Midcentury Large Delft Rembrandt Van Rijn Self Portrait Plate

19th century French faience charger or plate with Gien mark.

This antique charger is signed by an unknown maker, but presumed to have originated from the Netherlands and date to approximately 1750 and done in the period Delftware style. This e...

This set of antique oyster or seafood plates are signed by an unknown maker, and presumed to have originated from France and date to approximately 1880 and done in the period Victori...

Studio Pottery Mid-Century Modern plate by Theo and Susan Harlander of Brooklin Pottery, Brooklin, Ontario. This bowl was designed with a whimsical cu...

This very large and very colorful Italian Majolica centrepiece bowl was made between 1900 and 1920 in the Renaissance Revival style. The sides show hand painted blue peacocks surroun...

This large antique pitcher is unsigned, but presumed to have originated from England and date to approximately 1920 and done in a Victorian style...

Two polychrome lightning plates Delft, 1700-1730 The Peacock pottery Mark: D(P)AW 9 The dish has a small flange and is painted in polychrome with the...

The dish has a wide, slightly raised rim and is painted in blue in the centre with a Dutch water landscape within a polygonal yellow band. The well and border are painted in polychro...

Blue and purple chinoiserie dish Delft, circa 1680 Dimensions: diameter 39 cm / 15.35 in. Caption: VIII to the back Provenance: The Robert G. Vater collection The dish has a wid...

Blue and purple chinoiserie dish Delft, circa 1680 Dimensions: diameter 35,4 cm / 13.58 in. The dish has a wide, spreading flange and is painted with a chinoiserie decor in blue an...

Blue and white plate with deer in a landscape Delft, circa 1700 The plate has a narrow, flat flange and is painted in blue with a landscape with four deer between trees. Birds fly ...

The blue and white dish has a wide-spreading flange and is painted in the centre with two Chinese figures on a terrace by a pavilion in an oriental garden landscape. A third Chinese is visible in the background. The scene is framed in an octagon. The well and flange are divided into four wide and four narrow panels. The wide panels also feature oriental garden landscapes with one or two Chinese figures. The smaller panels are decorated with a stylised double flower. The outer rim is blue.  The Victoria & Albert Museum in London has a similar, somewhat smaller dish . Several dishes with oriental landscapes and similar panelled borders can be found in a German private collection (Hebben & Peters, pp. 76-77), but instead of stylised flowers in the border, a floral scroll is applied here. The decoration is inspired by Chinese porcelain from the transitional period at the end of the Ming and the start of the Qing dynasty. The porcelain of the last Ming emperor Chongzhen (reigned 1628-1644), the first Qing emperor...