Gae Aulenti Quadrifoglio Ceiling Light, Guzzini, 1970s

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980–86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.

After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.

Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble Jumbo coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura.

Each work has a marvelous sculptural presence. Pieces such as her Pipistrello table lamp and Quadrifoglio pendant are a perfect marriage of organically shaped glass and high-tech fixtures. Others have a futuristic elegance — and some even have a touch of personality. Aulenti’s Pileino and La Ruspa table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.

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Guzzini is often mistakenly thought to be the name of a lighting designer active in the 1960s and 1970s. But in fact the label belongs to a lighting manufacturing company that was founded by six Guzzini brothers — Raimondo, Giovanni, Virgilio, Giuseppe, Adolfo and Giannunzio, who were inspired by the 1950 film Harvey starring James Stewart.

Compounding the historical record even further, it seems that the Guzzini company rebranded many times in the 20th century, going by, at various points, Harvey Creazioni, Harvey Guzzini, Guzzini, iGuzzini and Illuminazione Guzzini. Harvey Creazioni was originally founded in 1959 in Recanati (on the east-central coast of Italy) by Raimondo, focusing on the production of copper-plated decorative objects. Four years later, in June 1963, the six brothers joined together and established Harvey Creazioni di Guzzini, expanding production to include pendant lighting, sconces, table lamps and floor lamps.

The brothers employed architect-designer Luigi Massoni — who was introduced to the Guzzini brothers by leading plastic importer Maurizio Adreani — as head of design, branding, public relations and advertising. Famous Harvey Guzzini designs include Massoni and Luciano Buttura's Mushroom table lamp (1965) as well as the in-house designed Arc floor lamp (1968), Faro table lamp (1970) and Toledo table lamp (1973). Studio 6G, an interning design team, developed the collectible Clan table lamp (1968); and designers Ermanno Lampa and Sergio Brazzoli were responsible for the Nastro series (1970), Orione pendant (1970), Sirio table lamp (1970), Alba floor lamp (1973), Albanella table lamp (1973) and Alf series (1976). Around 1976, Harvey Guzzini ceased the production of copper-plated items to concentrate on lighting made almost exclusively from methacrylate plastic (acrylic). The company also dabbled in furniture production, collaborating with Yugoslavian furniture producer Meblo, located in Nova Gorica in present-day Slovenia.

In 1967–68, the company exhibited at Domus: Formes Italiennes in the Galeries Lafayette in Paris under the name Design House (DH), where the company featured Gio Ponti’s Media lamp. A retail outlet was opened in central Milan under the name Harvey Guzzini-DH in 1969, situated literally and figuratively among the best known Italian design houses. In 1974, the company rebranded once more as iGuzzini, adding Illuminazione in 1981, which still exists today with headquarters in Recanati, Italy.

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