Decorative Objects

Very rare and excellent porcelain sculpture: Kaendler created the group Apollo and Python as a triangular composition in March and May of1774. Apollo stands in the highest place as the radiant victor over the dragon Python and over the personification of envy, both of whom lie slain at his feet. To the left, Minerva sits as the goddess of prudent war, turning her gaze to the hero. Dressed in helmet and armor, she carries a spear in her right hand and an olive branch in her left, while the owl next to her right foot indicates her identity as Pallas Athena. Just like Apollo, the tsarina protected by Minerva is supposed to leave the envious behind and always triumph over evil. The group is based on stepped, irregular, yet symmetrical, partially curved base with gold raised frieze decoration and was made in two parts, which were then joined and screwed together. The design of this group belongs to the models of the 'Great Russian Order...

A charming pair of French 19th century Louis XVI st. Sèvres Porcelain and Ormolu lidded urns. The pair of urns are raised on square Ormolu bases supported by topie shaped feet. The e...

Extremely decorative full plastic depiction of a young beauty in classical style, with a bare breast, covering the bare abdomen with a large cloth held together with a shoulder strap...

German Meissen porcelain plate richly decorated with gold and hand painted floral decor.

18th Century Meissen Porcelain Figurines, Pair of Lovers. Model 571. Sitting lovers, designed by Johann Joachim Kaendler, above a base covered with plastic flowers and leaves, shep...

Large Sevres porcelain French urn or floor vase in mottled purple flambe glaze, dated 1985. With bronze mounts at the rim and between the body a...

Finest Meissen Porcelain Figurine: Posing dancer, depicting Vaclav Nijinsky as a bajazzo (or harlequin), with his upper body leaning slightly forward, standing on his right leg, slig...

Very large handled vase in baluster form in baroque style on mounted funnel-shaped stand with bead ring in relief, raised handles on the sides in the form of curled acanthus twigs, w...

A very rare Ormolu Sèvres Porcelain Gilt Bronze Candlesticks Candelabra with a hand painted scene by François Boucher. ‘P . F . Boucher’ original mark o...

Called ‘pagode’ (or pagoda) figures, these Meissen Porcelain models are based on the sculptures of deities found in pagoda temples in the Far East. Meissen began to produce these kinds of porcelain figures in the early 18th century, prompted by the demand for the Far Eastern ‘pagodes’ being imported into Europe at this time. The Meissen factory in Germany was founded in 1709 and was the first producer of true porcelain wares in Europe. The company’s main patron was Augustus II the Strong, the Elector of Saxony and King of Poland. Meissen was, and continues to be, famous for its tableware, vases, candelabra, animal sculptures and figures, like this pair, which were often graceful and light-hearted in character. These models feature the Meissen mark of the two blue crossed swords on their undersides. These porcelain models take the form of a Chinese couple...

Depiction of a young unclothed Art Nouveau girl with artfully pinned up hair with incorporated hood, a large striped cloth wrapped around her right fo...

Meissen great dane white porcelain dog. Antique white porcelain dog sculpture of a great dane beautifully modeled with original custom conforming red velvet covered base, with markin...

Extremely rare Meissen Art Nouveau porcelain figurine: Red-haired girl sitting on the ground with big hat with brim turned up in front, dressed in green bodice with gold hem, wide sk...

Exceptional Meissen porcelain group: On rock pedestal fixed with large rocailles in the foreground sitting musician with tricorn, frock coat over wide sh...

Very rare and excellent porcelain sculpture: Kändler created this group in 1772, right at the beginning of the work on the large order, as a personification of one of the two great main rivers of the vast Russian Empire, the natural waterways Volga and Dnieper, important for economy and traffic, which promised prosperity and wealth to the Empire: The Volga in the form of a river god, seated sideways on heavily relieved fully sculptured rock covered with shells and coins as well as fern and reed plants, fully bearded and crowned with laurel, wrapped in floral patterned purple loincloth. He looks pensively to the side and rests his right arm on an overturned baluster vase, from which water flows together with shells and fish, on the wall of the vase the crowned, rocaille-framed Polish-Lithuanian royal coat of arms with the coat of arms of the Electorate of Saxony. At the same time he touches with his hand an oar with gold ornamentation and crossed red swords, in his left he holds a cornucopia with plastic flowers, ears of grain and coins, symbols of fertility and wealth. The group is based on the front curved plinth with relief gold heightened meander and ribbon border. The design of this group belongs to the models of the 'Great Russian Order...

