Metal Lacquer

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

Travel desk made of lacquered and gilded wood with drawers inside, reserved scenes with figures in palatial environments surrounded by flowers, birds and Taoist symbols. Exquisite E...

A fine a rare Japanese box masterly woven in copper, the box with lid and handles dates to 19th century Meiji Period, and it imitates the Ikebana bamboo basketry style Height 17...

Late Momoyama period, late 16th century The coffer is decorated in black lacquer, urushi, on cedar wood, decorated with gold dust and silver, maki-e, and nashiji, mother-of-pearl, r...

Antique 19th Century 18" Meiji Oriental Japanese Cloisonné Charger Plate - Rare Decorative Piece! This exquisite cloisonné charger plate hails from the 19th century, showcasing fine...

This exquisite matching pair of antique Chinese export blue and white cloisonné covered general jars is a fine example of the intricate artistry and craftsmanship of traditional Chin...

Rectangular black and gold lacquer kobako box decorated with pine trees in a mountain landscape in takamaki-e, kirigane and hiramaki-e lacquer. Background in nashi-ji lacquer. Surmou...

Quadrangular kobako box decorated with flowers in gold and blue lacquer with aogai inlay. Lid and sides in fundame lacquer, underside and interio...

This exquisite Meiji-period lacquer document box known as a ryoshibako showcases the meticulous artistry of maki-e, a technique of raised lacquer decoration. Adorned with gold and vi...

Japanese box with lacquer lid finely decorated with Maki-e, dating from the 18th century, mid-Edo period. The box is of special size to preserve important calligraphy. All sides of ...

Collection of c1900-1950's paper mache trinket boxes and objects from Kashmir, to include: Hand painted Brass / papier mache Beggars Bowl 8 Decorative Eggs Large papier mache Box 4...

Meiji period, circa 1873-1887 The black lacquered box decorated in maki-e and hiramaki-e gold, with on the lid a European style building complex and several Japanese and European figures walking along a street in the foreground. The sides are finely decorated with several insects and the inside with several compartments and nashiji decoration. H. 7.4 x W. 29 x D. 25.7 cm After the Americans forced Japan to open their harbours to the outside world and take part in international treaty and trade around the mid 19th century, the formerly feudal society rapidly changed. Japan was now focussing on an industrial future. One of the major international ports was Yokohama with its foreign embassies and warehouses - which attracted a great number of visitors of all sorts. For the higher society visiting Japan for the first time a new and ‘Western’ hotel had to be realised; hence the construction of The Grand Hotel on Kaigandori. The hotel was opened on August 16, 1873 (Meiji 6) and was soon considered the height of Western culture and elegance in Japan. The building probably depicted on this box, designed by American architect Richard P. Bridgens (リチャード・ブリジェンス, 1819 -1891), is the original hotel...

19th Century Chinese Export Oval Cinnabar Box This 19th Century Chinese Export Oval Cinnabar Box is a testament to exceptional craftsmanship and artistr...

Suzuribako box (empty) in black lacquer. Gold maki-e decoration of a river bordered by peonies, one with red highlights. The edges of the lid are in gold lacquer. Nashi-ji interior.

Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hirama...

This Meiji-period lacquer tray represents the mastery of Japanese craftsmen in the art of lacquer work. Precious materials are precisely inlaid in the lacquer base, creating a highly...

Antique Chinese Wooden Wedding Basket (c. 1860 - 1880) with red and black lacquer finish. So-called Peking opera basket. Top in gold leaf design depicts a Chinese sage on horseback w...

A rare and complete set of wood bucket with cinnabar lacquer and gold paint housing a pewter tea pot with a fabric pouch from Ryukyu Kingdom, Second Shō dynasty, circa 19th century. Located in nowadays Okinawa Prefecture, Japan. Ryukyu kingdom (1429 to 1879) was a tributary state of imperial Ming...

An elegant and refined Japanese lacquer koro, incense burner, in the form of a chaire, tea caddy, Edo Perio, mid 19th century, Japan. The barrel shaped koro formed as a traditional ...

A fine and elegant Japanese lacquer box for writing implements or stationery, suzuribako, with an image of a Shinto shrine, Edo Period, mid-19th century, circa 1840, Japan. The exqu...

This lacquer is decorated with deers in a lush environnement in lavish reds with a waterfall in silver leaf. It has a seal and is signed by the artist. Lacquer is an ancestral Viet...

