Elegant Entertaining - Group of Modern Tableware
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Elegant Entertaining - Group of Modern Tableware
About the Item
- Creator:Fornasetti (Designer),Tommi Parzinger (Designer)
- Dimensions:Height: 2 in (5.08 cm)Diameter: 8 in (20.32 cm)
- Sold As:Set of 36
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950's
- Condition:Wear consistent with age and use. Very good original condition with wonderful original patina. Minor surface scratches and wear. See individual condition notes in description.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU87181033234
Fornasetti
The Italian artist, illustrator and furniture maker Piero Fornasetti was one of the wittiest and most imaginative design talents of the 20th century. He crafted an inimitable decorative style from a personal vocabulary of images that included birds, butterflies, hot-air balloons, architecture and — most frequently, and in some 500 variations — an enigmatic woman’s face based on that of the 19th-century opera singer Lina Cavalieri. Fornasetti used transfer prints of these images, rendered in the style of engravings, to decorate an endless variety of furnishings and housewares that ranged from chairs, tables and desks to dinner plates, lamps and umbrella stands. His work is archly clever, often surreal and always fun.
Fornasetti was born in Milan, the son of an accountant, and he lived his entire life in the city. He showed artistic talent as a child and enrolled at Milan’s Brera Academy of Fine Art in 1930, but was expelled after two years for consistently failing to follow his professors’ orders. A group of his hand-painted silk scarves, displayed in the 1933 Triennale di Milano, caught the eye of the architect and designer Gio Ponti, who, in the 1940s, became Fornasetti’s collaborator and patron. Beginning in the early 1950s, they created a striking a series of desks, bureaus and secretaries that pair Ponti’s signature angular forms with Fornasetti’s decorative motifs — lighthearted arrangements of flowers and birds on some pieces, austere architectural imagery on others. The two worked together on numerous commissions for interiors, though their greatest project has been lost: the first-class lounges and restaurants of the luxury ocean liner Andrea Doria, which sank in 1956.
Fornasetti furnishings occupy an unusual and compelling niche in the decorative arts: they are odd yet pack a serious punch. They act, essentially, as functional sculpture. A large Fornasetti piece such as a cabinet or a desk can change the character of an entire room; his smaller works have the aesthetic power of a vase of flowers, providing a bright and alluring decorative note. The chimerical, fish-nor-fowl nature of Fornasetti’s work may be its greatest strength. It stands on its own. Bringing the Fornasetti look into the future is Barnaba Fornasetti, who took the reins of the company after his father's death.
Tommi Parzinger
German furniture designer Tommi Parzinger brought high-style modernism to the forefront. Taking a vivid, stylized approach to mid-century furniture, many of his works feature boldly colored lacquers and offbeat finishes that make his pieces stand out among the works of his peers. Despite his uniquely progressive vision, Parzinger showed equal expertise in producing fine, traditional furnishings.
Born in Munich, Parzinger moved to New York City in 1932. He began his practice in the United States by designing for the Manhattan style trailblazer Rena Rosenthal. In 1939, he established his first company, which split its focus between handcrafted silver household items — such as tea sets and barware — and home furnishings, like dining tables and cabinets. In his first year in business, Parzinger exhibited several pieces of furniture at the 1939 New York World’s Fair.
A master craftsman, Parzinger sought out the most exceptional materials for his furniture, employing the finest woods — like mahogany and walnut — as well as including custom brass hardware and pewter inlays.
His silver works presented an elevated level of style and grace. A November 1939 article in LIFE magazine described Parzinger as “the most creative original designer of silverware in the United States.”
While he was still running his own business — creating 12 to 30 new designs each year — Charak Furniture Company appointed Parzinger as its head of modern furniture design. He modernized Charak’s design approach from a more traditional form to a mid-century modern style.
In the mid-1960s, Parzinger stopped designing furniture, turning his company over to his friend Donald Cameron. He shifted his attention to paintings, which he created until his death in 1981.
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