Large Directoire Mahogany Jardinière by Jacob Freres

Each upholstered backrest with backscrolled top rail above an upholstered seat flanked by arm rests, raised on ring-turned legs; each stamped JACOB FRERES / RUE MESLEE on back rail, ...

The circular container carved with pearls and rinceaux and supported by an inswept strung-piaster quadripartite stand with a central finial and hung with swags raised on a conforming...

A Directoire Mahogany Bergère Attributed to Georges Jacob, its curved back and padded armrests with finely carved baluster-shaped supports raised on turned front legs and sabre back legs. With a spurious Jacob stamp to back rail. The term "Directoire" refers to a historical period following the French Revolution (1789) and preceding the First Empire when Napoleon reigned, but also to a style of furniture and decoration covering a longer period from 1789 to 1804. It is characterized by the production of furniture with simplified forms and ornaments, inspired by antique decorations. The profound social and political upheavals that marked this period had a direct impact on the production of Directoire furniture. The stripping down of furniture pieces, which had begun in the 1780s under the influence of Greek art, was accentuated during this period. The abolition of guilds by the revolutionaries also forced manufacturers in the Faubourg Saint-Antoine to simplify shapes and materials. Elegant and graceful, the furniture is generally small-scale. They retain the Louis XVI structure. The Directoire style adopts clean shapes, straight lines, simple curves, flat surfaces and right angles. Lines accentuate geometric shapes inspired by Antiquity. A typical trait is the pronounced rolled-over back, similar to a scroll illustrated in our bergere, evocative of the klismos chair. Only the more luxurious pieces of furniture use mahogany, an exotic and expensive wood. Despite his humble origins, Georges Jacob rose to become one of the most renowned menuisiers of his day. Unlike many artisans who joined their fathers or brothers in the middle-class family trade of furniture making, Jacob was from a peasant family and moved to Paris at sixteen to begin his career. He apprenticed in a joinery workshop and eventually became a master in 1765. He developed a reputation for producing inventive designs for chairs, beds, and screens carved with such motifs as twisted ribbons, guilloches, beading, and fluting. Jacob's reputation grew quickly, eventually spreading outside France; the future King George IV of England, Gustavus III of Sweden, and several German princes...

The rectangular moulded surround with a zinc liner with a pierced ormolu gallery, above a panelled frieze with a fluted edge, with later handles to the side, raised on turned taperin...

The curved pierced back with a palmette-inlaid shaped splat terminating in dolphin supports raised on an upholstered seat, on front carved joined hairy animal legs (pieds de bîches) and hoof feet and back sabre legs; stamped: JACOB FRERES RUE MESLEE under the front rail. For a similar dolphin support, see Madeleine Jarry and Pierre Devinois, Le Siège Français, pp. 267 and 271 illustration 264 for an armchair at the Musée Marmottan stamped G. Jacob and executed in 1792. Provenance: Millicent Rogers her son, Arturo Peralta Ramos II Jacob Frères was the stamp used by brothers Georges II (1768-1803) and Francois-Honore Jacob (1770-1841) from 1796 to 1803. They were sons of Georges Jacob (1739-1814), arguably the best-known chair maker who worked for aristocracy and royalty during the reign of Louis XVI. The Jacob Frères firm's most famous client was Josephine, wife of Napoleon Bonaparte. She would have most likely seen the work of their father during the revolution in a progressive aristocrat's house. She used them to decorate various Imperial residences, such as the Tuileries palace, and remained a loyal customer, using them almost exclusively, until her death. When Georges II (the elder brother) died in 1803, Georges came out of retirement to help the remaining son, Francois-Honoré (who changed his named to Jacob Desmalter) from a new partnership called Jacob Desmalter Et Cie. (stamped Jacob D. R. Meslée, on two lines), which continued to be an influential supplier for the Imperial period and is credited with helping to define the Empire style as it is known today. Millicent Rogers, born Mary Millicent Abigail Rogers, was a Standard Oil heiress, but she wasn’t a poor little rich girl...

The rectangular caned body above fluted legs joined by a stretcher centered by a flame finial. Filled with faux moss and shrubbery. Height of the planter without the plants is 32in; ...

An exceptional and most decorative French early 19th century Directoire st. Mahogany and ormolu jardiniere planter circa 1805. The planter is raised by an elegant bottom tier with fi...

French Directoire style pedestal. Pedestal has a white marble top with a steel and decorative brass frame.

This Directoire Jardiniere is narrow and long and will be wonderful under a window. Very nice and simple line, it can match with any style of furniture.

Dating to circa 1860 this stunning heavy cast iron urn of large proportions by the Corneau Charleville Foundry is in superb condition. Measures:...

Great pair of Chinese Ice chests or planters by George Zee, circa 1960s solid mahogany with dovetail finish, brass handles, and decorative faux bambo...

A Beautiful late 19th century, Victorian period, early Edwardian period large oval shaped mahogany and brass bound Monteith wine glass cooler with he...