"Memoirs of Richard Nixon" Two-Volume Set, Easton Press Edition, 1988

Nixon, Richard. The Memoirs of Richard Nixon. New York: Grosset & Dunlap, 1978. First Edition. Signed and inscribed on a pasted down bookplate. In original dust jacket and boards. Pr...

Sheridan, Philip Henry. Personal Memoirs of P.H. Sheridan, General United States Army. New York: Charles L. Webster & Company, 1888. First Edition. Two Volumes. Rebound in green quar...

Sherman, William T. Memoirs of General W. T. Sherman, Written By Himself. New York: D. Appleton and Company, 1875. First edition. In two volumes. Rebound in quarter blue leather and cloth boards, with raised bands, gilt tooling, and gilt titles to the spine, new marbled endpapers. New custom archival cloth slipcase with Sherman portrait inlay. Presented is a first edition printing of The Memoirs of General W. T. Sherman. This two volume book set was published by D. Appleton and Company, in New York, in 1875. It is presented here, rebound in striking quarter blue leather and cloth boards, with raised bands, gilt tooling, and gilt titles to the spine, new marbled endpapers, and a custom archival cloth slipcase to fit both books. Ten years after the end of the Civil War, Sherman became the first General to publish his memoirs of that period. He began writing his account in 1872 and the two volumes were published by D. Appleton and Company in the spring of 1875. According to the publisher’s prospectus, the two volume set was originally offered in four different bindings, including fine blue cloth, green cloth, full sheepskin, and half blue moroccan leath. Sherman explains his motivations for writing in the preface of Volume I: “Nearly ten years have passed since the close of the civil war in America, and yet no satisfactory history thereof is accessible to the public;…. What is now offered is not designed as a history of the war, or even as a complete account of all the incidents in which the writer bore a part, but merely his recollection of events, corrected by a reference to his own memoranda, which may assist the future historian when he comes to describe the whole, and account for the motives and reasons which influenced some of the actors in the grand drama of war.” His two volume account touches briefly on his early life, including his time at West Point, his life in and out of the army in Florida, California, New York, Kansas, and Louisiana. Yet the bulk of the writing is focused on the Civil War. “Written with the propulsive energy and intelligence that marked his campaigns” his memoir provides firsthand accounts of Shiloh, Vicksburg, Chattanooga, the infamous Atlanta campaign, and his march to the sea through Georgia and the Carolinas. The memoir describes striking incidents and anecdotes and collects dozens of his incisive and often outspoken wartime orders and reports. Throughout it all, Sherman is quite frank in describing the rights and wrongs of the campaigns he saw, writing without much concern for the feelings or experiences of others. This complex self-portrait of an innovative and relentless American general provides for a vivid read and an exceptional Civil War account. CONDITION: Good condition. First edition. In two volumes. Beautifully restored and rebound. Quarter blue leather and cloth boards, with raised bands, gilt tooling, and gilt titles to the spine, new marbled endpapers. Paper is okay to good, with toning as to be expected. Scattered spots and smudges. Inscribed twice by previous owner, inscription on the top of the Note page of Vol I and on the full title page of Vol II. Large "Military Map...

Grant, Ulysses S., Personal Memoirs of U.S. Grant. New York: Charles L. Webster and Co., 1885-1886. Two volume set. Octavo, beautifully rebound in quarter green leather and cloth boa...

Lincoln, Abraham and Stephen A. Douglas. Political Debates Between Hon. Abraham Lincoln and Hon. Stephen A. Douglas, In the Celebrated Campaign of 1858, in Illinois, Including the Preceding Speeches of Each, at Chicago, Springfield, Etc.; Also, the Two Great Speeches of Mr. Lincoln in Ohio, in 1859. Cleveland: The Burrows Brothers Company, 1894. Limited edition printing, No. 168 of 750. Presented in ¼ leather and cloth binding, with gilt titles and raised bands to spine, with a new archival cloth slipcase. This is a special limited edition printing of the political debates of Lincoln and Stephen Douglas...

Roberts, Cokie. Founding Mothers: The Women Who Raised A Nation. Norwalk: The Easton Press, 2004. Signed, Limited Edition of 1500. Octavo. In the publishe...

