Pair Large Bohemian Cranberry Glass &Enamel Hand Cut Persian Decanters circa1920

Continental celluloid mixed metal inlay dance card case holder 14k gold mounts. Beautiful inlaid gold florals to the front of the case. Inscribed to the lower right with the name "Pauline". Celluloid paper with an attached silver pencil to the side. Note to the inner pocket that says "Bought in Paris...

Pair of Bohemian enamel purple glass & gilt bronze mounted vases, 19th century. Pair mid-century Bohemian glass & gilt bronze mounted vases. A four sided bulbous formed base with ...

Large Continental neoclassical gilt bronze & cut glass centerpiece tray, c1920 Large Continental neoclassical gilt bronze & cut glass centerpiece tray, circa 1920. Ornately hand c...

European cut glass and silverplate two tier dolphin formed garniture, circa 1920 Scalloped ribbed fluted glass with a figural dolphin the base stem. Unmarked, but incised "15" tow...

Large French opaline glass enameled vase attributed to baccarat, circa 1890. Fine hand painted decorations of birds and flowers surrounded by ...

Auguste Leroy & Cie France Gilt 950 silver mounted cut glass Pitcher, circa 1920. Cut glass star and fan design to the body. Gilt silver mounts with raised laurel wreath decoratio...

Circa !900 Japanese Large well shaped bronze champleve enameled vase.. Six paneled sides with Asian themed engravings on each panel.With two ringed handles. Original warm amber brow...

A large pair of Japanese Cloisonne Enamel vases attributed to Honda Yasaburo, 19th century. Finley decorated with the rich enamel colors of orange and green, these vases are desig...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...

These fine cabinet plates date from the Meiji Period (1868-1912), showing richly decorated hand painted enamelled bodies. Their central fields illustrating finely executed vignettes ...

Large Meiji Period Cloisonne Enamel Koro Japanese, late 19th Century Height 88cm, width 76cm, depth 53cm This superb cloisonne enamel koro was made during Japan's Meiji period, and ...