Textiles

This antique framed tile panel depicting a bird in a decorative cage, sourced from the estate of Dame Barbara Mary Quant, is quite the find. Displayed in a frame, the tiles make a be...

Step into a world of vibrant colors and intricate craftsmanship with our Uzbek Suzani Hand Embroidered Silk Wall Hanging or Bed Cover. This stunning piece is perfect for adding a tou...

Mid 20th Century Silk Chinese Embroidery ( 2'4" x 2'6" - 70 x 75 )

Made from a classic fabric from Brunschwig and Fils-Bird and Thistle is one of those designs that stands the test of time, as evidenced by its inclusion in The Winterthur Museum Coll...

Early 19th Century Silk Chinese Dragon & Clouds Embroidery 9'10" x 10' - 300 x 305

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Step into a world of vibrant colors and intricate craftsmanship with our Uzbek Suzani Hand Embroidered Silk Wall Hanging or Bed Cover. This stunning piece is perfect for adding a tou...

Introducing our exquisite new suzani hand embroidered wall hanging, a captivating piece that combines ancient craftsmanship with modern artistry. This embroidered cloth is not just a...

nr. 735 - Light and precious Turkish ADYAMAN, ancient but in excellent condition. Wool spun by hand and dyed with vegetables substances. Suitable as a bedspread or curtain, or col...

Step into a world of vibrant colors and intricate craftsmanship with our Uzbek Suzani Hand Embroidered Silk Wall Hanging or Bed Cover. This stunning piece is perfect for adding a tou...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

As part of our Japanese works of art collection we are delighted to offer this outstanding large scale Meiji Period 1868-1912 silk textile depicting a pair of peacocks within a lands...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

This Ikat textile originates from the Island of Sumba, Indonesia. It is hand-woven using naturally dyed yarns via a method passed on through generations. It features a stunning array...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

Tapestry of the 20th century in perfect condition of conservation. Negotiable price and free delivery. Dimension: 165 x 100 cm.

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Fined silk hand embroidery with floral motif in seed stitch, couching stitch with gold leaf thread, 19th century Conservation framed Overall size: 26.5" height 11.5" width Embroid...

Designed with a lively arrangement of abstract shapes and geometric patterns, this vintage textile is a celebration of color and form. The textile is a soft mohair velvet with a low ...

48” x 77" Vintage hand-crafted Suzani silk embroidery from Uzbekistan in Central Asia. The design of each panel consists of finely silk embroidered floral patterns in bright c...

Fine silk hand embroidery, floral and vases motif in seed stitches and chain stitches, excellent colors and detail, 19th century Conservation framed Overall size: 26.5 height 8" w...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

A Korean embroidered silk rank badge (Hyungbae in Korean) from late Joseon Dynasty circa the end of 19th century. The badge features a design of double leop...

Vintage hand-crafted Suzani silk embroidery from Uzbekistan in Central Asia. The design of each panel consists of finely silk embroidered floral patterns in bright colors. The br...

This is an 18th-century imperial silk Chinese textile that measures 79 x 47CM in size. This rare example has been preserved in excellent condition and has retained its dramatic satur...

A vintage Japanese silk Kuro Tomesode Kimono, circa 1950s-1980s. Kuro Tomesode is a dress for married woman for the most formal occasions, equivalent of the evening gowns in the west...

18th Century French silk bed canopy, the simple wooden frame has recently been custom made for it with new chain added, it has been attached t...

In this amazing textile, dragons with five claws are flying among the clouds and seem to be protecting a very special diamond. In the past, the dragon was a symbol of power and luck....

Vintage Chinese textile, with a finely detailed nicely dragon embroidery on red silk background. Displayed in a contemporary gold wood fram...

This antique Chinese silk military rank badge from the Kangxi period features a Xiezhi, a mythical creature known for its ability to distinguish between good and evil. The intricate ...

This master crafted Persian Lavar Kerman carpet exemplifies the profound understanding of the artistic principles of balance and harmony that make art-level antique...

A visually striking antique Uchikake Wedding Kimono/Robe for ceremonial occasion, circa end of Meiji to Taisho period 1910s-1930s. This bridal outer garment is of a bright red color ...

A rare four-piece Japanese Fireman's assemble (Shobosho uniform) woven with heavy cotton and decorated with stencil resist dye circa 1890-20s Late Meiji to Showa Period. The assemble...

