Carved Decorative Bowls

1960s Rosewood sculptural bowl in the style of American woodcarver Emil “Emilan” Milan. A beautiful example of classic mid-century design, in excellent condition. Width: 24.5 in /...

Primitive hand carved wooden dough bowl with tab handles. Dimensions: 4 3/4" H x 34" L x 12 1/4" W Condition: heavily worn, marks, pits, all of which serv...

Beautiful hand carved Hungarian dough bowl, early 1900s. The bowl is made of fruitwood. In good condition. As with all vintage items there will be signs of wear and tear from use ove...

A beautiful and minimal 1930s French Art Deco alabaster centrepiece, consisting of carved alabaster forming a pedestal bowl. Raised reeding is stacked, ringing the top of the bowl an...

With its original patina, this wonderful Art Nouveau pewter basket by Kayderzinn is a piece of art that would be a beautiful addition to many decor designs. Either as a catch all, a ...

Beautifully patinaed hand-carved wooden bowl, made in the Netherlands. Natural crystals in varying shapes and sizes elevate this simple piece.

Embrace the rustic charm and storied history of this hand-carved primitive wood bowl. Crafted with care by skilled artisans of the past, its weathered appearance bears witness to a l...

An extra large onyx bowl with banded stripes of grey and white. This one of a kind organically oval decorative vessel is meticulously hand-carved...

An elegant oblong white/clear onyx bowl with a small amount of pale rust/earth tone veining. This one of a kind decorative vessel is meticulously hand-carved from a single piece of o...

A primitive hand-carved "Molle" or wooden crate from the south of Germany. The word Molle is the old-german word for trough or the act of hollowing out an...

Modern footed stoneware bowl. Finished with a soft, white glaze. Karina Vieira is a Brooklyn-based ceramicist focusing on handbuilt vessels. Her work references various styles...

Todd Merrill Studio has represented artist John Procario since 2016. Having grown up around his carpenter father’s workshop, Procario entered the world of art and design with a well defined love of woodworking and a distinct vision inspired by his reverence for the material’s possibilities and limitations. Starting with his Freeform Series, and later translating and taking inspiration from this series to develop new works, Procario has continued to produce elegant, contemporary, and minimalistic designs that capture its audiences emotionally through sensation and observation. ? While studying sculpture in graduate school, Procario developed a unique aesthetic that began with the notion of wood as metaphor for the human body. “I would describe my work as having a heartbeat,” says Procario. “Each one has so much personality. As you move around them, the forms appear to shift and change. Just as we push the limits of our bones and muscles, I enjoy pushing the limits of wood to create a sense of strain in the material’s gesture,” Procario further elaborates. By pushing the limit of breakage, Procario creates a sense of strain in the otherwise fluid gestures of his works. Conceptually, this reveals beauty to be the product of stress. ? This evocation of the human form found throughout his Freeform Series can also be found in his recent furniture...

Scandinavian Modern Sakari Pykälä a Unique Handcarved Larchwood Boatshaped Dish A handcarved, large larchwood boatshaped dish. Made by the Finnish sculptor Sakari Pykälä, most likel...

A large teak wood bowl from Indonesia in a dark finish. Hand-carved from a single piece of solid wood, the natural shapes and forms of the wood have been preserved to give this bowl ...

Crystal bowl with silver and coral decorative elements Eliseo Mangili (1890-1977) Milan, circa 1940 It measures 4.8 in high x Ø 8.26 in; foot Ø 4.33 in (12.2 x Ø 21 cm; Ø foot 11 cm) 5.51 lb (2.55 kg) The rounded bowl narrows and rests on a flared foot with a polygonal section in blue crystal. The bowl itself is crafted in transparent crystal and continues the polygonal motif. The base of the bowl is decorated with a series of engraved blue arches which somewhat overlap creating a corolla and with five vertical cusps of the same colour. The rim is accented with a triple cut line around the entire circumference. A silver band representing a currant branch wraps the “waist” where the foot joins the bowl with currants made of orange coral. The bowl features the following marks along the silver band which defines its narrowing towards the foot. These help us date the work: 1) a lozenge with the abbreviation of the province (MI); Roman fasces; the number 08. This was the mark in force after the promulgation of the law of 5 February 1934 n. 305, which provided for the use of a uniform mark for the identification of the silversmith and of the province. In this case it is the Milanese smith Eliseo Mangili during the period 1935-1944. 2) 800 without a border. Title in thousandths of silver. Eliseo Mangili was one of the most talented goldsmiths flanking Alfredo Ravasco...

Extraordinary modernist item by Swedish Tilgmans Keramik. Fully glazed centerpiece or wall decoration depicting a green faced woman with long stemmed yellow and blue flowers on a striped dark blue background created with the sgraffito technique. Manufactured in 1957 by German/Swedish Paul Harald Tilgman in his workshop in a small town close to Gothenburg in Sweden. Blue patterned glaze on the sides and muted blue leaves on the milky white glazed base. Signed and dated on base. A rare and unique piece in beautiful condition! Sweden, 1957. About Tilgmans Keramik: Paul Harald “Harry” Tilgmann was born in Dresden, Germany in 1904 and emigrated to Sweden during WWII where he started Tilgmans Keramik (= Ceramics) in 1948 in the small town of Utbynäs close to Gothenburg. Tilgman had 16 employees working for him and when he hired the Polish refugee Marian Zawadzki (1912-1978) as artistic director in 1953, Tilgman Keramik started experimenting with the distinct sgraffito technique. The sgraffito technique consists of carving fine lines into the background of a design through a light coloured glaze down to a dark grey clay slip. This created a unique textured ground which has become a style associated with Tilgmans Keramik in particular. The decorative elements also appear to be outlined with a carved line and then hand painted with overglazes where birds, fish, flowers, butterflies and other animals were a common theme. This type of work was the most popular in Mid Century Sweden alongside Tilgmans small animal figurines...