Incredible SEVRES france Art Deco porcelain cobalt blue and gold 1930.

An Exceedingly Rare 19th Century French Sevres Faux Bois Flower-Pot and Underplate, Signed with Sevres Marks. This stunning piece features a beautiful rounded rich handcrafted faux ...

A Highly Important and Rare Meissen Porcelain Cobalt Blue Ground Vase with Platinum and Gold Hand-Painted Decoration. An exquisite and fine C...

Pair of 19th C Cobalt Blue Meissen Serpent Vases in the Neo-Classical style. Boldly colored cobalt urns with white intertwined double scrolled serpent handles. Urns sits atop round gilt accented bases. Exceptional quality with Meissen crossed sword...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

Very rare Meissen Art Nouveau porcelain figurines: Two children with colorful hoops: Standing boy in sailor dress, holding the hoop with both hands behind him standing on the ground,...

The monumental J.J. Kaendler 1780’s Meissen Schneeballen porcelain lidded urn with bird mounts is an exquisite and rare piece of art that embodies the craftsmanship and beauty of the Meissen porcelain tradition. Standing tall and proud, this urn commands attention with its impressive size and intricate details. The urn is attributed to Johann Joachim Kaendler, a renowned master sculptor and modeler who worked at the Meissen factory during the 18th century. His skill and artistic vision are evident in every aspect of this stunning piece. The porcelain urn is adorned with the distinctive Schneeballen (snowball) motif, characterized by delicate porcelain flowers clustered together in the shape of a ball. Each flower is meticulously handcrafted and painted with great precision and attention to detail. The flowers create a mesmerizing visual effect, resembling a blooming snowball frozen in time. Each Schneeballen motif is accented by grenadiers of wild vines, vivid flowers and just absolutely stunning detail across every inch! Adding to the grandeur of this piece are the exquisite bird mounts that adorn the urn. These bird mounts, also made of porcelain, showcase the mastery of Meissen artisans in creating lifelike and realistic representations of nature. The birds are beautifully modeled, capturing their natural grace and elegance. Their vibrant colors and intricate feathers further enhance the overall aesthetic appeal of the urn. The lid of the urn is equally impressive, featuring a finial in the form of a majestic bird in flight. The attention to detail is remarkable, as every feather is meticulously sculpted, giving the impression of movement and capturing the essence of freedom and grace. Standing at an impressive height, this monumental urn becomes a centerpiece wherever it is displayed. Its presence exudes elegance and sophistication, making it a true collector's item and a symbol of luxury. The urn's porcelain construction adds to its allure, as Meissen porcelain is known for its exceptional quality and durability. The smooth and flawless surface of the urn reflects the expertise of Meissen artisans in achieving a perfect finish. The delicate yet sturdy nature of the porcelain ensures that this exquisite piece will stand the test of time, preserving its beauty for generations to come. The color palette used in this urn is a testament to the refined taste and artistic sensibilities of the Meissen craftsmen. Soft pastel hues, vibrant floral tones, and richly detailed bird plumage all come together to create a harmonious and visually captivating composition. The careful application of color adds depth and dimension to the porcelain, enhancing the overall aesthetic appeal of the urn. As a lidded urn, this piece not only serves as a decorative object but also has practical functionality. The lid not only protects the contents within but also adds an additional layer of elegance to the design. The seamless integration of the lid into the overall composition showcases the meticulous attention to detail and craftsmanship of the Meissen artisans. The historical significance of this piece cannot be understated. Dating back to the 18th century, it represents a golden era of Meissen porcelain production and the continuation of the artistic traditions established by the Meissen factory in the 1700's. Its rarity and the skill required to create such a masterpiece make it a highly sought-after treasure for collectors and connoisseurs of fine porcelain. In conclusion, the monumental J.J. Kaendler Meissen Schneeballen porcelain lidded urn is a breathtaking work of art. Its impressive size, intricate Schneeballen motif, lifelike bird...

Excellent Meissen porcelain group of the 19th century: Depiction of the merely cloth-covered, bearded and crowned god Hephaestus (Roman: Vulcanus) seated centrally on a rock, holding a long-handled hammer beside him and looking off to the side, surrounded by winged putti representing activities from his trade: Patronizing the entire artistic spectrum of metalworking, including the production of jewelry, weapons, sacred-ritual and profane utilitarian objects, the one helping putto to his right is busy firing a cannon made of metal, to his left another putto is forging on an anvil with the help of a hammer and tongs, in front of him, at his feet are presented ornately crafted war ornaments such as a helmet and shield, at the back a putto holds small torches in both hands. The group is based on irregular rock base with gold rim. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

Very rare and extremely decorative full-sculptural depiction of a young dancer in oriental-looking costume, bare-breasted, with long, softly falling skirt slit high at the front and ...

