Early 19th Century Carved and Turned Coconut Urn

Unusual Swedish 19th Century turned burl birch "dummy" keg, having turned rings imitating willow bands, bone inlaid roundel and stopper and brass carrying rings, the whole turned fro...

A fine mid 19th century English turned Lignum Vitae communal open salt. The striking grain on this treen vessel shows the beauty of this timber and the great ability of the turner, ...

19th century Dutch blue and white delft vase with foliage and pheasant decoration having an elongated neck and graceful, elegant form.

Good mid 19th Century turned wall mounted salt box, fashioned with alternating bands of sycamore and mahogany and having good crisp turned details and an exceptional patinated surfac...

English 19th Century turned Lignum Vitae string box of "pillar box" form, the ring turned lid with threaded interior over cylindrical base similarly threaded and turned from a single...

Good and nicely patinated hand carved burl bowl of charming uneven dimensions, Swedish, circa 1810, with good oxidation and rustic "make do" repairs.

Grand Tour urn, of bronze, with a gilt and patented finish showing natural wear, having a column-snape urn-form; its down-turned bezel over its body, de...

Early tile chestnut urns with worn decoration. These make perfect pieces for a mantle.

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...

Early 19th century empire toleware decorative urn circa 1830. Rare decorative urn that would have been used for incense or pot pourri. Original blac...

A large pair of early 19th century bronze campana-shaped urns, having flower moulded and beaded rims, above scrolled carrying handles and acanthus decoration below, raised on fluted ...

Early 19th century French Charles X bronze doré classical urn on a stair stepped griotte marble base. Finely cast.