Vintage hand-crafted Suzani silk embroidery from Uzbekistan in Central Asia in black cotton background and designs in silk in black, blue, green, ivory, yellow, and red. The design of each panel consists of finely silk embroidered floral patterns in bright colors. The brilliant colors of silk Suzani Embroidery bring this design to life and would be a wonderful addition to a room design and can be used as wall art, table runner. Dimensions: 23” x 144" Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Uzbekistan Material: Silk embroidery on cotton Condition: Wear consistent with age and use Table Runners, Hand-Crafted Textiles, Embroidered Textiles, Vintage Textiles, Vintage Uzbek Suzani, Antique Suzani, Antique Suzani Embroidery...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Vintage hand-crafted Suzani silk embroidery from Uzbekistan in Central Asia. The beautiful Suzani has a two large medallion pattern set on a crimson color cotton background and des...

Matthew Williamson one of the most well known fashion designer has created a tabletop and textile collection for les-Ottomans. Colors is a must in all Williamsons’ designs as well as the peacock’s references that are here declinated in several new and original patterns Matthew Williamson is an award-winning British designer renowned for his use of kaleidoscopic color, intricate patterns and designs inspired by nature and travel. A graduate from the prestigious Central Saint Martins College, Matthew Williamson showed his critically-acclaimed debut catwalk collection...

Visually striking vintage Uchikake Wedding Kimono/Robe for ceremonial occasion, circa end of Meiji to Taisho period 1910s-1930s. This bridal outer garment is of a white and red color that features elaborate and intricate embroidery in gold and red threads. Using brilliant colored and gold threads, the artisan decorated the kimono with the most auspicious symbols including flying phoenix, blooming peonies, fans, maple branches, and wisteria flowers. They form roundel motifs in a highly elaborate layout, especially striking when viewed from the back. The interior of the kimono is also padded with red fabric and weighted down at the bottom trim. The item is larger than life-size and somewhat heavy and is meant for ceremonial use only. This beautiful artisan hand-crafted piece can be displayed as wall art or on a stand as a sculpture. Dimensions: 54” x 72” Date of Manufacture: Early 20th Century Place of Origin: Japan Material: Silk and gold thread brocade embroidery on silk Condition: Good Vintage Brocade Embroidery, Asian Textiles, artisan Textiles, Japan Textiles, Embroidered Textiles, Japanese Motif Furniture, Fabric From Japan, Kimono Japan, Flower Embroider, Gold Embroidery, Silk Embroidery, , Vintage Tapestry Panels...

This exquisite Chinese table cover from the Qing period is a true work of art. Made from luxurious silk and fabric, it boasts intricate details that showcase the exceptional craftsma...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

Antique embroidered mirrored horse blanket throw used in India for the wedding ceremonies. Large antique embroidered panel with floral patter...

Vintage hand-crafted Suzani silk embroidery from Uzbekistan in Central Asia in black cotton background and designs in silk in black, blue, green, purple, yellow, and red. The design of each panel consists of finely silk embroidered floral patterns in bright colors. The brilliant colors of silk Suzani Embroidery bring this design to life and would be a wonderful addition to a room design and can be used as wall art, table runner. Dimensions: 20” x 147" Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Uzbekistan Material: Silk embroidery on cotton Condition: Wear consistent with age and use Vintage Table Runner Textiles, Hand-Crafted Textiles, Embroidered Textiles, Vintage Textiles, Vintage Uzbek Suzani, Antique Suzani, Antique Suzani Embroidery...

Vintage hand-crafted Suzani silk embroidery from Uzbekistan in Central Asia. The beautiful Suzani was created as a panel decoration for a tent. It has six large medallions set on ...

We have a unique Japanese sense of beauty. We will also introduce unique items that only we can make, purchasing routes in Japan, experience gained so far, and methods that no one el...

Vintage large Isfahan block printed cotton hand printed fabric bedspread or wall Hanging Textile or table cloth. Persian Paisley Kalamkari textile hand b...

Japanese Mingei (Folk Art) Gathering Basket This hand made gathering basket is from Northern Japan. It was most likely a gathering basket. However, it could be utilized in different applications. It closes by pulling-up on the straps, and the 30 one-inch (in diameter) metal rings closes it. The heavy straps on the backside run all through the bottom, and perhaps, it was a backpack, as the heavy straps were designed for field or farm work. It is a Folk Art item in very good condition considering its use and age. Applications and Uses: Wall Art When it was photographed, very interesting shadpws appeared The top 4 inches is an unusual design of open-work, different from the main body. Dried Materials Knitting Basket...

Designed with a lively arrangement of abstract shapes and geometric patterns, this vintage textile is a celebration of color and form. The textile is a soft mohair velvet with a low ...