Copper Engraving with a View on the Volga River in Russia, 1714

Antique print titled 'Nouveau Mexico'. Copper engraving with a panoramic view of Mexico city. This print originates from 'Histoire générale des voyages, ou nouvelle collection de...

Title: "The Station used by the great Mandaryns Staetsie der groote Mandarijns / The Station used by the great Mandaryns Staetsie der groote Mandarijns. 1665. The richly illustrat...

Antique map Myanmar (Birma) titled 'Les Royaumes de Pegu et d'Aracan'. Rare map of Pegu and Arakan made after a map engraved by Pieter van den Keere and published in the 1628 edi...

Description: Antique print titled 'Nouveau Mexico'. Copper engraving with a panoramic view of Mexico city. Source unknown, to be determined. Artists and Engravers: Engraved af...

This is an original antique print of the city of Kom in Egypt.

Description: Antique print titled 'Habillemens des Kamtchadals'. Copper engraving of Kamchadal men. This print originates from volume 19 of 'Histoire generale des voyages (..)' by Antoine Francois Prevost d'Exile. Artists and Engravers: Published by Panckoucke. The Kamchadals inhabit Kamchatka, Russia. The name "Kamchadal" was applied to the descendants of the local Siberians and aboriginal peoples (the Itelmens, Ainu, Koryaks and Chuvans) who assimilated with the Russians. The descendants of the mixed-blood Russian settlers in 18th-19th century are called Kamchadals these days. The Kamchadals speak Russian with a touch of local dialects of the aboriginal languages of Kamchatka. The Kamchadals engage in fur trading...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

"The Small Horse" copper plate engraving by Albrecht Dürer, circa 1505. This is a 19th century engraving, printed in black on laid paper, framed by a beautiful gilt and ebonized carv...

Print by engraving on copper plate from the Panckoucke Encyclopédie méthodique, end of the 18th century, volume Marine Planches (more than 1,500 figures dealing with all subjects on ...

Vue du Connétable de la ville de Gatchine (View of the Obelisk of Town of Gatchina) circa 1800. After an original by Semion Fedorovich Shchedrin, 1798. Engraving, 13 x 18 in. (33 ...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...