English Avery Toledo "Autoleveler" Gilt Bakers Confectionery Scale

A handsome and scarce English Arts & Crafts period miniature oak bureau from the early 20th century. Exquisitely hand-crafted in England over a century ago, exceptionally executed, t...

A rare and important late 19th century Victorian era metal mounted horse hoof match holder by Rowland Ward. Museum quality example, this most unusual curiosity having a gilt brass hinged lid opening to striker and open receptacle. Signed "Roland Ward...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

A magnificent rustic Spanish Colonial antique, circa 1725, church altar with remarkable patina and detailing. Hand-crafted in the first half of the 18th century, most likely commissioned by the Spanish Empire for use in a Colonial religious Mission, now fashioned with later antique elements and repurposed for use as a sideboard. The scarce Baroque period ecclesiastical architectural church altar presents with a raised gallery shelf back topped with a single board, over a massive, thick pine plank wooden slab top, featuring impressive rich patina, rustic charm and antique character. Mounted over the distinctive architectural trapezoid shaped molded base with rich hand carved and polychrome painted decoration, including the sophisticated original Italian / European inspired trompe-l'œil marbleizing finish, which was a variety of faux painting techniques used only by highly skilled artisans to create the distinctive and varied patterns of marble, in an effort to reproduce the colors, veining and luster of real marble or other building materials. Rising on solid supports enhanced with recessed paneling, smooth rounded corners and edge work and stepped molded trim. Beautiful, nicely aged patina over the whole, highly desirable heavily worn, naturally distressed, chippy paint craquelure finish that has been stabilized to minimize further loss, that does not detect from the aesthetics or functionality, but only adds to the overall elegant warmth and rich historical depth, that can only be acquired over three centuries. Very strong, sturdy, stable. Delivered cleaned, hand waxed, luminous polished French patina finish, ready for immediate use, and many more years of generational enjoyment. Dimensions: (approx) 37.25" High, 62" Wide, 27" Deep The large size, and substantial proportions, make this excellent for a variety of different uses, including as a distinctive buffet table or server, credenza, oversized console, farmhouse kitchen...

A scarce French Provincial Louis XV (1715-1774) / Louis XVI (1774-1792) Period mixed wood religious oratory (prie-dieu / altar) Hand-crafted in France in the 18th century, with later 19th century elements, likely originating in the south of France / Mediterranean region, featuring pegged solid wooden construction of warm, rich fruitwood, chesnut, oak, and maple. Having a slant-front bureau with tall raised back decorated with three Renaissance Revival style high relief panels, the center depicting religious scene comprising Jesus and winged Saint, the side panels with foliate floral fruit pendant carvings, flanked by classical turned baluster-form columns, surmounted with highly stylized hand carved and turned finials. Over a slant-front with star parquetry, the hinged drop-front opens to reveal a distressed leather writing desk / lectern / pulpit on which the holy books can be laid open and allows to shelter the books, which were considered precious goods at that time. The lower sacristy cabinet has a pair of slide-out supports flanking a paneled cupboard door decorated with a large stepped base Christian cross parquetry inlay, affixed with later decorative forged iron faux escutcheon overtop. The door opening with key to a single fixed shelf on which holy items...

A scarce, likely one-of-a-kind Spanish Colonial church altar, repurposed as a sideboard server or console. Hand-crafted in Mexico in the 19th century, having a shaped demilune marbleized - faux marble painted wooden top, over substantial solid pine bowfront base with hand carved detailing and decorative molded paneling. Provenance: Prior owner purchased from Horse of a Different Color Antiques, San Antonio, Texas. Acquisition: Acquired from highly reputable auction house Austin Auction Gallery, est. 1983, Austin, Texas. Three Day Estates Event February 22 catalog. Dimensions: (approx) 28" High, 84" Long, 22" Deep As warm and attractive as it is functional, having the ideal size and proportions for a variety of different uses, including as a dining room buffet, credenza - media stand, sofa table or hall console, dry bar, or placed in a palatial foyer as a stunning and historical entry statement piece! Condition: Good original antique condition. Presents well. Strong, sturdy, stable, and structurally sound. Nicely aged mellow warm patina. Wear consistent with age and indicative of use, including scattered losses to the paint, old repairs and touchups throughout, and various other antique character marks that add to the overall display, authenticity, and rustic old world charm. Please note, at the time of writing this, we have a similarly styled baptismal font likely from the same church available. We here at Lynx Hollow Antiques absolutely love religious antiques! Retaining spiritual significance, beautiful artistic depth, rich cultural and historical interest, they make for the perfect decorative object! Please be sure to check our other listings for architectural salvaged building elements to ornamental temple figures, tabernacle cabinets...

A fantastic piece of horse racing history, this English jockey scale was specially crafted by W. & T. Avery of Birmingham. These handsome scales were used...

French Baker's scale. This antique cast iron baker's scale includes original weights. Great Kitchen Accessory!

This is a W & T Avery makers brass and cast iron beam scale. The top of the pillar, is adorned with cast iron scrolls and a heart. There is one brass pan a...

Magnificent set of very large bankers 10lb balance scales together with a contemporary set of stamped W T Avery weights 7, 4, 2, 1 lb. Fully restored, po...

Large antique wrought iron and brass beam weight balance scale by W and T Avery Ltd. of Soho foundry Birmingham, England. Lovely black transfer on a por...

An early 20th century cast iron sack weighing scales produced by W&T Avery Ltd. First patented in 1879. In untouched condition with excellent patina and grain pattern to the wooden...