Late 19th Century Vases

A very rare small Japanese enamel and probably Silver vase. The vase has an amphora shaped body and a fluted neck. The ware is enameled with a polychrome image of wisteria blossoming...

A high quality antique Japanese late Meiji period enamel over brass vase. The vase has an amphora shaped body and a fluted neck. The ware is enam...

5441 William De Morgan Double Lustre Vase with Two Angular Handles decorated with Two Winged Dragons with A Background of Palmettes Restoration to Handle and Neck Circa 1880s 30cm hi...

Incorporate beautiful colors into your home with this elegant pair of antique ceramic trumpet vases. Crafted In Normandy circa 1899, each vessel is ornate in decoration yet simple in...

In good condition From a private collection

This elegant and well adorned Porcelain Vase signed A. Stowell Boston originates from Austria, Circa 1880. Featuring a rounded body with a lovely gilded stylized scroll form handle a...

A fine quality Japanese Imperial Satsuma vase, having wonderful hand painted classical decoration of motifs, mythical Dragon handles to either side and an inset panel depicting bloss...

A pair of hand blown and hand painted white opaline vases, France, Circa 1870' The vases, 15 inches tall with floral and leaf decoration with round pedestal bases.

A wonderfully decorative Japanese Meiji period (1868-1912) patinated bronze and mixed metal vase. Depicting a bird of pray on a perch, an Elephant with a gilded saddle and carrying a...

A beautiful Bohemian transparent/clear, red burgundy and gold gilt glass vase or beaker vessel, circa late-19th century, Czechoslovakia. Vessel is at...

An unusual and stylish Doulton Lambeth Art Pottery vase decorated with ivy and winged feet by highly renowned artist Jane S Hurst dated 1880. The stoneware vas...

Model #3425 Highly stylized vase with grape vine motif and secessionist handles. Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Tu...

Pair of crater vases in the classicist style with figural scenes on the wall and square plinth. The vases are also decorated with acanthus leaves on the belly and on the rim. The sid...

This handblown crystal vase was made by Webb, England and features cranberry overlay, cut to clear in the iconic Art Nouveau water lily motif. T...

American Art Nouveau aquamarine blue glass vase. Medium chunky blown vase with broad flared neck and canted vase in a deep aquamarine blue; with...

Pair of finest quality Japanese Palace size Meiji period satsuma vases hand painted and Enameled with Cranes and various birds and flowers.

Pair of large 19 century french Louis XVI Sevres style cobalt blue ormolu mounted porcelain vases with finely painted idyllic scenes of the country...

Pair of French Victorian parian porcelain vases of hand holding nautilus shaped shell (priced as pair).  

Bring colors to your mantel with this pair of antique Majolica vases with fruit motifs. Crafted in Southern France, circa 1880, this ceramic composition is a Classic example of barbo...

A gorgeous Chinese monochrome red flambé glazed bottle vase, called a tianqiuping, Qing Dynasty, late 19th century. The voluptuous body o...

Late 19th Century Large Red French Severs Painted Porcelain Trumpet Vase This amazing Severs Porcelain Vase in red exudes an opulent and striking presence. The vase is crafted from fine porcelain, and its trumpet-shaped body is beautifully coated in a rich, deep shade of red. This bold color choice makes a bold statement, drawing attention to the vase’s exquisite form and detailing. The intricate hand-painted designs, often rendered in contrasting colors like gold or white, stand out vividly against the red backdrop, creating a visually stunning and luxurious appearance. Such a red Sevres...

Antique handmade Middle Eastern triangular ceramic tea bottle with hand painted colorful decor and clear glaze. Green and blue colored organic floral de...

Highly impressive Pair of Moser style Bohemian Amber heavy gauge hand cut crystal and etched glass Wine or Water Drinking Goblets Glasses of museum quality, third quarter of the Nineteenth Century, possibly earlier. Condition: Superb condition with nice rich amber colours, both with polished pontil underneath. A very small loss to base edge of one, see image. These pieces are typically unmarked. Height: (just over) 6” (15.25cm). Diameter: (of top rim) 4” (10.25cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping offered. Bohemia is well known for crystal, in large part because of certain minerals found only in Bohemia, now the Czech Republic. The casing is two crystals melted together, then cut. They set the stage for crystal making and cutting, and I think you may have that backwards, they taught the rest of Europe how to make and cut glass. Moser and Murano, Moser being Bohemian and Murano being Itallion, have always been very competitive. Murano boosted that they still make alot of glass beads etc by hand and that Moser uses...

Pair of spelter and marble vases, these vases have a classic baluster shape, the top portion with serpentine shaped handles on each side, the upper body with raised foliate design ,...

An impressive pair of Napoleon III porcelain vases, hand painted with large flower heads on a celadon green background. The painting on th...

Pair French 19th century bronze-mounted Sevres style porcelain urns in the Louis XV/XVI style with finely painted cartouches depicting courting lovers and floral bouquets.

Rare Baccarat type crystal glass framed with finest ormolu bronze mountings of foliage at base and stylized griffons as handles. Note an unusual asymmetric design to central vase. Th...