Exquisite Chinese Jewelry Box, made for export, France. With a stamp inside of Joan of Arc, Domremy. End S XIX-PP S XX Silk lined interior. Polylobed profile, the entire body covere...

Dinh Hanh is a Vietnamese painter known for his works which juxtapose a traditional technique of multi-layered lacquer on wood with modernist representations...

Image without original frame 13.5 by 19.5 inches Pham Chinh Trung is a Vietnamese lacquer born in 1955 in Vietnam. ...

A Fine Lacquer Incense Burner with Makie Gold Design. This fine lacquer incense burner is a stunning example of Japanese craftsmanship. It is dated to the Edo-Meiji period, 19th cen...

With frame Width 23, Height 16 inches This lacquer bt Pham Chun Trung is signed and dated 92 in the lower left corner. The artist was born in 1955 and was graduated in 1979 from Hanoi University of Industrial Fine Arts. He specialized in the technique of lacquer on wood and began to exhibit his works in the early nineties of the twentieth century. Lacquer is an ancestral traditional Vietnamese art...

This a Lacquer on wood signed and dated in the lower left corner. Pham Chinh Trung was born in 1955 in Vietnam. He graduated from Hanoi university of industrial fine arts in 1979. Sp...

Pham Chinh Trung is a Vietnamese artist born in 1955. This lacquer is signed and dated 93 in the lower left. Pham Chinh Trung graduated from Hanoi University of Industrial Fine Arts...

A good Japanese carved cinnabar three case inro with mixed metal ojime, Meiji period, late 19th century, Japan. The three case inro of standard form, comprised of three container se...

Japanese Inro from the Edo period (1615-1868) created by Kajikawa. Beautiful Inro, created in Japan by one of the Kajikawa family during the Edo period (1615-1868), circa 1810. Has been carefully crafted in carved precious wood with applications of gilding maki-e and decorated with Japonism patterns. All dan trays are attached together with a himo cord. The detailed craftsmanship was a true pleasure to behold. Period: Edo period (1615-1868). Shogunate. Approximate Date: 1790-1810 Motif: A family of birds consisting of a cockerel, the hen and three chicks. Drawers: Five. Shape: Rectangular navette. Technique: Carved wood, lacquer and decorated in iroe-hiramaki-e on a gold ground. Ojime: 15mm 20mm, oval carved from natural translucent agate. Netsuke: None Weight: 47.70 Grams. Measurements: Inro is 78 mm by 55 mm by 18 mm (3.07 x 2.17 x 0.71 Inches). Signatures: Kajikawa Saku, in the underside with the signature KAJIKAWA. By a member of the Kajikawa family, signed Kajikawa 梶川 Japan, late 18th century to early 19th century, Edo period (1615-1868). The Kajikawa family Kajikawa family, flourished in the 19th century, they was Japanese lacquerware artists whose school in Edo (now Tokyo) flourished for more than 200 years. This family is perhaps the most famous of all the dynasties of Japanese lacquer artists, and certainly the name most often found on inro. The family is said to have been founded by Hikobei at Edo in the early 17th century, although some claim that the family’s great reputation really stemmed from his son and pupil Kyujiro. In any event, Hikobei worked for the shogunate, as did his successors until well into the 19th century. Kijirō excelled in designing particularly delicate lacquer inrō, portable medicine cases...

A simply gorgeous pair of Asian black lacquer and gold leaf floral decorated tazzas. A tazza can be just for decorative value, while a compote is used to hold something such as food....

This is a beautifully designed and fabricated Japanese pagoda-shaped tall chest of drawers. The chest dates to the late 20th or early 21st century and is in very good to excellent ov...

This Meiji-period lacquer tray represents the mastery of Japanese craftsmen in the art of lacquer work. Precious materials are precisely inlaid in the lacquer base, creating a highly...

A rare Japanese export lacquer medical instrument box Edo-period, 1650-1700 L. 19 x W. 6 x H. 8.5 cm This unconventionally shaped lacquer b...

An exceptionally fine and unusual Japanese lacquer writing implements box, suzuribako, in the form of a zither, koto, Edo Period, 18th century, Japan. With a modern wood storage box,...

An elaborate hand-carved and lacquered wall panel most likely mid-20th century. This Chinese carving is very ornately detailed with warriors, rulers, trumpeters, temples, etc. The rich gilding accents Fine details on a wood panel which is lacquered red on the back and solid gold leaf on the front. The spectacular carving is in very good condition. Hangs from a brass decorative hook...

