Pair of Large Sculptural Perforated Ceramic Vases

Unique studio pottery vase with double neck sculpted by M Fisher, Germany. Sculptural elongated Studio Pottery vases with with double neck is made on the turn...

Hand formed elongated studio pottery vases in angular form with sharp incisions made in limited edition, signed by Dutch H. Naus. Each vase is slightly different and in different gl...

Pair of contemporary Dutch Studio pottery vases with marbled decoration in original clay colors with earth tones by Hans Naus, signed H.N. '07 no....

Sculptural vase is built up from slabs of colored clay formed by layers decorated in Memphis style pattern, Dutch unknown artist, 1980's. The decoration is created by inlay of colore...

Organic free form vessel with lid by Willem Schalling. This vessel is glazed in deep blue, with an over glaze in chalk white aplied in vertical strikes. Schalling made a number of un...

Large ball shape sculptural Studio Pottery vase created on the turning wheel by highly technical skilled Dutch ceramist Piet Knepper in the 1980's. The glaze in tones of grey is crea...

A monumental shaped ceramic vase in various beautiful colors and patterns. Measures: Height 43 cm.

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...

A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.

Large-scale Hand-Built Glazed Ceramic Sculpture, entitled 'Cup & Saucer' by Brooklyn-based artist and ceramicist Jaye Kim. This generously oversized cup and saucer is scaled up for maximum impact, and glazed in a glossy mix of exuberant teal and vibrant cobalt blue that emphasizes the drippy textured surface with a subtle sheen that catches the light. This work is composed of two separate pieces: the cup, and the saucer upon which it neatly sits. The cup can function as a vessel for an enormous bunch of flowers, a cachepot for a plant, or stand alone as a decorative object. With its monumental proportions, this piece brings a mega-size sense of whimsy to any setting. Artist Information: Jaye Kim is a Korean-American artist living and working in Brooklyn, NY. Her ceramic work is an exploration of her interior world regarding the symbolism and rituals of motherhood. Depicting the mundane objects Kim interacts with daily in ginormous scale, from cups and saucers to skin care face masks and cabbages, the ordinary is transformed into the interpersonal. In her oversized hand built vessels, surface details derived from her coiling and pinching emerge to tell a story about our everyday domestic objects, highlighted by delicate lustres and stunning, saturated glaze work. Jaye Kim is a graduated of the School of Visual Arts, where she studied animation. Her work has been shown at Egg Collective...

Hand-built, glazed stoneware vase form. Signed and dated on underside.

Glazed ceramic. Hand built, large-scale vase. Light blue glazed interior and textured exterior. Artist-signed on underside.