Farming Rice Fields Scene Meiji Period Scroll Japan 19c Artist Suzuki Shonen

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Farming Rice Fields Scene Meiji Period Scroll Japan 19c Artist Suzuki Shonen

About the Item

Suzuki Shonen (June 14 (1848 July 14) - Taisho 7 years (1918) January 29), the activity was Taisho from Meiji Japan painter. His real name is Ken and his childhood name is Hyakutaro. The first issue is Hyakusen (both Hyakusen and Hyakusen), and it will be changed to Shonen around the age of 32. Suzuki faction of Seo Suzuki hundred years in the eldest son of, the younger brother Suzuki Hyakumidori, Suzuki million years. Also known as the first teacher of Uemura Shoen. [1] Suzuki Shonen Kyoto Higashibora Institute Nishikikoji born. He liked military talks and fights from an early age. He has been taught painting since his father's 100 years, but it is said that he hated being taught about painting. When I was young the Satsuma clan by, for example, discussing national affairs and mixed to workers, had decided to become a full-fledged painter was around past the 20-year-old. However, because his father's name did not correctly evaluate his ability, he planned a seat painting event to draw 1,000 sheets a day at Shoamiro in Maruyama at the age of 22, and succeeded in this and made his writing recognized by the people around him. Independently, he set up a painting room and residence in Todoin Kinjoru, which is behind the 100-year-old residence, and named it "Higashi Nishikiro" after the place name. I am privy to Soga Shohaku and Kishi Ganku, and learn their dynamic expressions and spirit as a painter. He also taught himself Western painting when he was 24 years old. 1875 ( 1875 days) in July, when the 28-year-old , Nagano Prefecture Iida and Yureki to, in the middle of that happens to go mountain climbing Fuji Tessai Tomioka met, that was frequently visited Tessai [2] . Around the age of 32, the picture name was changed to "Matsunen", but since it was said from ancient times that " Pine has a millennial green (Matsuju millennial green)", the pride of Matsunen who is about to exceed his father's 100 years I can see. Kyoto Prefectural Painting SchoolEdit In April 1881, he replaced Kono Bairei as a deputy teacher (professor) in charge of Kita Sect at Kyoto City University of Arts, and served until 1888 . Matsunen was brilliant and enthusiastic, and often fought with painters of the same period (described later), but on the other hand, he had a lively and familiar personality, and even when he was a professor at a painting school, the students were very well received. It was good. 1882 (1882), "the first time the Internal painting expo Sohigashi?cresponse to the exhibition and certificate of merit the diagram" "Oimatsu view", 1884 ( 1884 ), the Second Exhibition also bronze medal. In addition, he received a bronze medal for the feat prize at the "Horaiyamazu" announced at the 4th Kyoto Exhibition the following year, and exhibited it at the Japan Art Association. Kyoto painter landlordEdit At the age of 41 in 1888, he retired from Kyoto Prefectural School of Painting. At the 3rd National Industrial Exhibition in 1890, "Snowscape Shanshui" was the third prize. On the other hand in 1892 (1892) Kansai Mori , Taniguchi Shigeruyama , Kishitakedo , Mochizuki Tamaizumi formed the et al and Koharu meeting, efforts to the study of ancient painting. 1900 years (1900) Tessai and Muromachi era landlord-of Soami to look for the grave of, have visited the Anyang of Maruyama [2] . 1893 (1893) Chicago World's Fair Sell the "in the snow cold crow view", "Shunkei landscape view" to. At the 4th National Industrial Exhibition, "Gunsenzu" and "Arashiyama Harukei" were exhibited, and the latter was the third prize for feats. 1896 (1896) Japan Art Association and is formed, exhibited a "late??view" the first time the expo, receive a first-class certificate of merit. In 1899, "Akibayashi" won the bronze prize at the 7th Japan Art Institute Association 2nd Exhibition of the Japan Painting Association. 1900 years (1900) Paris ExpositionWon the bronze award for "Matsuwa Mizuko" announced at. From 1903 (Meiji 36) to the following year, "Matsunen Gafu" was published. Late yearsEdit Later, the large painting room on the shores of Gion Shirakawa was called Tsurujuken, and the emphasis was placed on the Kyoto painting platform. In the ranking table called "Dainippon Famous Painter Directory" revised in 1907, it is ranked as "total guardian" along with Imao Keinen, Hashimoto Masakuni, Mochizuki Gyokusen, Mori Kinseki and others. Shows the height of. The Shonen There is also a pious one side, Shokoku of one hundred width for Dou reconstruction of Mizuharuan Arhat the view donation and, Nittai-ji calligraphy the Rakan view of the five hundred width also is in, without taking even Junpitsu fee There is also an anecdote that he did. Furthermore, 1914 ( 1914 ) Buddhist paintings in many drawn Junpitsu fee, known by the name of Eikando Zenrinji in, the building that ESendo donated to-completion of framework, the ceiling painting son Matsu?have to draw on. He died of cerebral hemorrhage on January 29, 1918. 