A pair of large Meiji period Satsuma Rouleau vases Japanese, Late 19th Century Height 54.5cm, diameter 24cm These beautiful Satsuma-ware vases were made ...

Tuscan RED MARBLE CUP late 19th Century Italy Base diameter 15cm. HEIGHT 21 cm DIAMETER 41 cm WIDTH 41 cm excellent storage conditions

Model #3540 Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about...

An antique Japanese late Meiji era enamel metal vase. The amphora shaped vase with a narrow fluted neck. The vase is adorned with a polychrome image of a dragon made in the Cloisonn...

An antique Japanese, late Meiji period, enamel over brass vase. The vase has an amphora shaped body and a narrow fluted neck. The ware is enameled with a polychrome image of a bird i...

This 19th century blue and white porcelain vase is a classical Chinese vase. The vase features hand painted intricate traditional chinese floral and landscapes in shades of blue on a...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

Late Qing Dynasty (1644-1911/12) – Late 19th/Early 20th C. - Ca. 1910 18” high x 8.5" D Fine Condition (Exquisite work of art made during the Qing Dynasty which was known for its ...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

Extremely rare pair of Gu-shaped turquoise enamelled ceramic vases, carried by elephants and resting on an openwork base ending in four flared feet. Some lack of enamel otherwise ver...

The large cobalt blue wine vessel with nice handle and beautiful decoration of flowers. The cobalt blue and painting quality are amazing to my humble opinion. A high quality and unus...

An outstanding French 19th century gilt brass card tray and with an inserted, etched and cut crystal bud vase, attributed to Ferdinand Barbedienne. From the Napoleon Ill period, hav...

A large antique Japanese copper vase with cloisonne enamel design. Barrel shape. Floral ornaments and central butterfly motif against the turquoise blue background. Late 19th Century...

Rare 3 Piece Set of Antique Meiji Japanese Cloisonne Enamel Silver Wire Vases with Wisteria and Birds antique Japanese copper vases with silver wire cloisonne...

Bring colors to your mantel with this pair of antique Majolica vases with fruit motifs. Crafted in Southern France, circa 1880, this ceramic composition is a Classic example of barbo...

Pair of 19th century/2nd Empire bronze decorative amphorae by Ferdinand Barbedienne By: Ferdinand Barbedienne Material: bronze, metal, copper Technique: forged, gilt, metalwork, mol...

Circa 1860-80 pair of Imari covered jars, Japanese. The lids with finial tops, decorated with phoenix birds & flowers. The jars decorated with large ...

Offering this HOLY GRAIL, decorated Louis Comfort Tiffany Art Nouveau Favrile vase in multi-green and metallic decoration in an UNIQUE "wave"...

Fine Daum Partial Gilt, Enameled and Acid-Etched Glass “Au Gui L'an Neuf” Bowl with Silver Mount, circa 1895. Art Nouveau Vase Parlant. Marks: Daum, (Cross of Lorraine), Nancy Heig...

Circa 1890-1900, by Baccarat, Paris, France. Period fin-de-siècle Baccarat glass at its cameo-cut, etched, gilded, and enameled best! This superb pair of vases display the height of...

Auguste Delaherche ( French. 1857 - 1940 ) four handled stoneware vase with flambe crystalline glaze. France with makers Stamped. Circa 1898. Auguste Delaherche - Historic - Jason Jacques Gallery...

Dating back to the 1890s, this exquisite pair of Iznik vases epitomizes the timeless allure of Turkish pottery. Adorned with the iconic cobalt and turquoise...

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

A pair of large high quality Japanese enamel over brass vases The sphere shaped vases are covered with polychrome enamel medallions depicting sparrows in blossoming flowers, and Phoe...

Pair of French marble and gilt bronze vases by Henry Dasson French, 1890 Height 44cm, width 21cm, depth 18cm In 1890, the renowned French artisan Henry Dasson (1825-1896) crafted th...

A wonderful little Vienna style porcelain vase. With an oval picture depicting two cherubs at play with raised gold designs, fluted neck and lion paw feet standing on a round base.

An antique Japanese, late Meiji period, enamel over brass vase. The vase has an amphora shaped body and a tall narrow neck. The ware is enameled with a polychrome image of wisteria b...

A high quality antique Japanese, late Meiji period, enamel over brass bud vase. The vase has an amphora shaped body and a narrow fluted neck. The...

A beautiful Celadon vase from Thailand, late 19th Century. While the golden age of Thai ceramics ended around the 15-16th Centuries, Thai artisans transmitted the craft through generations, later producing smaller numbers of pieces with different clays and glazing techniques, inspired by the original Celadon masters of Places like Si-Satchanalai or Sawankalokh. This vase is beautifully preserved, measuring approximately 5 inches in diameter and 9.5 inches high. Its crackled finish and beautiful jade-green color...

Thomas Webb (English, 1804-1869) diminutive chartreuse cameo glass vase decorated with rope twist neck and poppies in white on green. Dimensions: 3" H x 3" diameter. Dealer: S138XX

Finest Bohemian Art Nouveau Glass Vase: Mould blown baluster shaped vase on flush stand, bulbous body with attached conical flared neck, three handles set on the side of the mouth r...