Massive Chinese Eastern Han Dynasty Impressed Pottery Jar '25-220 AD'

A classic Chinese Han Dynasty "cocoon jar" of high fired burnished gray pottery, Western Han Dynasty (206 BC - 9 AD), China. The jar of typical form, w...

A tall and dramatic Chinese high fired gray pottery model of a standing lady wearing a hood and a flared skirt, Western Han Dynasty (202 BCE - 9 CE), Shaanxi, China. This striking ...

A rare and attractive Chinese bronze "garlic head" vase with an encrusted patina, Western Han Dynasty, 206 BC - 25 AD, China. Of classic form, the bronze vase is set on a short, s...

A gorgeous and striking late Warring States (475 to 221 BC) or early Han Dynasty (221 to 206 BC) cast bronze and silver-decorated garlic head hu vessel. Of elegant bottle form, w...

A pair of Han Dynasty (206 BC-220 AD) painted pottery horse and riders, China. The horses modeled standing foursquare, supporting their eque...

An attractive group of three high fired gray pottery models of granaries, Han dynasty (206 BC-220 AD) style, and most likely of the period, China. The granary models of varying cy...

The modelled animal figures and landscapes of this piece represent the Daoist ideology of the Han dynasty. The mountain-shaped lid refers to the sacred dwellings of the immortals, th...

We are delighted to offer for sale this exceptionally important and highly collectable museum quality original Chinese bronze ritual wine vessel and...

Slab pottery constructed Model of a Paper Mill, in Green and Cream Color Glazed Terracotta having a peaked roof – open walled form with a mechanical pounder and a large round storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. The Iridescence is a refraction of the layers on the glass that produces multicolor hues & metallic luster, and only develops after one thousand years of being buried in the ground. An unquestionable mark of antiquity, impossible to falsify. Han Dynasty, dated 206 B.C-220 A.D. Condition: Excellent, wear commensurate with age, an unusual example. This fantastic piece is accompanied by a Certificate of Authenticity. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary records...

Slab pottery constructed barn workshop having a peaked roof – open walled form with a mechanical pounder and a large round covered storage container. Light blue-green mottled glazed surface with some iridescence patina to the glaze. Condition: Intact, excellent condition, an unusual example. Provenance: The Living Torah Museum, Brooklyn; ex. Sands of Time, 2002. Sculptural effigies of domesticated animals were often interred in the tombs of nobility and elite members of the social hierarchy. Models like this one were made to represent everything from simple goat or pig pens to the most elaborate towers and palaces. Because very few ancient Chinese buildings have survived intact, these models, along with descriptions from ancient texts, give a good representation of what the buildings might have looked like. This fantastic piece is accompanied by a Certificate of Authenticity. Burial figurines of graceful dancers, mystical beasts, and everyday objects reveal both how people in early China approached death and how they lived. Since people viewed the afterlife as an extension of worldly life, these figurines, called mingqi, sometimes referred as “spirit utensils” or “vessels of ghosts” disclose details of routine existence and provide insights into belief systems over a thousand-year period. For the first time in Chinese history, we have images of rural and daily life during the Han in the form of contemporary...

The upper section of the vessel is broad and flat, intended to support a candle or an oil lamp, while the stem and base are robust, designed for stability and durability. The surface...

Impressive terracotta warrior representing a banner bearer gripping a wooden staff with his hands (dematerialized through the ages); his gaze is ser...