Pende-Style Antelope Mask

Light masks like these represented the spirit of an ancestor and were used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong, e...

After oxen were introduced to Guinea Bissau by Portuguese sailors in the 15th century, its strength, aggression, and nobility quickly became integrated i...

Attributed to the Yoruba people of western Nigeria, this wooden headdress was worn during a masquerade known as egungun. A widespread Yoruba ritual, egungun performances honor a comm...

This helmet mask created by the Mende people of Sierra Leone was made for the women of their tribe to wear while dancing. Commissioned by women for their ...

During their five hundred year history in the Southern Congo, the Basuku tribe developed a series of intricate rituals built around their skilled mask makers. This particular example was most likely carved in the likeness of a deceased chieftain. The artisan intentionally pronounced the eyes, cheeks, and chin to provide a terrifying test for young men as they underwent their rites for manhood. The Basuku's spiritual expressions inspired early 20th century western painters...

To relieve stress and uplift their Community, the Baule people of modern-day Côte d'Ivoire engage in a daylong masquerade known as the Mblo. A series of dances that escalate in compl...

Mid-20th century black dance mask, Guerrero, Mexico A nice old mask from Guererro, Mexico, used in the Tlacololero Dance of the Tlactapa and probably fr...

Early 20th century zoomorphic African ceremonial mask or puppet head sculpture attributed to the tribes people of Burkina Faso. This meticulously crafted wooden African mask or head ...

"Mid century carved African Nefana Bedu plank mask sculpture. This wooden plank mask is large and geometrical in form. It was worn over the face with its extremities towering way above the head. The lower part of the mask is spade-shaped and pierced at the center with three holes to allow the wearer to see out and with a third hole for the mouth. Its crest is surmounted by a large circular horn or disk. This group of masks are known as Bedu by the Nafana people who make and use them for ritual use. Measure: 74" Such plank masks are among the largest masks in Africa. The form of the Bedu mask...

A very decorative fertility mask by the Baule tribe, associated with the Akan people who live both in Ghana and in the Ivory Coast. The sides with three...

Ditto potters with Antonio Bonamico. The ceramic masks of Seminara are ostentatious and grotesque, with deliberately frightening features to scare away ...

In Greek mythology, the name CARIDDI (Charybdis in English) belonged to a monster that lived in the sea between Calabria and Sicily and destroyed ships by swallowing them up and spitting them back out, generating dangerous whirlpools in the water. This myth is reinterpreted in the form of a mask, which inverts the traditional convex surface to create a concave volume inspired by the underwater world. The mask invites the gaze into the blue depths of its smooth interior, where an uncanny protrusion emerges in the shape of a nose, a signature motif in Giovanni De Francesco’s artistic production. Each nose-island is different from the others; every mask has a unique beauty accentuated by imperfections, smudges, and uncontrollable colors, invoking the unpredictability of fear. This perception overturns the ferocious symbolism of the legendary monster, rewriting CARIDDI as a welcoming narrative. The artist’s explorations of fear, danger, and the unknown become particularly poignant when placed in the recent historical context of Calabria and the Mediterranean Sea. In the exceptional conditions of the present moment, when hundreds of millions of people are spending more time at home than ever before in living memory, the homeware brand TRAME wants to share the inspiring and supportive influences of these Mediterranean ritual objects with the entire world. The masks, whether the traditional forms or the contemporary design interpretations, reveal a sense of both timelessness and contemporaneity in their aspirational evocation of a social life with more serenity and less fear. Details: - Dimension: approximately 28 H x 22 W x 8 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted CARIDDI Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...