Pair Japanese Choshi Sake Ewers

This is an impressive Okimo of a rabbit in a resting position. The bronze is very well cast in the form of a realistic rabbit. The bronze is signed on the bottom of one foot, as shown in photo. It is thought that having a rabbit in the house would bring good luck; meaning: we all need one! This guy would make the perfect desk accessory or book shelf eye-catcher. ***In Japanese culture rabbits are one of the signs of the Japanese zodiac. They are considered lucky as the Japanese kanji...

This is a large example of an early 20th century Southeast Asia ceremonial Rain Drum. The cast bronze drum has acquired a deep desirable patina. The bronze is detailed with abstract designs with a central star. The body of the drum contains tiny sculptures...

This is a stunning large Chinese glazed terracotta dragon-form ewer. The Double Dragons are cast in fine detail. The ewer derives its inspiration fro...

This is a good example of Meiji period lacquer-on-porcelain large statement vases. The maki-e lacquer decoration features birds to one of the sides and ...

Superb example of a c. 1970s Obi. The obi is beautifully woven with multi-colored florals reserves and interlaced cherry blossoms. The reserves are delineated by woven metallic silve...

This is a wonderful collection of 6 mid-20th century Japanese Lacquer Trays. There is one pair of oxblood red with highlights; one pair of matched oil spot trays and one near pair of...

Pair of high quality cast iron chôshi (sake ewers) with a detailed lacquered lid. Its body with a refined embossed design of a bird of prey (môchô) perched o...

Fine Japanese Meiji period cloisonne enamel Sake pot. The Sake pot of rounded form with with clean edges profusely decorated with blossoming flowers throughout upon a black ground ba...

An exceptional quality Japanese Meiji bronze sake pot decorated with a basket weave patterning dating between 1868 and 1912 and probably made around 1890. The...

Inlaid with brass and silver, this extraordinary pair of Japanese bronze stirrups, known as Abumi, were crafted in the Edo period (1603-1868) for use on a Samurai's horse. Each is wo...

Pair of antique Japanese Buddhist temple headdress and necklace ornaments. Gilt bronze with decorative stones and beads, and intricate metalw...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...