Extremely Large Victorian 5 Gallon Hammered Brass Copper Milk Jug / Pitcher

A Rare and Highly Attractive Late 17th/Early 18th Century Delft Jug with Loop Handle. Circa 1690-1710 The body painted in a naive manner with medallions of ...

A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...

A fine and rare 18th century George III silver-gilt vase by Daniel Smith and Robert Sharp, London 1770. Based on a design by the Italian printmaker Stefano della Bella (1610-1664). The design was adapted by the architect Robert Adam (1728-1792). The overall form of the vase and some of the ornaments, such as the drapery swags, figural masks and acanthus leaves on the body, are based on a design by the Italian printmaker Stefano della Bella (1610-1664). He produced about 1,400 prints during his lifetime which were very influential, particularly a series of designs for vases in Raccolta di Vasi Diversi, published between 1639 and 1648. The design was adapted by the architect Robert Adam (1728-1792), whose drawing, now in Sir John Soane's Museum in London and was copied by the highly-fashionable silversmithing partnership Daniel Smith and Robert Sharp. Daniel Smith and Robert Sharp’s partnership ran from 1763-1788. They supplied high-quality silver and silver gilt in the Neo-classical style to the most fashionable retailers and clients, including the Prince Regent. They were the principal manufacturers of a series of magnificent race cups, one of which was designed by the architect Robert Adam (1728-1792) and another is in the Royal collection Robert Adam (1728-1792) was arguably the most famous eighteenth century British architect and designer, whose remarkable career in partnership with his brothers James and William has been thoroughly documented elsewhere and whose major commissions can still be seen at Harewood House...

The cross-grain moulded and feather banded book-matched top sits above two short and three long feather-banded drawers, each book-matched, lined in oak and framed to the carcass with a double-D cross-grain moulding, raised on what is known as the ball and bracket foot. The chest comes from a small group of pieces to bear the ball and bracket foot and perhaps most famously, by Coxed and Woster...

A charming late 19th century French engraved miniature oval carriage clock with original travelling case. The petite miniature oval gilt brass ...

Case The clock has a gilt-brass case which is a variation on the gorge case in that the top and bottom are ribbed, which adds to its elegance. It has bevelled glass windows on all sides so that the movement is almost entirely visible. The gilt brass platform escapement can be seen through a large rectangular window at the top. The clock is surmounted by a typically shaped carrying handle. At the back is a door giving access to the winding arbors. Movement The high-quality spring-driven eight-day movement is constructed between plates. It consists of going and striking trains, as well as alarm. The going train has an English lever...

Enormous late 18th to early 19th century Georgian copper 5 gallon haystack jug or pitcher, massive tapered body with a large handle. Copper haystack measures...

A superb large early 19th century French hand-hammered copper pitcher or jug. This gorgeous jug is solid and heavy weighing over 11 lbs, hand forged with copper rivets, dovetail seam...

Large Victorian Copper Jug 12 Quartz Hollow Copper Rivited Handle with Braize seam at back, LeadCheck seal Stamped VR 12 Quartz Diameter Base:37cm Good Original Condition Recent Pol...

For Flowers, umbrellas, walking sticks, large in size, brass handles, spout and neck Circa: 1890 Material: Brass and Copper Country of Origin: France Measurements: 55cm high, 45c...

Outstanding 19th century copper and brass vessel of large proportions, having brass collar and substantial brass handles with bat or dragon win...

19th century Turkish dovetailed copper footed jug / pitcher / ewer with curved handle, brass medallion finial and hinged lid, held on with a more modern looking S hook. Originally ...