Sur-Seine, FRAsymmetrical evening jacket in black and gold lace 1930Category
1930s Unknown Jackets
- Double breasted grey wool blazer with seal buttons Balenciaga by N. GhesquièreBy Balenciaga, Nicolas GhesquièreLocated in Saint-Ouen-Sur-Seine, FRDouble breasted grey wool blazer with seal buttons in aged metal. The blazer is close with snap , the buttons are just an embellishment .Category
Early 2000s Italian Blazers
- Vintage Terry Paris Gold Medallion Leather Lace JacketLocated in Fort Lauderdale, FLFabulous early 1990's Terry Paris Versace style jacket. Beautiful decorative goldtone medusa head medallions. Lace embellishment. Goldtone button closure a...Category
1990s French Jackets
- YVES SAINT LAURENT YSL Black Blazer with Dome ButtonsBy Christian DiorLocated in Genève, CHExclusive Yves Saint Laurent Variation black 100% "Fresco" summer wool jacket from the early 90s. Collarless, with large 5 gold dome shaped buttons down center and slash pockets on each hip. Both sleeves have three large dome buttons...Category
1990s French Blazers
- Rare Schiaparelli Black Quilted Faille Evening Cape, 1951By House of SchiaparelliLocated in New York, NYRare Schiaparelli Haute Couture Mandarin Black Quilted Faille Cape, 1951 Amazingly chic and modern quilted silk faille Haute Couture cape by Elsa Schiaparelli from the 1950's. M...Category
Early 20th Century French Art Deco Capes
- Schiaparelli Haute Couture Black Changeant Faille Evening JacketBy Elsa SchiaparelliLocated in New York, NYSchiaparelli Haute Couture Changeant Faille Jacket, 1938-39. "France gave me the inspiration: America gave me the approval" Elsa Schiapa...Category
1940s French Jackets
- Extraordinary Elsa Schiaparelli Haute Couture Evening JacketBy Elsa SchiaparelliLocated in New York, NY"In difficult times, fashion is always outrageous" Elsa Schiaparelli,1930's. "Life has changed so much, A Schiaparelli was never made for the streets." Karl Lagerfeld, 1970's. 2 quotes,2 designers, 4 decades apart. 4 decades later. Although these quotes are highly debatable, especially in the context of today's high-low designer collabs and pop up retailing, iconic fashion endures. Whether now relegated to a museum exhibition, a collector's acid free box or a celebrity one nighter, these fashion artifacts from the french Haute Couture of the 1930's echo a time, pace and culture unrecognizable to most people today. Schiaparelli changed the definition of what it meant to be a designer at an important time in the evolution of the Haute Couture. Rather than simply making beautifully elegant garments (which she also did), she focused on the concepts behind the pieces. For her fashion was a fluid medium and she effortlessly blended fashion, politics and the fine arts. She was one of the most innovative and rebellious designers of the period working against what she considered the stale fashion currents of the day. She was elegant yet untrained. As a protege of Poiret, she gained entry into the world of Parisian fashion. While her rival Chanel was essentially uneducated and a “primitive” in the artistic circles in which she socialized, Schiaparelli’s impeccable social credentials as the daughter of an old and distinguished Roman family gave her a relatively easy entree into Paris society. She was a subversive, a punk, a desecrator, a collaborator, an innovator as well as the ultimate insider whose plans on design domination and creating "la zone rose" for the modern world were cut short by the advent of WWII. She was at the height of her influence and power showing 4 iconic collections in the last years of the decade. Fascinating to consider what the House of Schiaparelli could have brought forth in the following decades had the world not been swept away in turmoil at that moment. In the context of her short prewar career, few remaining masterworks have survived. The rare "moment" she created in the 30's lives on within each art piece, safelocked away within each stitch and sequin. Each design retains her spirit and legacy as a free thinking, modernist rebel who used the avantegarde as her platform in the most creative period of fashion design in the 20th Century. -------------------------------------------------------------------------------------- Rare and Important Elsa Schiaparelli Haute Couture...Category
1930s French Jackets
- JUNYA WATANABE Comme Des Garçons SS2010 tailored houndstooth runway blazerBy Junya Watanabe Comme des Garçons, Comme des GarçonsLocated in Berlin, BEInsane houndstooth blazer by Junya Watanabe from his 2010 spring collection. Tailored to perfection, this blazer is a work of art! This collection which focused on menswear for wome...Category
2010s Japanese Blazers
Recently Viewed
View AllRead More
Explore a Century of Gucci Fashion in London
The iconic Italian label’s traveling exhibition has just arrived in London.
The Stories behind the Most Famous Luxury Fashion Logos
From Chanel to YSL, the logos of some legacy fashion houses spark instant brand recognition and have come to symbolize a kind of luxury that feels at once aspirational and attainable.