13 Star American parade flag in an extremely rare design, with “protection to home industries” slogan on a fanciful, scrolling streamer, made for the 1888 presidential campaign of Benjamin Harrison; formerly in the collection of Richard pierce. 1888 Benjamin Harrison campaign flag, printed on cotton, with 13 large stars in a 3-2-3-2-3 pattern, upon which a whimsical, scrolling streamer is superimposed that features the slogan: “Protection to Home Industries.” There are numerous styles of both documented and undocumented, red, white, and blue bandanas and handkerchiefs, made for Harrison’s campaign in this year, as well as from the subsequent one, in 1892. Most bear variations of text to support the “Protection for American Industries” platform of the Republican Party. America was in the midst of the industrial age and there was a great deal of public interest, both in protecting growth and discouraging both imported goods and immigration. The constant stream of immigrants posed great challenges for a working families, competing for scarce jobs, in work environments that were already often far from ideal. In post-Civil War America, many of the working men were Civil War veterans. Bandanas abound from Harrison’s Campaigns, but flags do not. This example, along with three others, were once part of an 1888 patriotic quilt that was disassembled by a dealer and sold piecemeal to collectors. I eventually acquired all four. Fifteen to twenty years ago, these were the only four known copies. A couple of others have since surfaced, but the total count known still stands closer to 5 than 10. The use of 13 stars is seen in the flags of various candidates in the 19th century. Among these are Abraham Lincoln (1860 campaign), Henry Clay (1844 campaign), John Fremont (1856), and Benjamin Harrison’s grandfather, William Henry Harrison...

Rare, large scale Kerchief with a beautifully engraved image of John Trumbull’s “declaration of independence,” likely made in...

This wonderful piece of New York City history is over 150 years old. It depicts 86th street and above. It was lithographed by WC Rogers and company. It was made to show what was the Battle of Harlem during the Revolutionary war...

HAND-PAINTED PATRIOTIC BANNER WITH THE SEAL OF THE STATE OF OREGON AND GREAT FOLK QUALITIES, 1861-1876: Swallowtail format, patriotic vertical banne...

HAND-PAINTED PATRIOTIC BANNER WITH THE SEAL OF THE STATE OF ILLINOIS AND GREAT FOLK QUALITIES PROBABLY MADE FOR THE 1868 DEMOCRAT NATIONAL CONVENTION...

COLORADO STATE FLAG OF EXCEPTIONAL QUALITY, MADE OF SILK, CIRCA 1911-1920’s, EXTRAORDINARILY RARE IN THIS PERIOD AND THE EARLIEST EXAMPLE THAT I HAVE EVER ENCOUNTERED Early state flags are few and far between. While I am asked for them constantly, most states did not actually have official flags until the 20th century. On May 6th, 1911, Colorado became among the last to adopt a design. The project of doing so was spearheaded by the Denver Chapter of the Daughters of the American Revolution. The bill was introduced by Senator W.H. Sharply and adopted by the Eighteenth General Assembly. The artwork was the product of A.C. [Andrew Carlisle] Carson, President of the Ohio Society of Colorado. The meanings behind the elements in the design are as follows: The large letter "C" stands for Colorado and simultaneously for the Centennial State (Colorado entered the Union in 1876, the year in which our nation celebrated its 100th anniversary of independence), as well as the Columbine State (reflecting the state flower). The red color is included due to the fact that the word Colorado translates to scarlet or red in Spanish. The circle represents the sun, while the gold color symbolizes all-the-year sunshine, Colorado’s status as the greatest gold state, and one Columbine color. It was also included so that the Colorado state flag would have one more color than the U.S. flag. The color white reflects Colorado’s status as the greatest silver state, its eternal mountain snow, and one Columbine color. Lastly, the shade of Yale blue symbolizes all-the-year blue sky and one Columbine Color. Members of the D.A.R. were proud to note that this was also their color. Made sometime between the initial year of the adoption of this design and the 1920’s, this particular flag is the earliest Colorado example that I have ever encountered. The blue and white bars, red “C,” and golden circle are a’’ made of silk taffeta. This was a costly fabric, reserved for the best material a flag-maker produced. The flag is constructed in the manner of a battle flag, to be carried on foot. Squarish in its overall profile, silk was the fabric of choice for flags employed in this function, due to the fact that it was light weight, and thus practical for hand-carrying, while simultaneously formal in appearance, appropriate for the sort of ceremonial use that military presentation often demands. The style of the hoist is also typical for field or parade use. Here the fabric was rolled over to form an open sleeve, through which a wooden staff could be inserted. The sleeve is lined on the interior with black cotton. Leather tabs, at the top and bottom, fit over metal posts on the staff, designed to accept them, to fix the flag in its proper position. The bars were pieced and joined with lineal machine stitching. The hoist and fly ends were finished and hemmed by the same method. The devices are double-appliquéd (applied to both sides) with a machine buttonhole / blanket stitch. Though machines that produced buttonholes were, remarkably, available alongside the earliest standard machines, in the 1850’s and 60’s, the use of this sort of stitch in a running format, for appliqué work, remained highly unusual, even as late as the first half of the twentieth century, probably because it used a ton of thread when compared to the zigzag or satin stitch. It could be expected to appear more often in the hands of a maker of very fine flags, that employed embroidery machines and commissioned custom, fancy work of all sorts. Though unsigned—in no way uncommon in early examples, which were seldom signed—that is precisely the sort of firm that produced the Colorado flag...