This is a 20th century Meissen porcelain cookie/ginger lidded jar. It depicts a barrel shaped jar hand painted white in the background and cobalt blue in the lid and bottom area. Sma...

A vintage pair of crystal vases or ice buckets with circular and square pattern marked Sevres, France on the bottom. Good vintage condition with age appropriate wear. Some scratches.

A gorgeous antique French Napoleon III period marquetry walnut oval bombe table jardiniere / bloom box / cachepot / planter with the original tin liner, circa 1860. This beautiful jardiniere is hand crafted with walnut inlaid with ebony and decorated with gilt bronze mounts, ormolu handles and pierced gallery, and hand painted Sevres porcelain floral...

" Rare Pair of Sèvres Porcelain Covered Vases, 19th Century. " Pair of important covered vases in Sèvres porcelain and chased and gilded bronze, 19th century, Napoleon III period, v...

Large Meissen Porcelain serving plate/tray with hand painted floral motives and rich gold decor.

"Cup in 19th century Sèvres porcelain, Napoleon III period." Gilt bronze and Sèvres porcelain bowl, 19th century, Napoleon III period. h: 12.5cm, w: 32.5cm, d: 27cm

A fine quality Louis XVI style bronze ormolu mantel clock. The case is made of gilt brass and bronze ormolu casted ornaments, Roman numerals in white enameled cartouches. On top of t...

Blue Serves Pair of Jeweled Vases with Gilt Paint and Turquoise embellishments throughout. Incredibly ornate with gold painted details throughout. Both vases contain genre scenes wi...

Stunning French sevres soft paste hand decorated Rich Celeste Blue Porcelain lidded Chocolate Cup of museum quality, complete with its original undertray and dome cover with a leafy ...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Mid 18th Century Meissen Porcelain Figure, Rare blue eyed Mushroom Seller "Pilzverkäufer". Model Number 864, by Johann Joachim Kaendler, circa 1747 Crossed swords mark and model n...

Excellent Rococo love group in splendid clothes in front of ornate column monument: the gallant sitting on the pedestal of the pedestal at the feet of his beloved, on his lap a basket full of flowers and a flower garland, a sign of his exuberant love, handing the beloved a bouquet of flowers, the latter plucking off the petals of a flower one after the other to find out whether he really loves her or not - a time-honored game of lovers. The group is characterized by particularly elaborate, detailed and loving design and staffage and is based on oval meadow base with gold heightened lateral frieze decoration and gold borders. A successful representation of one of the bourgeois themes that had become popular in the course of the 18th century, for example, through the paintings of Jean-Baptiste Greuze (1725 - 1805). Designed by MICHAEL VICTOR ACIER (1736 - 1799) Skilled as a sculptor in Paris, he received a call to the porcelain manufactory in Meissen in 1764, and was there, after Kaendler's death in 1775, solely responsible for the artistic interests of the manufactory. He created a large number of groups in the Watteau style...

two (2) Meissen porcelain birds (bitterns), from 1743 model by German sculptor Johann Joachim Kändler (German, 1706-1774), each on a base of re...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

A fine quality late 19th Century German, Meissen porcelain clock on stand, having wonderful bold traditional colours, the figures representing the four seasons. The clock striking on...

Meissen Porcelain Figurines, Pair of seated Musician figures. 14cm high figures, Crossed swords mark to rear of base, c1745. Both figures mounted in an 18th Century ormolu arbour ...

This antique Meissen porcelain figurine depicts two dancing figures and dates back to approximately 1815. The piece is crafted from high-quality porcelain and features intricate deta...

18th Century Meissen Porcelain, Pair of Turkish figures holding sweetmeat / table salt bowl. These sweetmeat figures were made around 1745, the original models being done by J F Eber...

A fine and proper pair with 2 seated children gracing each candelabrum - one pair facing right - the other children facing left. All are different. Exquisite quality and detail. Each...

A beautiful pair of hand-painted Charles X Sèvres porcelain vases, painted in classical blue, with fleur-de-lis on the neck, gilded handles and pearl decoration. The front scenes dep...

For sale in this ad you can find the prettiest little porcelain figurine. It was manufactured by Meissen Porcelain in the 1860s. The figurine depicts a water carrying a tray with foo...