Kobako box decorated with stylized foliage in black and gold hiramaki-e lacquer. The motif is karakusa, a growing plant extending in all directions. It symbols prosperity and longevi...

Hailing from illustrious Meiji-period Japan, this lacquer tray showcases the mastery of Japanese craftsmen. Precious materials are precisely inlaid in the lacquer base, creating an a...

Pair of magnificent hibachi (fire bowls) shaped like chrysanthemum flowers (kiku) and finished with high quality ‘bordeaux red’ lacquer. Each is carved from a solid piece of wood with fine elegant lobes representing the petals. The interior fitted with a copper lining, for the coals, with a nice patina. A pair of hibachi in this colour and with this kind of quality of Material is rare to find! In Japan chrysanthemums are believed to represent happiness, longevity, rejuvenation and nobility. Including original wooden tomobako (storage box). In Western culture these bowls are often used as decorative flower pots...

A crisply carved antique Chinese red cinnabar lacquer lidded round box with blue enamel interior and brass fittings. The "dragon's blood" trinket box has a fine peony, foliate and fl...

Japanese 19th century miniature lacquer chest with waterfall. Late Edo to early Meiji period lacquer chest (mid to late 19th century) with two characters on the front reading Nuno an...

A Japanese export Nagasaki lacquer tobacco box with the portrait of Napoleon Bonaparte Edo-period, circa 1810 The box in black lacquer on copper, ...

Miniature hanagamidai cabinet from the Japan meiji (1858-1912) period. Gorgeous and rare miniature drawers hanagamidai (cosmetic cabinet), created in the imperial Japan during the...

A simple and elegant Japanese lacquer hibachi stand with imperial chrysanthemum mon and copper liner, now modified as an usubata, late Meiji Period, ci...

Handwarmer/Censer Japan circa 19th century Bronze Measures: H: 5.5 in x D: 8 in :: 14 cm x 20.3 cm Happy Tibetan New Year of the Water Rabbit! ...

A wonderful Japanese lacquer incense box, kogo, with a design of sparrows in flight, late Momoyama or early Edo Period, circa 1600, Japan. The small box, called a kogo, was used t...

A large vintage Chinese red cinnabar box with deep relief carved lid depicting peonies, trees and a landscape with a palace. The round box has...

A fine Japanese pictoral style lacquer cabinet with gilt-metal mounts Kyoto, Edo period, 1670-1690 Decorated in Japanese relief lacquer work, black lacquer ground decorated...

Orientalist hand painted and gilt decorated black lacquer papier-mâché plate on stand - possibly by Adt Frères - exceptional detail - unsigned - late 19th century. Excellent/extra...

A fine and unusually large Japanese table cabinet or jewelry chest with yosegi marquetry work and lacquer paneled doors, Meiji period, late 19th century, Japan. The oversized tab...

A Japanese roiro lacquer scholar combo box with an upper tier of inkstone box (Suzuribako) and a lower document box (Ryoshibako) circa 1910-30s (end of Meiji to Showa period). The high glossy box was beautifully decorated with an image of the famously eccentric Buddhist monks Hanshan and Shide (known in Japan as Kanzan and Jittoku). Often as a pair, they have been a popular motif in Japanese Zen painting...

A set of four extremely rare and important pictorial-style Japanese export lacquer bottles Edo-period, circa 1650-1680 H. 15.5 x W. 6.9 x B. 7.6 cm (each) The bottles with red cop...

Swedish black lacquered and gilt Chinoiserie tall case clock with arched decorative floral hood, flanking finials, turned bulbous columns, ormolu and steel engraved face, figural flo...

With monumental scale and beautiful, hand-carved details, this remarkable red lacquer hibachi is a true work of art. Designed to hold glowing embers, hibachi vessels such as this were used for cooking or as a source of heat in Japanese homes. Placed under a low wood kotatsu table...

Japanese cloisonne vase, Showa Period (1926 - 1989), the tapering cylindrical body decorated with blue green leaves and drops of elegantly rendered purple, blue and white wisteria on...

Antique Japanese late Edo / Tokugawa period Hibachi used for burning coal, as a portable heater, and as a heating device for a pot of tea. In today’s interiors, they are wonderful co...

An antique Japanese, five drawer, black lacquered small chest. It features a pine and blossom decoration in silver maki e on each drawer front, outlined in graphic red lacquer diamon...

Classic Vintage Chinese Carved Cinnabar lacquer and enameled bowl with deer and chrysanthemum motif from a Palm Beach estate.