Academia Qui Es-Tu by Edited by Axel Vervoordt, 1st Ed

Scultura III Tomasso by Brothers Fine Art. Published by Paul Holberton Publishing Ltd, United Kingdom, 2010. 1st Ed hardcover with dust jacket. 80 pages. The Tomasso Brothers...

Fire by Dale Chihuly. Published by Chihuly Workshop, 2006. Stated 1st Limited Ed, 1/10000, hardcover with dust jacket. 75 pp. From Baskets and Seaform to Chandeliers and Towers, this...

Thomas Bewick: Graphic Worlds by Nigel Tattersfield. British Museum Press, 2014. 1st Ed paperback. Thomas Bewick (1753-1828) was the foremost wood engrav...

Louise Bourgeois: Stitches in Time by Frances Morris. Published by AugustProjects; Et Al, Dublin, 2003. 1st Ed hardcover no dust jacket as issued. Published in conjunction with a tra...

The Gernsheim Collection, Edited by Roy Flukinger. University of Texas Press, Sep 1, 2010. One of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world's earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. It includes some 35,000 major and representative photographs from the 19th and 20th c; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early photographic equipment. Its encyclopedic scope—as well as the expertise and taste with which the Gernsheims built the collection—makes the Gernsheim Collection one of the world's premier resources for the study and appreciation of the development of photography. Published to coincide with a landmark exhibition staged by the Harry Ransom Center at the University of Texas at Austin, which owns the collection, this book presents masterpieces of the collection, along with lesser-known images of great historical significance. Arranged in chronological order, this selection effectively constitutes a visual history of photography from its beginnings to the mid-20th c. Each full-page image is accompanied by an extensive annotation in which Roy Flukinger describes the photograph's place in the evolution of photography and also within the Gernsheim Collection. Flukinger also provides an enlightening introduction in which he traces the Gernsheims' passionate careers as collectors and pioneering historians of photography, showing how their untiring efforts significantly contributed to the acceptance of photography as a fine art and as a field worthy of intellectual inquiry. Appreciations of the Gernsheim Collection by Alison Nordström and Mark Haworth...

John Storrs: Machine-Age Modernist by Debra Bricker Balken. Boston Athenaeum, 2010. 1st Ed hardcover with dust jacket. 104pp with numerous B&W and color plates. Published to accompan...

A rare bronze brooch St Eloi by Parisian art jeweler Line Vautrin ((French, 1913–1997) circa 1946. Brilliantly designed in the shape of horseshoe with the saint spreading his arms ho...

Italian Santos of St. Thomas. 26" H - on pedestal. Well crafted, Italian religious piece. 19th century Measures: 26" x 8" x 8". Family Owned & Operated Cisco’s Gallery deals in the...

Intending to enhance the "Tudo Isto É" collection, Malabar designers conceived the Azulejo V Portuguese Guitar showing, in a relaxed way, a magnifice...

Excellent late 19th Century French bronze figure of a walking stag with beautiful autumnal, green. black. brown and orange patination and excellent hand finished surface detail on an oval naturalistic base with integral stepped plinth, signed Barye and inscribed F Barbedienne Fondeur ADDITIONAL INFORMATION Measures: Height: 19 cm Width: 22 cm Condition: Excellent Original Condition Circa: 1870 Foundry: F Barbedienne Materials: Bronze Book Ref Barye by Michel Poletti & Alain Richarme ABOUT Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

Early 19th century wooden statue of St Jerome, circa 1800. South Europe.

The Azulejo II Portuguese guitar is a tribute to the artistic expression of a nation. The history of the people is transcribed to the original cerami...