71 years old. The tomb is Chorakuji Temple in Higashiyama Ward, where he sleeps with his wife Tsuruei and his eldest son Matsui. The tombstone is shaped like an inkstone, and the back is engraved with an autographed Unryu map. AnecdoteEdit It seems that there is no end to the conflict with the competing painters of the same era, and especially Kono Bairei and Inu-Saru are well known. However, some people interpret this as a kind of performance to enhance their own picture name. Kishi Chikudo, who was relatively close to Matsunen, invited Matsunen to his house, saying, "I'm going to treat something unusual today," in order to maintain a relationship with Kono Bairei. When Shonen visited his house, there were Kansai Mori and Tessai Tomioka, and Kono Bairei appeared there. So Takedo is, "Shonen now in Kyoto, Takedo, and Kono?(plum) Mine," in the same era Shochikubai to is very rare to align all, if the Sho Chiku Bai is not Ikan'ya is poor intimacy Please, I want you to have a good relationship with Matsu and Ume because I will arbitrate with Bamboo. "However, Shonen refused, "The one with bad sympathy may rather become a competition." "Even if people have bad sympathy with each other, paintings will like sympathy without permission." Kansai, who was the elder of the Kyoto painter at the time, was convinced that it was good, so Takedo's arbitration failed. Also, one day when Matsunen and Kono Bairei made a seat painting, Kono Bairei's brush broke. However, when Matsunen, who was watching it, gently offered his brush, Kono Bairei got nothing. After the seating, Kono Bairei thanked Matsunen and applied for a settlement, but he refused to make a settlement because he helped each other when he was in trouble. On the other hand, there is an anecdote that when Kono Bairei died, it was Matsunen who first visited for condolences. In addition, Matsunen also restrained Imao Keinen of the same gate, saying, "If you want a Yuzen sketch, you can go to Keinen, and if you want a kakemono, I will draw it." It is said that he was just silently drawing a picture. This attitude follows the anecdote that Matsunen described in his essay [3] entitled "Long-term An Exhibition" that Kishi Ganku once deliberately criticized Maruyama Okyo 's paintings and gained attention and made a name for himself. It is also possible. Disciple and subsequent Suzuki factionEdit To disciple, the eldest son of Suzuki Matsu?, Shoen Uemura, Bakusen Tsuchida [4] , overseas heaven year , seemingly Liancheng , Niwayama park , Saito Matsushu, Matsutani Yamada, Casino Gen'yama, Yukawa MatsuDo, Kimura light years, Konishi Fukutoshi Such. Matsunen played an active part in the front line as a heavyweight of the Kyoto painter throughout his life, but the centripetal force in the painter was weak, and in the latter half of the Meiji era , the mainstream gradually shifted to Takeuchi Seiho and others under Kono Bairei . Matsukazu, who succeeded him , seemed to have studied abroad in China , India , and even France , and was hoped for the future, but he died without success just seven years after Matsunen died. None of the other disciples made a name for posterity, and the Suzuki faction rapidly lost momentum. StyleEdit As it is likened to Soga Shohaku, there are many dynamic and powerful works that use a faintly strong ink line. On the other hand, he has also studied how to use ink, and there are some works that use the technique of making ink. Perhaps because of that title , there are many works depicting pine trees, and it is not uncommon to use Otsu-e as the theme. On the other hand, there are few dark works. Many of Shonen's works are still carefully preserved in the houses of Kyoto. As opposed to the father of gentle style of painting, "in the large-hearted a style and Kenkai personality Soga??been described as a reincarnation of",??now been nicknamed. Size overall (192 cm x 52.3 cm) Silk book (106 cm x 40.9 cm).

Dimensions:
Height: 75.6 in (192 cm)Width: 20.6 in (52.3 cm)Depth: 0.04 in (1 mm)
Style:
Meiji (Of the Period)
Materials and Techniques:
Silk
Place of Origin:
Japan
Period:
Mid-19th Century
Date of Manufacture:
19th Century
Condition:
Wear consistent with age and use. Size Overall (192 cm x 52.3 cm) Silk book (106 cm x 40,9 cm).
Seller Location:
Amsterdam, NL
Reference Number:
Seller: 1330917030031stDibs: LU4863223293192