1870s Figurative Sculptures

Classic icon from the last century. Once used in every household, now its cherished for its simplicity and beauty. Cast in it's lid is the ancient symbol of Rome, She wolf with her b...

A bronze portrait bust of a young aristocratic Parisian woman by Vincent-Desire Faure de Brousse, Titled "Raphaella", the woman is depicted in a lavish blouse with lace trim adorned with a lobed broach and jeweled crown headpiece...

American bronze figural sea mariner bracing in wind against a rope piling and mounted to an oval molded edge base. Late 19th century.

Minton Majolica figure which features a Hogarth boy, sat on a rock, holding a shell. Coloration: turquoise, green, brown, are predominant. The piece bears maker's marks for the Minto...

This is a superb antique Grand Tour patinated bronze figure of Narcissus, dating from the last quarter of the 19th Century. Narcissus was a hunter in Greek mythology and he was di...

An unusually large example of a scarce form of decoration. The vase is bronzed and gilded, in imitation of Japanese bronzes of the period.    

Meissen most lovely Gardener couple clad in Rococo garments. Size: Height 17.5 cm (= 6.88 inches) Width of base 12.8 cm (= 5.03 inches) Depth of base 10.0 cm (= 3.93 inches) Manufactory: Meissen Hallmarked: Blue Meissen Sword Mark (underglazed) First quality  Model number B 28 / painter's number 31 / former's number 144 Dating: Made circa 1870 (Meissen Sword Mark with Pommels on Hilts) Material: Porcelain, glossy finish, multicolored painted Technique: Handmade porcelain Style: Rococo, designed by Michael Victor ACIER (1736-1799) / modelled 1766-68 Specifications: Meissen Gardener...

Meissen gorgeous figurine group: Cherubs personifying Allegory of Geometry The details are stunningly sculptured = finest modelling! Design: Michel Victor Acier (1736-1799) / mo...

In the form of a man in a barrel.

The sculpture depicts an elderly peasant, standing to his full height with reins in his hands; behind him in a sleigh are his son and grandson, who drives the horses with a whip. Dressed in typical peasant clothes, all three have very expressive faces. The entire composition of this outstanding silver sculpture, including the original marble base are executed with such high skill that one could imagine the steam pouring out of the horses’ nostrils in the frosty air; and hear the sound of crisp snow under their hooves. The troika gallops at full speed, leaving behind clear traces of horseshoes on the virgin snow. Notes: There are intact little bell on the yoke of a central horse, and an original detachable hallmarked whip. The original, intricately executed marble base is an integral part of the whole composition. The sculpture was never cleaned or polished, and has an original patina. Markings: Fully hallmarked with maker's marks IS (for Ignaty Sazikov...

19th century Italian hand-carved and painted cherub presents a charming, colorful and adorable rendering of a young winged cherub, holding a spiral torchere in one hand that can be u...

Carved pine artist model, 16 inches tall, France, circa 1875. Finely carved from pine, with original finish, unique features and wonderful patina.

After the antique “Piping Faun” now in the Louvre Museum; the result of it being bought by Napoleon from the Borghese collection. The "Piping Faun" is...

A magnificent and quite large, Baroque style, Museum quality, antique Meissen Porcelain grouping of Apollo, the Sun God's, Sun Chariot with his Putti Servant, originally designed by Johann Joachim Kändler in 1772-1773 for Czarina Katharina, Better known as Catherine the great...

Meissen lovely figurines of stunning appearance: Cherubs presented as allegory of spring (= seasons' group of figurines) Model 2502 Measures: height 6.89 inches (17.5 cm) widt...

Meissen gorgeous figurine group: Cherubs as Wine Growers The details are stunningly sculptured = finest modelling! Design: Michel Victor Acier (1736-1799) / model C 60 created 1...

Antique and rare Royal Copenhagen sculpture in biscuit. Sculpture after Thorvaldsen, circa 1870. In very good condition. Stamped. Measures: 31.5 x 12 cm. 1st factory quality.

Inscribed Gaudez (1845-1902). On a rotating circular plinth.

Antique and rare Bing & Grondahl sculpture in biscuit. Sculpture of pharisee after Thorvaldsen, circa 1870. In very good condition. Stamped. Measures: 29.5 x 14 cm. 1st factory q...

A beautifully crafted Black Forest hand carved walnut hunting presentation cup, the basket weave bowl supported by the figure of a gentleman hunter l...

