South American Collectible Jewelry

Offered is a handcrafted amethyst and iridescent sweet-water pearl choker created by the Argentine gemologist and jeweler, Mariana Lopez Osorio. It measures 16" in length from chai...

A very rare and exquisite table-top amethyst formation. The long fromation preserves a prominent golden calcite crystal on a bed of deep purple amethyst and is particularly sculptura...

Free Form "Forma Livre" style, Brazil, circa 1970s, segmented rectangular panels choker form yellow gold necklace with baton and plaque drops fringe and tab insert clasp, set with ten (10) free-form carved polished aquamarines, necklace measures 15'' in length, stamped "Burle Marx 750 INDBRAS GB 791," total weigh 4.890 troy oz. This exquisite Burle Marx 18 Karat Gold Free Form Aquamarine Necklace, crafted in the early 60s, emanates timeless elegance. Originating from Burle Marx's personal collection until the early 80s, this rare piece, now available for purchase, showcases unparalleled craftsmanship.Unlikely to be replicated in the future. As a testament to its extraordinary status, this necklace is deemed a Museum Piece, embodying the artistic mastery of Burle Marx, a renowned jewelry designer whose clientele included luminaries like Cicely Tyson, Madame Ferragamo, and Placido Domingo...

Pair of 14 Karat gold hanging earrings set with a "campo del cielo" meteorites, Each earring is slightly different from the other giving you a one-of-a-kind jewelry. Campo del Cielo ...

A bespoken sterling silver chocker necklace very bold design by Graziella Laffi, Lima, Peru, circa 1970s. The chocker features six subtly hammered roundels radiating into a trio of Axe-shaped fixed pendants, with two smaller ones flanking a large central one. The shape of the axe was often found in the Pre-Columbian art. As a bronze age tool, it symbolizes power. The necklace is not chain link but cast and joined as a solid chocker with box clasp mechanism. The design radiates a sense of history with the primitive tribal geometry in form, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernistic aesthetic. The drop of the necklace on the mannequin (not included) is 11". It has an approximate 16" circumference and weighs 320 grams (10.3 troy ounces). It was tested as 900 purity with XRF analyzer. There is a Peruvian Cultural Ministry label applied and a catalog sticker on verso as shown. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A highly sculptural sterling silver necklace by Peruvian silversmith and designer Grazielle Laffi (1923-2009), Lima, circa 1970. Marks to ne...

A wide leather belt with large sterling silver buckle crafted by Graziella Laffi, Lima, Peru, circa 1960-70s. The bespoken sculptural silver buckle features a biomorphic motif rooted in pre-Columbian culture. Marked: PERU, 950. The buck measures 5.75 x 5 x 2 inches and weighs about 126 grams (4.0511 troy ounces). The detachable belt consists of two parts is adjustable from approximately 33 inches to 36 inches. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A vintage Peruvian silver crown with three colored crystals in green, red and pink. Peru marked silver. The interior for head is 3" diameter.

This bracelet or wrist band is signed by an unknown maker, but originated from Peru and dates to approximately 1960 and done in an Indigenous Inca style. Th...

A large vintage silver crown. From Peru with silver stamped maker's mark and silver 925. Interior circle is six inches in diameter.

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Mid-Century Modern sterling bracelet, Designed by Antonio Belgiorno, Italian / Argentine, 1950s Out Diameter is 7.5 cm (around 3"), interior diameter is 5.5 cm ( a little larger tha...

A bespoken jewelry set including a necklace and a pair of clip-on earrings crafted by Graziella Laffi, Lima, Peru, circa 1970. The suite features linked square of green hardstone (appears to be a jade color granite or marble) set in the sterling frames with hanging long tubes of tassels. The design of the work was bold and confidently modern while also clearly inspired by Peruvian indigenous culture which imprinted famously in the artist's work. Marks to each: G. Laffi, PERU, 925. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A wide leather belt with sterling silver buckle and matching ornaments crafted by Graziella Laffi, Lima, Peru, circa 1965. The prominent silver articles feature the shape and motif rooted in pre-Columbian culture that inspired the artist's work. Mark on verso: PERU 950, extended size is 47 x 3 inches (119.4 x 7.6 cm) and weight is about 428 grams. Belt length adjustable between 27 to 38 inches. This lot with partially effaced Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A stunning choker style necklace in sterling silver by Graziella Laffi (1926-2009) Lima, Peru, circa 1960s. The bold necklace showcases an oversized plate...

Fine and detailed craftsmanship is put into this set consisting of a Peruvian panel bracelet and matching necklace. Both pieces are fully hallmarked and dating from the 1970s. The pa...

Pair of birds with some denting, and heavy patinations, normal tarnishing to dark tarnishing and black staining. Joaquin Humberto Tinta Figueroa (1934- ) The original taller was ...

Brazilian rose quartz and silver pendant in the form of a fist. Significant size and weight for a pendant.

Mid-Century Modern silver bracelet attributed to Antonio Belgiorno. Made in Argentina. 1950s Fabulous modernist design in geometrical link form. Silver purity 900 Dimensions: 7.75...