Important Set of 12 French Empire Mahogany Dining Chairs, Jacob Freres

Each upholstered backrest with backscrolled top rail above an upholstered seat flanked by arm rests, raised on ring-turned legs; each stamped JACOB FRERES / RUE MESLEE on back rail, three with old inked inscription M Julien...

Set of 10 French Victorian (late 19th century) mahogany side / dining chairs with shaped open backs, leather seats, and fluted front legs.

Set of 12 Sezession Dining Chairs – 2 arm chairs, 10 side chairs - early Art Deco designed for Horne Castle of the Baron Steinlein family. Manufactured by O. Strnad. PLEASE NOTE: PRI...

Glorious set of ten mahogany dining chairs made in the neoclassical French empire taste. The chairs feature decorative bronze mounts ...

The curved pierced back with a palmette-inlaid shaped splat terminating in dolphin supports raised on an upholstered seat, on front carved joined hairy animal legs (pieds de bîches) and hoof feet and back sabre legs; stamped: JACOB FRERES RUE MESLEE under the front rail. For a similar dolphin support, see Madeleine Jarry and Pierre Devinois, Le Siège Français, pp. 267 and 271 illustration 264 for an armchair at the Musée Marmottan stamped G. Jacob and executed in 1792. Provenance: Millicent Rogers her son, Arturo Peralta Ramos II Jacob Frères was the stamp used by brothers Georges II (1768-1803) and Francois-Honore Jacob (1770-1841) from 1796 to 1803. They were sons of Georges Jacob (1739-1814), arguably the best-known chair maker who worked for aristocracy and royalty during the reign of Louis XVI. The Jacob Frères firm's most famous client was Josephine, wife of Napoleon Bonaparte. She would have most likely seen the work of their father during the revolution in a progressive aristocrat's house. She used them to decorate various Imperial residences, such as the Tuileries palace, and remained a loyal customer, using them almost exclusively, until her death. When Georges II (the elder brother) died in 1803, Georges came out of retirement to help the remaining son, Francois-Honoré (who changed his named to Jacob Desmalter) from a new partnership called Jacob Desmalter Et Cie. (stamped Jacob D. R. Meslée, on two lines), which continued to be an influential supplier for the Imperial period and is credited with helping to define the Empire style as it is known today. Millicent Rogers, born Mary Millicent Abigail Rogers, was a Standard Oil heiress, but she wasn’t a poor little rich girl...

This set of important Pierre Patout open arm chairs were from the first class dining room on board of the S.S. Île de France, circa 1927. With excellent provenance, this exact set was previously sold at Christie's New York on June 1, 2006 during their Ocean Liner Furnishings and Art auction as Lot 286. As seen in the last photo, they had a hammer price of $12,000 plus buyers premium (usually from 20 to 30% of hammer price) and had an estimate of up to $25,000. Keep in mind that this is in 2006 and the inflation rate since then has been almost 30% in total. One of the chairs still retains the Christie's label as can be seen in the last photo. These Pierre Patout french art deco dining chairs feature an open arm design, flared legs, scalloped Mahogany sections which make up the seat base and seat back. Covered in soft and sumptuous velvet which has a light orange-brown color. Such incredible craftsmanship and quality materials that you just don't find in todays products. This set is priced for the set of 6 chairs, if you wish to purchase only a pair contact us to discuss. Such an amazing set for art and design collectors or interior designers looking for something truly special for best client. These chairs have incredible heft - you can feel the quality at first touch. These chairs are just exquisite - get them while they are still available and before someone else does. ABOUT THE DESIGNER: Pierre Patout (1879-1965), was a close friend and associate of Jacques-Emile Ruhlman, creating designs for the 1925 Exposition of Decorative Arts. Patout designed the main gateway of the Exposition on the Place de la Concorde, and also The Hôtel du Riche Collectionneur, one of the most popular attractions at the Exposition. Inside it displayed new furniture designs of Emile-Jacques Ruhlmann, as well as Art Deco fabrics, carpets, and a painting by Jean Dupas. His success at the Exposition led to commissions for transatlantic ocean liners including the Ile de France, L'Atlantique, and, the most famous of all the SS Normandie. The highlight of the Normandie interior was the dining room, illuminated with rows of lighted columns of Lalique crystal. The SS Île de France...