A magnificent and large carved Italian Carrara marble grouping of "Psyche Revived by Cupid’s Kiss", Modeled After Antonio Canova, signed Cesare Lapini. The subjects are shown to be m...

A finely cast 19th century Grand Tour figure of a Diana.

Boy in a seated pose with an open book on his lap. On a rotating circular plinth. With this model, Gaudez (d.1902) recreates a well-known incident in the life of an upholsterer's app...

Meissen lovely pair of children season's rococo figurines - The Fall: Girl and boy with wine grapes, both supporting themselves on marble column Ma...

Pair of French bronze Figural Groups of the grape eaters and the flute lesson, circa 1875 Based on the engraved designs by Francois Boucher (1703-1770), "Les Mangeurs de Raisins" ...

We are delighted to offer for sale this stunning pair of very rare original Victorian bronze busts of a man and women in period dress, circa 1870. A sublime pair in exquisite condition for the age, they are solid bronze busts...

English Staffordshire figure of Napoleon, circa 1875. With a traditional pose.

A large patinated bronze sculpture "Salome" by Charles Octave Levy . Modeled in the orientalist style holding a sword in her hands, standing on a shaped plinth. Beautifully cast and ...

Pair of 19th century French patinated bronze models of the Marly Horses.

A pair of Egyptian Revival caryatids in carved wood with pharaonic attributes. Possibly originally part of a mantel or furniture piece. Good original condition; slight chip to one no...

Alabaster, 19th century, woman with a flute beside the fountain, bronze flute. Measures: H 78 cm, L Basic: 30 cm x 23 cm.

Double patina bronze buste on marble base.

A pair of sphinxes in black glass. Little is known of this Manchester glassworks, but they had a very successful line in neoclassical pieces of which these are a fine example.  

American cast iron Napoleon doorstop standing on a three-tiered step back squared plinth, Late 19th century.

Russian cast iron equestrian sculpture of a Cossack soldier Russian, 1872 Height 38cm, width 37cm, depth 14cm This fine Russian equestrian cast iron...

Bronze sculpture of a child blowing a kiss, signed A. Lefebvre, entitled "Bonjour."

A beautiful antique bronze statue depicting Aphrodite / Venus, a goddess from classical antiquity. This bronze statue dates from circa 1870 and was made in France. The statue is not ...

A patinated bronze sculpture by John Willis Good (1845-1878) depicting an English countryside Fox hunting scene. A saddled horse dutifully standing as...

"Poésie" a 19th century French Polychromed Symbolist marble sculpture A Carrare, Sienna and very rare Skyros Marbles Symbolist Sculpture Group. Figuring Poetry under the appearance of Dante and Béatrice resting on a rock, Dante holding in his hand a parchment titled "Poetry". It rests on a Neo-Renaissance moulded and hand-carved walnut rotating sellette, the barrel consists of three fluted Corinthian columns, decorated with foliage at the base, resting on a truncated column decorated with female masks connected by a drape. It’s joined, in the upper part, by arcatures with a background of foliated foliage and masks of women crowned alternately with cutout RT monogram. Moulded triangular base, with curved sides and rising from lobed angles with a frieze of oves at the base. Circa 1870 Measures: Sculpture: H. 75 CM • 29 1/2 IN. Sellette: H. 112 CM W. 44 CM - D. 49 CM H 44 1/8 IN. W 17 3/8 IN. D 19 1/4 IN. The poetry of Dante Alighieri (1265-1321) Beatrice Portinari, simply known as Beatrice or Beatrix, commonly refers to the muse of Dante Alighieri, whom he glorifies and loves. But she is also a woman whom, if one follows the New Life, Dante loved from his childhood, and to whom he dedicated a place in all his works. More sensitive than all is the resolute amplification which, after the pathetic force and expressionist intensity of Hell, intensifies with the more elegiac and penetrating emotion of Purgatory and leads to the miraculous triumph of the imaginary in Paradise. Of the three «hymns», it is Hell which is the most known, the most popular one can say: the taste of the picturesque, spread by the romantic criticism, is much to it. Dante, however, had the conviction, repeatedly affirmed in his poem, that by rising from one kingdom to another, he raised his poetry each time by a level which made it worthy of an ever more «high» matter. At a distance of six and a half centuries, there is certainly no obligation to share this view, however assured it may be for the poet. Anyone, however, who wants to enter the world of the Comedy must refuse the scale, eliminatory in its consequences of fact, which puts such a section above the other or brings the Comedy to a rosary of episodes more or less «beautiful» Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti...