Satsuma Koro and Cover by Yabu Meizan

A Satsuma covered earthenware vase by Yabu Meizan, Osaka, 1853-1934, the compressed ovoid jar fitted with a cover in the manner of a tea jar decorated in polychrome enamels and gil...

A Satsuma earthenware flat shouldered ovoid vase with garlic mouth by Yabu Meizan, Osaka, 1853-1934, decorated in polychrome enamels and gilt over a cle...

A Satsuma tapering cylindrical square high-shouldered vase by Yabu Meizan, Osaka, 1853-1934, decorated in polychrome enamels and gilt over a clear, cr...

A Satsuma Earthenware covered box, by Kinkozan, Japanese, Meiji period (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with s...

A Japanese Satsuma earthenware Koro and Cover , the seal by Matsumoto, Meiji period (1868-1912), painted with a bird and flowers, all reserved on a blue ground decorated with a gilt ...

Japanese Satsuma style censer and cover Late 19th century The bulbous body supported by four feet and set with two shishi han...

A Satsuma ware miniature ewer from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who was one of the most celebrated and collectible Satsuma artists from the Meij...

A Satsuma baluster form vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsuma artists from Meiji Peri...

A small Satsuma vase from the studio of Yabu Meizan (birth name Yabu Masashichi; 1853-1934), who is one of the most celebrated and collectible Satsu...

A fine Japanese Satsuma stoneware incense burner, koro, Meiji Period, late 19th century, Japan. The koro of square shape with curved sides, supported by four shaped and splayed le...

A small and finely decorated Japanese Satsuma tripod incense burner (koro), signed Kyozan, Meiji period, circa 1900, Japan. The censer, koro, with a compressed body supported by t...

A fine and elegant Japanese Satsuma tripod incense burner, koro, with pierced metal lid, signed Eizan (?) Meiji Period, late 19th century, Japan. The koro, or censer, features a stoneware body of slightly compressed globular form, supported on three short and squat legs. The wide mouth with a recessed metal rim, and topped by an openwork metal lid topped with overlapping chrysanthemum blossoms of silver repousse. The body of the koro finely painted with fan shaped cartouches. The fans in the foreground with sprays of blossoming chrysanthemum. The fans in the background with intricate geometric brocade designs. The shoulder of the incense burner decorated with cartouches formed as stylized chrysanthemum petals, and intricately decorated with geometric and floral brocade designs. The painting finely done in raised gilt and polychrome enamels, including the highly desirable gosu blue...