Paint Collectible Jewelry

Mid-Century Modern pink and white Mineral Rock ashtray, catchall, vide poche or bowl made in Italy. Raw Rock Crystal hand carved in a geometric shape. Great as Ring Dish or Key Bowl...

This antique hand-painted porcelain cabinet plate was made by the renowned KPM porcelain factory of Germany in approximately 1880. The center of the plate features a depiction of the...

19th century Russian princess with tiara and elaborate jewelry portrait miniature This young woman is wearing elaborate jewelry and a golden tiara....

Fine American 18th century portrait miniature of a gentleman, of a distinguished gentleman in a blue coat, with white silk scarf, measures 2" wide x 2.5" high. Framed in a later (19th Century) elaborate carved giltwood oval frame...

Japanese 19th century miniature lacquer chest with waterfall. Late Edo to early Meiji period lacquer chest (mid to late 19th century) with two characters on the front reading Nuno an...

French Colonial rosewood armoire with inlaid Mother of Pearl. Two large doors with two drawers near bottom.

19th century mahogany and inlaid display cabinet, the shaped cornice above an inlaid frieze, two glazed doors below opening to reveal two glass shelves inside, the bottom of each doo...

This silver and enamel cigarette case is hallmarked by an unknown maker and is presumed to have been made in Austria in approximately 1920. The case is composed of .800 silver and ha...

A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...

Symbolic and meaningful work of religious art with original label on the back. Framed oil on wooden panel, Madonna and child, after Italian Nicolo Barabino (1833-1891). The original...

Antique Gem-Size Tintype Portraits Miniature Leather Album 1860-1870. Antique and very rare leather-bound tintype photo album. Superb miniature, very we...

A scarce French Provincial Louis XV (1715-1774) / Louis XVI (1774-1792) Period mixed wood religious oratory (prie-dieu / altar) Hand-crafted in France in the 18th century, with later 19th century elements, likely originating in the south of France / Mediterranean region, featuring pegged solid wooden construction of warm, rich fruitwood, chesnut, oak, and maple. Having a slant-front bureau with tall raised back decorated with three Renaissance Revival style high relief panels, the center depicting religious scene comprising Jesus and winged Saint, the side panels with foliate floral fruit pendant carvings, flanked by classical turned baluster-form columns, surmounted with highly stylized hand carved and turned finials. Over a slant-front with star parquetry, the hinged drop-front opens to reveal a distressed leather writing desk / lectern / pulpit on which the holy books can be laid open and allows to shelter the books, which were considered precious goods at that time. The lower sacristy cabinet has a pair of slide-out supports flanking a paneled cupboard door decorated with a large stepped base Christian cross parquetry inlay, affixed with later decorative forged iron faux escutcheon overtop. The door opening with key to a single fixed shelf on which holy items...