Museum quality piece of rare art from the re known firm of Meissen, Germany. This popular cabinet item was made in the last half of the 19th century w...

Pair of very large floral Rococo-style Meissen potpourri vases German, Late 19th Century Height 89cm, width 44cm, depth 33cm These charming vases were manufactured by Meissen, Europe’s oldest porcelain manufactory. Each feature impressive floral and figurative design representational of the best of German porcelain wares. The pieces are topped by richly ornamented lids. Surmounted by extensively applied three-dimensional flowers and greenery, the designs create the illusion of a real flower bouquet. Below the flower bunch, the porcelain base is revealed. Decorated with rocaille motifs and coloured in pale blue, pink and shining gold, the pierced detailing enables the easy diffusion of potpourri scent. Rococo style genre scenes adorn the baluster-shaped body of each vase. Set in a woodland, the intricate paintings portray figures dressed in typical 18th century garments. On the second vase, a couple is joined by a lady in a reclined position holding a basket full of flowers. A pair of twin pale blue rocaille-shaped handles are mounted on both sides of the vases. Richly decorated with butterflies, roses, carnations and sweet peas, the design is completed with delicate floral composition on the white porcelain ground. Below the handles, a brown-haired winged putto is seen reaching towards the front. The bright blue cloth covering parts of his body stands out against his soft, pale skin. The base of the vases is shaped with further rocaille forms, the detailing highlighted in gilt. A large female figure, in a similar position to the putto, reaches forward holding a basket of flowers. The flower types are identical to the larger mounts on other parts of the vases, demonstrating the makers' exquisite skill to make intricate porcelain details in various forms, shapes and sizes while maintaining their real-life appearance. Both vases stand on porcelain stands, supported on four scrolled feet. Each is decorated with yellow, orange, blue, cream, red and purple flowers. The sides are painted with Rococo style genre scenes and floral bouquets. The pieces are marked with the blue crossed sword mark and incised ‘B.C’. Including both naturalistic and figurative ornaments, these stunning Meissen porcelain potpourri vases...

Pair of antique German Meissen porcelain vases designed by August Leuteritz, decorated with snake handles, cobalt blue color and gold. Meisse...

Excellent Meissen porcelain group of the 19th century: Depiction of a bearded old man with angel wings, covered only with a cloth, sitting in the middle of a mountain of clouds, probably Chronos from Greek mythology, symbolizing the passage of life and reminding us that time flies, holding a long staff (usually with sickle) in his hand, surrounded by winged putti, representing activities on and with air: To the right of the old man a standing putto with waving cloth, embracing a peacock, the bird of paradise and symbol of heaven, and breathing into a tube forming a soap bubble, in the foreground wind is produced with the help of a bellows, to the left of and behind Chronos two putti with garlands of flowers and a little bird in their hands. The group is based on an earth pedestal with piled up clouds and gold rim. Designer: MICHAEL VICTOR ACIER (1736 Versailles - 1799 Dresden) Trained as a sculptor in Paris, he received a call to the porcelain factory in Meissen in 1762: he created a large number of groups in the Watteau style...

A pair of large, excellently crafted allegories - Day & Night in the form of two slender female figures celebrating femininity: The figure representing the Day dressed in fresh, spr...

A charming little sterling silver-lidded porcelain box, possibly used for snoring snuff, or for general trinkets. The silver top is decorated in Louis XVI style, and bears the Minerv...

Very rare and excellent Meissen porcelain group around 1900: Juno, the Roman goddess of the air (Greek Hera), as a young woman with her hair pinned up, covered only with a cloth, si...

A fine old or antique Sevres type porcelain vase. With rich gilding and handpainted flower baskets & ribbons throughout. Marked to the based with a blue Sevres type interlaced...

Porcelain Meissen cockatoo from 18th century. The Meissen porcelain factory has gained a reputation for its production of exquisite, high-quality por...

This is a Meissen Porcelain figure group of a shepherdess and a soldier. It depicts this pastoral scene of this romantic couple, she is seated in the grass with a letter in her hand ...

Lovely biscuit porcelain bust of a young girl, named Louise Brongniart. The bust is marked on the back with 'Houdon' and the Sevres mark. Biscuit por...

Very rare Commedia dell'Arte figure group from the 19th century: Harlequin and Columbine with child dancing in a circle: Harlequin in green jacket with golden buttons and white ruff...

For sale in this ad you can find the sweetest little porcelain figurine. It was manufactured by Meissen Porcelain in the 1860s. The figurine depicts a little gardener working away in...